Dragonmarks: The Barbarian

The barbarian is a savage warrior from a primitive culture, who relies on pure rage or primal magic to overwhelm foes. Or so they are generally depicted. But as with all classes, you can use the mechanics of the barbarian to represent a wide variety of stories. In this post I’ll look at how the barbarian fits into Eberron, and present some alternate ideas for barbarian characters that could fit into any campaign.


Sometimes you just want to be an actual barbarian, and Eberron has a number of options that fill this need. Bear in mind that just as every priest isn’t a cleric, not ever warrior from a savage culture is a barbarian; classed barbarians would typically be elite warriors and champions.

  • Talenta Halflings. That’s right: our iconic barbarian is a halfling. This Dragonshard calls out the fact that “The Talenta druid believes that her ancestors are all around her, affecting every aspect of life“… which makes Xanathar’s Path of the Ancestral Guardian an easy option for a Talenta halfling. But I can also see a pint-sized Berserker, or a Totem Warrior with the totems renamed… the Eagle becomes the Glidewing, the Wolf becomes the Clawfoot, the Bear can be the Threehorn.
  • The Carrion Tribes. The people of the Demon Wastes are savage killers bound to fiendish Overlords. For a PC, the main question is why you broke with your tribe and left the Wastes. The simple answer is the Drizzt approach: you had a revelation that now sets you in opposition to your ancestors and their demonic patrons. Perhaps you were going to be sacrificed because you have the potential to shift the Prophecy in a way that harms the Lords of Dust – and now you seek to discover how to bring that destiny about. An interesting possibility here is that your “Rage” could actually be drawing on the power of your Overlord. You could be bound to Rak Tulkhesh, and that connection still gives you power in battle… even as you oppose his plans. If your rage has such a supernatural element, it makes a good justification for Xanathar’s Storm Herald path. Strangely, you could also justify the Zealot path with necrotic damage… with the argument that even though you are drawing on the POWER of an Overlord, you don’t revere them.
  • The Ghaash’kala. The orcs of the Demon Wastes use the power of the Silver Flame to fight the Lords of Dust and the Carrion Tribes. Traditionally this is a case where I’d say “You don’t have to take the barbarian class to be a barbarian”; when I played a Ghaash’kala half-orc, he was a straight-up paladin. The Ghaash’kala certainly have paladins and clerics, but Xanathar’s Zealot path for the barbarian is a way to combine these two things together.
  • The Eldeen Reaches. Barbarians are often presented as a primal path, which is entirely in keeping with the Druidic sects of the Eldeen Reaches. You could definitely find barbarian champions protecting the roving tribes of the Towering Woods. I’ll talk more about shifters in general below. The Totem path is an easy match for any of the Eldeen sects, but I could see Storm Herald or Berserker working just as well. And the Zealot path could actually be an interesting one for a warrior of the Children of Winter – not actually worshipping a god, but channeling the power of life itself in their pursuit of undead and others who violate the natural order.
  • The Shadow Marches. The Marches are split into the largely civilized clans and the more savage tribes, and you could definitely have a tribal warrior who follows a barbaric path. Berserker is an easy choice for the typical half-orc barbarian, but Totem is equally logical for someone who follows the ways of the Gatekeepers.

This is an easy few, but there are definitely other options. Xen’drik, Q’barra, Droaam, the tundras or deserts of Sarlona – there are lots of uncivilized regions a character could come from. With that said, a barbarian doesn’t have to BE a barbarian…


As with the bard, let’s take a moment to look at the concrete mechanical definition of a barbarian.

  • d12 hit die – the best hit points of any class.
  • Proficiency with martial weapons, shields, and light and medium armor… essentially everything except heavy armor.
  • A skill set that certainly skews towards nature (Nature, Survival, Animal Handling)… but that includes the more general Athletics, Intimidation and Perception.
  • A barbarian is a survivor – something reflected by Unarmored Defense, Danger Sense, and Feral Instinct.
  • A barbarian is fast – as reflected by Fast Movement and Feral Instinct.
  • A barbarian can choose to take advantage on their attack rolls, at the cost of providing advantage to enemies that attack them. This is called Reckless Attack – but there’s no reason it can’t be presented as a calculated martial technique.

And finally we have Rage – the heart of the barbarian. But what IS Rage? It’s a state the barbarian enters voluntarily and can end voluntarily as a bonus action. It is tied to combat, ending early if the user doesn’t make an attack or suffer an injury. It provides resistance to damage, advantage on strength checks and saves, and a bonus to damage with melee attacks. But does it have to be “Rage”? The character remains in full control of their actions and can end the state voluntarily; they aren’t somehow clouded by a fog of war. “Rage” is a state of heightened combat ability that can only be maintained for a short time; but if you change the name to Battle Trance or something similar, you can have a very different feel. Back in 3.5 we called out the idea that Dhakaani bugbears were trained as barbarians, but that “Dhakaani barbarians are not stereotypical savages; instead, the barbarian class represents a specialized form of combat training, with the Rage ability reflecting a consciously cultivated state of battle fury.” A similar approach is suggested for the Droranath dwarves of the Mror Holds: civilized warriors who cultivate battle-rage as a weapon. Both of these examples still present it as “fury” – but there’s no reason it has to involve anger. It’s a short period where you can do more damage in melee combat and resist physical injury, along with special abilities related to your path. Let’s look at a few more variations of the barbarian.


At the moment there isn’t a strong conversion of the Shifter in 5E. But what defined the Shifter of 3.5? Well, depending on your subtype, you got a temporary boost to your abilities that could only be maintained for a short period of time, along with traits like fast movement and tough hide. If you’re willing to simply ignore defined race and class and to call your rage “shifting”, you can make characters that FEEL like shifter champions by combining different base races with the barbarian.

Beasthide Shifter: Combine half-orc and Bear Totem barbarian. You’re strong, durable, and when you shift you’re extremely resistant to damage.

Longstrider Shifter: Combine wood elf and Eagle Totem barbarian. You’re extremely fast, and when you shift you’re faster still. You can slip into the shadows of the forest with ease. And yes, there’s some elf traits that don’t make sense – but you can interpret elven trance as “light sleeper”, saying that the shifter does sleep but will always awaken should there be any threat.

Certainly, this isn’t a long-term solution to the lack of shifter statistics… but in the short term, it works surprisingly well. We used this approach in the first 5E Eberron campaign I played in, and over the course of seven levels of play it held up just fine.


The Tairnadal believe that their ancestors work through them. The Revenant Blade specializes in channeling the spirit of their patron ancestor. Set aside all the preconceptions of the barbarian and consider it as an elite Tairnadal soldier: lightly armored, blindingly fast and comfortable in the wilds (with a wood elf base and fast movement, a base speed of 45 and able to hide in natural environs). Their high hit points reflect exceptional skill as opposed to sheer physical durability. And their “rage” is about channeling the spirit of their ancestor and letting it guide them; let’s call it Revenant Trance. For such a warrior, their resistance to damage while “raging” doesn’t reflect physical durability, but rather a preternatural ability to avoid damage. The additional damage while raging reflects absolute precision. While Ancestral Guardian might seem like a logical path for such a barbarian, that path deals with spirits that manifest BEYOND the character. Personally I think the Berserker path is a good one, just with all the effects recolored. Frenzy reflects the amazing martial abilities of the guiding spirit, with the exhaustion that follows reflecting the difficulty of channeling the spirit; Mindless Rage – which simply protects from charm and fear – reflects the patron ancestor shielding the Revenant.

One could reasonably ask “If the damage bonus from rage is about precision rather than force, shouldn’t they be able to use it with a bow?” It’s a reasonable question. But the whole point of the ancestral guidance is that it only lets you do what the ANCESTOR excelled at. This idea is based on the premise that the ancestor in question was an exceptional melee combatant with a fighting style that placed offense ahead of their own safety (explaining the “Reckless Attack” ability). The character can USE a bow… but it’s not what their patron specialized in, and thus, they gain no special benefit when they use it during their Revenant Trance.


Barbarian can also be an interesting choice for a warforged… a skirmisher designed to hit fast and hard, who can temporarily go into an overdrive mode when things are at their worst. Given the concept of a warforged as an innately magical being, I can imagine the warforged physically transforming in “rage” mode – with the resistance to damage being reflected either by ablative plating generated on the spot or by a temporary hardening of all surfaces. Personally I lean towards the Berserker model for this style of warforged, but you could reflavor Totem to reflect design as opposed to spiritual interaction. Another interesting option is to take the warforged Zealot Barbarian as a warforged built to channel the power of the Silver Flame. As a side note, in the Shadows of Stormreach story I wrote for D&D Online, I envisioned the warforged Spike as a barbarian.


I just made a barbarian for a charity livestream I’m on this weekend. Max is an orphaned urchin who grew up in a bad part of a big city. His father was a blacksmith, and Max believes that his father’s spirit is still with him, strengthening and advising him. To start off, this justifies a scrawny teenager with a Strength of 16; he doesn’t LOOK strong, but something gives him the strength to wield his giant maul. His Danger Sense reflects the guidance of the spirit… and his “Rage” is about letting the spirit take over and guide his actions. I went with Berserker as my path for the simplicity of it, and because I like leaving it as a mystery whether he actually IS haunted; perhaps he’s just crazy, or perhaps he’ll discover that the spirit he thinks is his father is something else. However, if I fully embraced this idea I could see running with Ancestral Guardian and having the spirits in question be the spirits of his immediate family; nothing says that Ancestral Guardian has to be an ancient tradition.


The barbarian shuns heavy armor, and has excellent unarmored defense. Combine this with the speed and reflexes of the barbarian – Fast Movement, Danger Sense, Feral Instinct – and you can imagine a swashbuckler who relies on precision instead of force. In this case, Reckless Attack again becomes a conscious style that favors offense over defense as opposed to sheer wildness. I tie this to Lyrandar because it fits with the idea of the Storm Herald path… specifically the Sea path, which ties to lightning and water. In this case I envision a Lyrandar heir who enters a battle trance using the Mark of Storm. Given that the Storm Herald suggests an ongoing storm around them, you could see the physical damage resistance as being winds that deflect incoming blows. If I was going to CHANGE rules, I’d shift the Rage Damage bonus to be lightning damage and potentially switch the Strength-related bonuses to be Dexterity related – making this a path for a finesse-driven swashbuckler who might have no Strength to speak of – but that’s not an absolute requirement to make the idea work. Obviously this is awkward when, y’know, we don’t have rules for Dragonmarks – but the point of the Lyrandar Storm Sorcerer or Barbarian is that you can use the class abilities as a way to imply the presence of the Dragonmark even if you DON’T have rules for using it on its own. Alternately, you could drop the Dragonmark entirely, shift the Storm Herald focus to Fire, and imagine an Aundairian Flame Blade — a variation of the Knight Arcane focusing on martial prowess with a touch of fire. Unarmored Defense could be flavored as a form of Mage Armor instead of pure physical toughness, with the powers of the Storm Herald being ultimately arcane in nature.


Rather than being the product of a civilization, the abilities of the barbarian could stem from literal madness. Either the Cults of the Dragon Below or a deep faith in The Fury could lead to ecstatic battle-rage. Depending on which path you’re taking, things like Danger Sense and Feral Instinct could be flavored as being deeply attuned to primal instinct (through the Fury) or the same, but flavored in madness (“The little man on my shoulder told me to dodge, so I did.”). Berserker is an easy path for follow, but you could also reflavor Storm Herald’s Fire path to inflict psychic damage, suggesting a character in the midst of a psychic maelstrom.

I’m going to stop here, but please share your thoughts, questions and ideas about ways to use the barbarian! And as always: Nothing here is canon in any way, and thank you to my Patreon backers, who make this blog possible!


There is a old RTS videogame set in Eberron. In that game the basic infantry units are Silver Flame dwarven berserkers that use their religious conviction as fury.

I almost mentioned these dwarves in the original post, but they’re so obscure I skipped them. But since you brought them up… The game in question is called Dragonshard. The dwarves are the Hammerfist Dwarves, a clan that lives in isolation in the Demon Wastes, fighting the Carrion Tribes and the Demons and sustained by the power of an Irian manifest zone. Where the Ghaash’kala guard the Labyrinth, the Hammerfist Dwarves are deep in the Wastes. Like the Ghost Guardians, they oppose the darkness – but they have little contact with the Ghaash’kala.

Now: in Dragonshard the dwarves are serving with the Order of the Flame – the “Good Guy” faction – but they are not followers of the Silver Flame. Instead, they follow a tradition that runs parallel to the Undying Court of the Aereni: They have Deathless. It’s established that what you need to create Deathless is a strong manifest zone to Irian and deep devotion of a group of people. They have both in the Demon Wastes, and this has let them create their own tiny Undying Court; this is reflected by the other Dwarven unit in the game, the Deathless Guardian.

So the Hammerfist Dwarves do call on their faith when they fight, and this is about as easy a justification for a Path of the Zealot barbarian that one could ask for. On the other hand, because they are all about revering their ancestors and drawing on their undying power, the Path of the Ancestral Guardian is equally logical for them.

Dragonmarks: The Bard

Xanathar’s Guide to Everything came out recently. I want to share my thoughts on how to incorporate its new options into Eberron and at the gaming table in general… but as I started working on this, I realized that instead of just talking about the new Xanathar’s subclasses, I want to take a broader look at the classes of Fifth Edition in general and how I’d use them. So without further ado… let’s talk about BARDS.

As presented in 5E, the bard is “an inspiring magician whose power echoes the song of creation.” The PHB entry describes the bard as “a master of song, speech, and all the magic they contain.” There’s many ways to develop the idea of the performer whose work inspires listeners…

  • House Phiarlan’s Five Demesnes are the most formal bardic order in Khorvaire, and fit the structure of colleges quite well. The Demesne of Memory teaches the techniques of the College of Lore. The Demesne of Song is tied to the College of Glamour. The Demesne of Motion can be tied to the College of Swords. And the Demesne of Shadow can be tied to the College of Whispers. Note that members of any race can study with Phiarlan – though they have to have exceptional talent to earn a place in one of the Demesnes.
  • The Dirge Singers of Dhakaan primarily fall under Lore, though battlefield bards might follow Valor. I could see a particular Kech that follows Whispers, but the Duur’kala are primarily leaders; those who whisper instead of sing would be a rare few.
  • The Greensinger druids blend fey bardic traditions with their druidic magic. Glamour is an easy choice for a Greensinger bard, but I could also see Swords as the teachings of Thelanian knights.
  • Tairnadal society revolves around the heroes of the past, and the bards who tell their tales play a vital role among the Valenar. Most take to the battlefield and follow the path of Valor or Swords, inspiring through deed as well as word. It’s possible that a Tairnadal bard bridges the gap between arcane and divine; the spells and Inspiration of a Valenar bard could involve directly channeling the favor or a patron ancestor. For a PC, a critical question is why such a bard would leave their warband… but perhaps the ancestors have laid a strange path before you.

All of these are examples of inspiring entertainers. But a bard doesn’t have to be a BARD. A class is a set of mechanics, allowing a character to do certain things. These mechanics are the bones, but I’ve always believed that the flavor that’s attached to them can and should be adjusted to fit the story of a particular character.

So let’s look at the bare bones of the bard. Mechanically, what defines a bard?

  • Proficiency with light armor, simple weapons, and a few others… the hand crossbow, rapier and longsword. More of a duelist or swashbuckler than a soldier.
  • Excellent skill selection, along with Jack of All Trades and Expertise. A bard can be good at ANYTHING; they don’t have to use their Expertise on skills related to performance.
  • “Bardic Inspiration” – The ability to enhance the rolls of others.
  • Spellcasting – Flexible arcane spellcasting with a focus on enchantment, divination and illusion… along with a touch of healing.

Generally, both inspiration and bardic magic are presented as performance. The PHB says that Bardic Inspiration inspires others “through stirring words or music.” But the critical effect is that the bard can use it on one creature within 60 feet that can hear the bard – and that the benefit must be used in the next ten minutes. As long as those conditions are met, does it matter if cosmetically this benefit involves a song or speech? Or could it be that the character just gives really good advice? Does the magic have to be a performance, or can it just represent training in a particular set of arcane skills? Consider a few different ways to present a bard.


Background: Charlatan

Skills: Deception (B), Insight, Investigation, Persuasion, Sleight of Hand (B)

Important Spells: Friends, Message, Charm Person, Disguise Self, Detect Thoughts

Rogues are often seen as the go-to path for spies, but in a world where arcane magic is a recognized tools, spells can be far more useful than a sneak attack. If you need your spy to stab someone in the back or to dodge a fireball you want a rogue – but if you’re looking for a charming envoy who can pluck secrets from someone’s thoughts and share that information with a whispered message, a bard may be what you’re looking for. This is an excellent path for a PC who’s trained with the Trust or the Royal Eyes of Aundair… and even in the Thorn of Breland novels, we have a Dark Lantern who makes good use of Disguise Self. In these cases, as a DM I might allow the player to exchange the three musical instrument proficiencies that come with being a bard for a single proficiency with Thieves’ Tools (or they could take the Criminal background instead of the Charlatan). On the other hand, a Phiarlan or Thuranni spy USES those performance abilities as part of a cover for their spying. Either the Criminal or Charlatan background has other useful features for a spy – the false identity of the charlatan is a well established cover, while criminal contacts can easily be shifted to reflect contacts with your agency.

For a spy, Bardic Inspiration can reflect secrets – something useful you’ve noticed about a target. The spy/bard provides the beneficiary with a useful piece of information, and within the next ten minutes the target can make use of that secret to gain an advantage. Personally, I wouldn’t specify the secret until it is used… and I’d have the person benefiting from it explain what it was and how it helped. In other words, the spy says “I’m using inspiration on Bob.” Three rounds later Bob is attacking a guard and wants to add the inspiration die to his attack roll. At that point he says “Keith told me about this guy! He’s got a war wound and can’t block properly with his left arm.” Again, not knowing WHAT you’ll use the inspiration for, I can’t define the secret right away – but we establish that I’ve told you SOMETHING useful.

Looking to Colleges, there’s a few options. The College of Lore is an easy choice; a spy can use more skills (say, Stealth, Perception, and a knowledge skill of some sort); Cutting Words reflects your own ability to benefit from the secrets you’ve observed; and the ability to choose a few spells from any class list definitely provides useful options. On the other hand, the College of Whispers is good for a spy with a touch of darker magic… and is something I could definitely use for a disturbing Trust agent or a Thuranni assassin.


Background: Criminal

Skills: Acrobatics, Deception (B), Perception, Sleight of Hand, Stealth (B)

Important Spells: Friends, Charm Person, Disguise Self

The Wandslinger is a scoundrel – a gambler and duelist, a literally charming troublemaker. Were I making this character, I’d make them a human from Aundair and use the variant human rules to take the Magic Initiate feat, selecting a pair of offensive cantrips to use in battle… thus justifying the name, as I’d have a few fine wands as arcane foci. A high elf could also do this with their racial cantrip. But the basic point of the character is to be a scoundrel in a society where magic is on the table – someone who can get out of trouble with a smile and a cast of Friends… even if they’ve got an angry mob coming after them when the spell wears off. You could get some of the same mileage with an Arcane Trickster rogue, but you’d have to wait a few levels to get there… and the rogue is defined by that sneak attack. This Wandslinger is about charm and charisma, preferring to talk their way throw a situation and only drawing wands  and unleashing firebolts if there’s no other option. Any College could work, but I do like the flare of the College of Swords for this character. When they use Bardic Inspiration on others, it would be along the lines of general encouragement and charisma; the optimism and confidence of the Wandslinger is infectious, together you can find a way to beat the odds.


Background: Entertainer

Skills: Acrobatics (B), Deception, Insight, Performance (B), Persuasion

Important Spells: Prestidigitation, Illusion, Enthrall

In Khorvaire, magic is a tool used for warfare, healing… and entertainment. Phiarlan and Thuranni are well known for weaving illusion into their performances, but you don’t have to be an elf to get in on this act. If you follow this path, you aren’t simply a wandering minstrel; you’re an entertainer who’s built up a reputation for your amazing performances. You may know Dancing Lights, Minor Illusion, Silent Image, Faerie Fire, and Prestidigitation – because you use these spells as part of your performances. You CAN use Faerie Fire to outline an enemy in battle – but you use it to light up yourself during a performance. You might use Disguise Self for quick changes during a show, or Charm Person to deal with troublesome fans. Acrobatics may reflects actual tumbling or a remarkable talent for dance. When it comes to College, you’re all about Xanathar’s College of Glamour. It’s not that you are calling on fey powers… it’s that you are literally that good.

With the Superstar, the question is going to be why are you an adventurer? You could make a decent living on stage, and likely you already have. Do you have a literal quest to pursue – a mystical instrument you’re trying to find, or a family mystery you’re trying to unravel? Is your adventuring career a publicity stunt? Have you tired of the spotlight and you’re trying to do something meaningful with your life? Whatever the answer, you should definitely establish your previous life, as people will definitely recognize you and want you to perform!


Background: Urchin

Skills: Acrobatics, Deception, Perception, Sleight of Hand (B), Stealth (B)

Important Spells: Blade Ward, Heroism, Hideous Laughter, True Strike, Vicious Mockery

In the original proposal for Eberron I explored the idea of a class called “the Journeyman.” The idea for this was the character who has no place being an adventurer… who somehow survives dangerous situations through sheer luck. There’s many ways you could go with this. You could take the Guild Artisan background and be a chronicler for the Sharn Inquisitive who wants to report the stories of REAL adventurers. You could go with Folk Hero and be everybody’s favorite bartender who got swept along with the adventurers after your bar burnt down. Or you could go the route I’m suggesting here: A character who is mechanically a halfling bard (small, fearless and lucky), but who for flavor purposes I’m describing as a human child who just has more luck than anyone deserves. They grew up on the streets of Sharn and they know their way around a big city… but they’ve still got no business being an adventurer.

Like the Revenant Blade, this is a case where I’m bending things quite a bit. First of all, while this character’s spells can BE magical effects – which is to say, they won’t work in an antimagic zone, they can be counterspelled, etc – the idea is that the character doesn’t actually KNOW magic. Rather, they are just favored by the Prophecy or similarly touched by a benign force and things just go their way… and they can share this luck with others. When they use an effect like Bardic Inspiration, True Strike or Heroism, they aren’t consciously casting a spell; they’re literally just saying something like “You can do this, Jo! I believe in you!” and it works. When they use Vicious Mockery or Hideous Laughter, they are literally just viciously mocking the target… but that insult really stings! If I was playing this character, I wouldn’t even carry a weapon; I’d rely entirely on cantrips and magic in combat, unleashing stinging insults, being surprisingly charming, and helping my friends with my ridiculous luck.

Meddling Kid or Journeyman, this isn’t a sort of character that works in every campaign. You have to have a group of players willing to bend logic a little, to accept that idea that when Little Billy casts as spell, he isn’t actually casting a spell. You have to figure out why a party of adventurers would let this character tag along. For all these reasons this sort of character often works best in a one-shot. On the other hand, if you do run with this, you have the interesting opportunity for the character to literally grow as the campaign progresses… to start off being represented as a “halfling” bard and then to evolve into a human of another class, losing their crazy luck as they grow into their actual skills.

You get the idea. The mastermind whose “inspiration” is about executing an excellent plan. The Medani detective who uses a little magic to help in their investigations (and Khoravar bards get a lot of skills to work with!), whose inspiration comes from Sherlock-style deductions about an attack or target. The chronicler who adventures to report on the greatest stories in Khorvaire… and whose inspiration comes from things they’ve seen on their journeys or facts they’ve learned. “Trust me, if he tries to charm you, just start humming!”

I could go on, but hopefully this gets the point across while also suggesting ways to use the new colleges from Xanathar’s Guide. Stretch the idea of the class, and think about the story you want it to have.

What have you done with bards in your campaign? Share your thoughts and questions below!

How would you set up an all-bard one shot adventure in Eberron?

It’s easier to do than with most classes because the bard is an inherently flexible class. You can have five bards with different skills sets and specialties – a Swords bard focused on melee combat, a Lore bard who’s got Medicine and healing magic, a Glamour bard who specializes in enchantment and manipulation. Part of the question is how you justify the team, and whether they consider themselves to be “bards” – or if they are spies, meddling kids (Really Stranger Things), or what have you. If I was making a one shot, I’d make the characters an elite Phiarlan team trained in the different demesnes. That way you could combine their artistic talents with the actual mission. They’re performing at an Aundairian diplomatic reception, but the REAL job is to rob Queen Aurala!

Dragonmarks: Common Magic, Part One

Xanathar’s Guide to Everything was released recently, and it includes a host of options for players and gamemasters. Over the next month I’ll explore how I’d incorporate some of these ideas and options into Eberron. Right now I want to tackle a subject that intersects only partially with XGtE: the question of how Eberron can coexist with the limited magic of default 5E D&D.

The first thing to bear in mind is that Eberron is not a high magic setting – it’s a wide magic setting. Eberron is built upon the premise that arcane magic behaves as a science and would thus become integrated into the world in a scientific manner. But one of the other basic principles of Eberron is that high-level characters are rare… and this ties to the magic that’s available. Here’s a few basic principles to consider.

  • In comparing Eberron to our world, we’ve always said that it’s closer to the late 19th century than to the present day. We have magical equivalents to the telegraph and the railroad and we’re just getting started with air travel. But we don’t have widespread equivalents to automobiles, telephones, or the like.
  • Wide magic generally includes effects that mimic spells of up to third level. Spell effects of up to fifth level – teleportation, raise dead, cloudkill – are known, but rare. Higher level effects are still “magical.”
  • Making a breakthrough in magic is exactly as difficult as making a breakthrough in science. Why hasn’t someone invented an airship anyone can fly? Because they haven’t figured out how to do it, just like WE haven’t figured out cold fusion or time travel.

Which brings us to two issues: magic items in the world and magic item creation. Under third and fourth edition, magic item creation and costs are very concrete and mechanical, and this lent itself to a vision of a world where you could go to a store and buy a +2 flametongue (and maybe ask the smith to customize the flames for you). Fifth edition initially didn’t have rules for creating magic items and ran with the idea that even a +1 weapon was a remarkable treasure. For some, this meant it was impossible to reconcile Eberron with the system. For me, it’s all about setting expectations: what is common magic? 

I mentioned earlier that “wide magic” involves spell effects between 0-3rd level. Just start at the bottom and look at what you can do with those effects. My favorite spell for this is prestidigitation. Using this cantrip, you can…

  • Light a mundane fire.
  • Instantly clean an object of limited size.
  • Instantly chill, warm, or flavor food.

If we accept that these are basic principles of magic – that we’ve figured out how to use magic to produce these effects using trivial (cantrip) amounts of magic – and you have the principles you need to create magical counterparts to the refrigerator (chill food), microwave (warm food), vacuum cleaner (clean room), lighter (firestarter) and washing machine (clean clothes). These things won’t look like our tools, and they won’t act like them. Instead of a vacuum cleaner, you might have a Sorcerer’s Apprentice broom that sweeps itself, of a fancier whisk broom that simply vaporizes dirt when you wave it over a floor. Such items won’t be cheap, but they also needn’t be ridiculously expensive; what you’re talking about is an object that only does a sliver of an effect of a cantrip.

Xanathar’s Guide to Everything presents a host of items with this level of power, which it calls common magic itemsClothes of Mending automatically mend themselves at the end of each day. The Ear Horn of Hearing negates the deafened condition while it’s in use. Some of these common items already exist in Eberron. The Instrument of Illusions is essentially the Thurimbar Rod, an illusion-based instrument developed in Zilargo; and the shapeshifting Cloak of Many Fashions is similar to Eberron’s shiftweave, if somewhat more versatile. As I mentioned in a previous article, something that’s often overlooked in Eberron is the idea of glamerweave – fabric infused with illusion. You could have a cloak with a lining of stars, or a blazer emblazoned with what appear to be actual flames.

The short form is that the common magic items of XGtE are a good model for things that could be common in Eberron – and something you can use as inspiration in creating other items or setting a scene. For me, the key is to look for principles demonstrated by a low level spell and consider how that could be harnessed as a tool. For example, the Sivis sending stone is based on the principle of the spell whispering wind, which delivers a short message to a specific distant location – more limited than sending, but lower level. When you do create a new item or effect, one thing to consider is that if it’s TOO useful, it might be something that’s only found as a dragonmark focus item, especially if the effect is clearly related to a dragonmark’s sphere. Whispering wind is a simple effect – but I still decided to limit it to Sivis, because from a story perspective it’s interesting to have the house have a near-monopoly on swift communication.

So common magic items could indeed be common. With that said, I think it’s reasonable for uncommon items to be uncommon — not something you see in every household, but things that CAN be manufactured and purchased. When you go to rare and legendary items, you can keep them rare and legendary. Perhaps they’re relics of fallen civilizations, or creations of advanced ones (such as the Chamber or the Lords of Dust). Perhaps they are one of a kind things created under special circumstances — during particular planar conjunctions, using unique Siberys shards, or even fashioned in other planes. Perhaps that Elven blade was forged by a member of the Undying Court and imbued with a fraction of her spirit. In short, there’s room for magic to be both commonplace and truly magical. That everburning torch is just a tool you can buy at any Cannith forgehold… but that Vorpal Sword is a legendary weapon spoken of in song and story. Meanwhile, magical weapons can have lesser magical effects – a self-sharpening sword, an axe that glows on command – things that are useful and magical, but don’t have to have the same impact as a bonus to attack and damage. I have many thoughts about wands, but I’ll delve into that in my next article.

In considering these things, XGtE also helps with its classification of magic items as major or minor in addition to the rarities. Minor uncommon items should be easier to acquire than major uncommon items. The short form is to think about what it means for a magic item to be something that can simply be purchased. If that thing is a reliable tool that exists in the world for anyone who has enough money to acquire it, how should it impact your story?


So we’ve established a general yardstick for what exists in the world. The next question is what can player characters create, and how can they create it? The first thing to point out here is that whatever system House Cannith uses to make wands isn’t going to be the same system a player character uses. While Eberron doesn’t have full-on manufacturing plants, the creation of magic items is an industry. Creation Forges are the most dramatic tools available to House Cannith, but they have a host of lesser ways to improve the process of production. They may literally have enchanted assembly lines — not automated, but still, facilities designed to efficiently produce a particular type of item and enhanced with various magical effects. They acquire rare components in mass quantities – which ties to another largely unrealized idea in Eberron, that dragonshards are a critical part of creating magic items and serve as the fuel of the magical economy. Cannith may have lesser focus items that channel the Mark of Making. And they certainly have secret techniques or patterns for making specific items as efficiently as possible (which is to say, schema).

Meanwhile, your wizard or artificer is literally a guy making a thing in a garage. Cannith can make a wand of fireballs faster and cheaper than you can. But the one you make is going to be entirely unique. And perhaps you can make something they’ve never figured out how to make – because you’re an innovator, not just working on the assembly line.

All of which is to say that this actually works well with the model of magic item creation presented in Xanathar’s Guide to Everything… making the creation of a magic item part of an adventure as opposed to simply a formula you fill out with gold and XP. You can’t replicate the process Cannith uses to make a wand of fireballs, because you don’t have their facilities, resources or specialized expertise. BUT, if you could get ahold of an elemental heart from Fernia, you could use that to create your wand! And what do you know, you’ve heard that you can acquire such a thing by hunting drakes in a Fernian manifest zone in the Blade Desert. If you can get that heart, a thousand GP worth of refined Eberron shards, and a good piece of darkwood you can carve into a wand – give it a few weeks and you can make it happen.

So I like the XGtE model; just bear in mind that what you are doing ISN’T the same thing House Cannith does when they are producing something. What you are creating will be unique – and again, for that reason and because PCs are remarkable, it may be that you can create something that Cannith cannot create.

In my next article I’ll write about magewrights and wand adepts. Until then, post your questions and thoughts below. Thanks as always to my Patreon supporters, who make these articles possible.