Dragonmarks: The Mourning and the Dread

Last Friday I wrote about Manifestations of the Dread. That article focuses on my new RPG Phoenix: Dawn Command, but Eberron players and DMs may find another use for this material, because the effects of the Dread aren’t entirely dissimilar to one of the defining elements of Eberron: The Mourning.

The world of Phoenix: Dawn Command is dealing with an unfolding supernatural threat. The Dread can strike anywhere in the known world, and it takes many forms. The dead rise to prey on the living. The laws of nature are broken. Communities fall prey to mass hysteria, or to malevolent spirits banished long ago that have now returned. Essentially, the entire world of Phoenix is slowly becoming the Mournland… but it’s happening piece by piece.

By contrast, the Mourning happened suddenly and is contained. It consumed the nation of Cyre… and then stopped expanding. Fear of the Mourning is what brought about the end of the Last War. No one knows what caused the Mourning, and until there is an answer, people are afraid to keep fighting… because one possibility is that it was the extensive use of war magic that triggered the Mourning, and that continued conflict could cause it to expand.

Where the Dread is scattered, the effects of the Mourning are contained in a particular region, the Mournland. This area is enclosed by mist: a wall of fog that rises over a hundred feet in height and that covers the entire region from above, preventing direct sunlight and any form of observation. Combined with the considerable danger involved in exploring the Mournland, the result is that very little is known about the region. Everyone knows that it has been transformed, and that living creatures caught in the Mourning were either killed or transformed. Stories say that wounds don’t heal in the Mournland, that dead bodies don’t decompose and that there are battlefields where blood still seeps from the wounds of the fallen. War spells have taken on a life of their own, and massive crabs cover their shells with corpses.

From a design perspective, the Mourning serves a number of purposes. It provides a central mystery. It’s a foundation for the cold war. But beyond that, it takes a region that’s been civilized for centuries and turns it into the world’s biggest dungeon. On some level it’s hard to justify wild monsters and mysteries in Galifar; why weren’t they dealt with by the heroes of previous ages? But the Mourning is a NEW problem. And aside from the things that can be found in its borders, the things that leave the Mournland — both living and otherwise — can be a source of adventure.

With this in mind, my vision of the Mournland was always that it is unpredictable. No one rule should apply to the entire thing. The idea that corpses don’t decay and that wounds won’t heal is an iconic image and may be true in much of the Mournland. But for every village filled with perfectly preserved corpses, you might find another where everything organic has been disintegrated or turned to glass, or a village where animated skeletons carry out a pantomime of their former lives. Some of these things are dangerous, like the shard storm Thorn encounters in the ruins of Ascalin in The Fading Dream. But others may just be strange, and this is where last Friday’s article comes into play. All the things I’ve suggested as manifestations of the Dread could also be symptoms of the Mourning.

For a DM, the value of this variety is the ability to spawn a multitude of unique adventures. The Mournland is the size of an entire nation, filled with cities, villages, fortresses, forgeholds and more… and each one the adventurers visit may present new threats. And rather than having to justify why an ancient ruin is full of treasure, the Mournland holds treasures because until four years ago, it was a prosperous nation. Cyre was the seat of House Cannith, and if you want to find powerful magic, where better to look than a Cannith forgehold? And aside from purely material wealth, the Mournland holds religious relics, sentimental keepsakes, the secret strategic plans of Cyre’s military, and anything else once of value… any of which could be reason for an adventure.

As a player, the Mourning can provide you with a wealth of story hooks. If you’re Cyran, how did you survive the Mourning? Did you just barely escape, or were you away when it struck? Who did you lose to the Mourning, and have you ever wondered if they might still be alive beyond the mists? Is there anything you lost that you’d like to regain, whether of actual value or purely sentimental? Did you lose your extended family, or are they now refugees – and if the latter, where are they? Beyond this, most people lost in the Mourning were killed or lost… but perhaps you were affected by it but survived. Here’s just a few ways you could be affected.

  • Cosmetic Transformation. Your skin or hair might have an unusual color or texture. Perhaps you lost an eye, and your remaining eye glows when you are angry. Maybe your hair is alive; you can’t control it, but is slowly moves of its own accord. These things don’t have any mechanical effect, but can add color to a character. And because they’re so rare and unique, they don’t carry the immediate stigma of an aberrant mark; they’re just strange. 
  • Exotic Race. In one 4E campaign I played a character who was mechanically a deva. But I said he was a normal Cyran peasant who’d been caught in the Mourning, and who was now channeling hundreds of ghosts of others who’d died in the Mourning. The deva is defined by having memories of a thousand lives; in my case, these were the memories of other people, all being channeled through me. You could take a similar approach to any unusual race that you don’t want to fit into the world on a large scale. Tabaxi could have an entire civilization in Xen’drik… or, you might say that Tabaxi are shifters who were caught in the Mourning and transformed, and there’s only around a dozen of you in Khorvaire.
  • Mechanical Powers. My deva character was technically an avenger, but I explained his powers as coming from the spirits he channeled as opposed to divine devotion. City of Stormreach presents the Storm Hammers, a gang made up of Mourning survivors who have manifested unnatural abilities; mechanically they’re sorcerers, warlocks, and barbarians, but the concept is that these are dark gifts of the Mourning as opposed to learned skills. You could similarly explain your class abilities as being tied to the Mourning. Or for a less extreme effect, 5E includes the Magical Initiate feat, which grants use of two cantrips and one spell; this is certainly sufficient to reflect a strange gift of the Mourning. If you go this route, the next question is how this manifests. My deva’s powers were the work of the spirits for which he served as an anchor. The Storm Hammers draw their powers from a dark source, possibly the power of the Mourning itself — and this connection may be driving them mad. Perhaps you were in a Cannith forgehold when the Mourning struck and a bundle of wands fused with your left arm; you channel your magic through the wand-tips protruding from your stump. Or you could have been fused with a demon, an agent of the Lords of Dust that happened to be in the area; as your character level increases you can access to more of the fiend’s powers, but are you also becoming a demon?

SO, CAN YOU TELL US WHAT CAUSED THE MOURNING? 

If I don’t address this, I’m sure someone will ask, so let’s get it out of the way now. I can tell you some things that could have caused the Mourning…

  • The Ashbound and the Children of Winter are on the right track: The Mourning was the natural consequence of the extensive use of magic during the Last War. Ending the war has temporarily stopped it, but the Children of Winter believe that the damage cannot be healed: the only way the world can be restored is to go through the winter to reach the spring that lies beyond. If they are correct, the Mourning will eventually spread until it covers the world. But perhaps they’re mistaken, and there’s a way the damage can be undone… but it would still mean that the people of Khorvaire would have to be careful about overuse of magic in the future.
  • House Cannith was developing a weapon. Something went disastrously wrong. Questions that remain: could this weapon be restored or duplicated? Do any of the current Cannith leaders know about this project? Presuming the forgehold developing it was in Cyre, what happens if the Lord of Blades or someone else discovers it?
  • One of the Overlords of the First Age was bound beneath Cyre. Due to the machinations of the Lords of Dust, the fiend was partially released. The Mourning is a reflection of its influence. At the moment it is building its strength; there is one more step that is required to fully release it. If that occurs, its power – and the Mournland – would spread.
  • The Lord of Blades was behind the Mourning, an attack targeted against the heart of House Cannith. This may have used an epic artifact or eldritch machine — which could potentially still be tied to an Overlord or to the Daelkyr. Generating the Mourning drained the weapon of power… but the Lord of Blades is working to restore its power.
  • The Mourning was actually caused by dragons of the Chamber, as part of a necessary chain of events to prevent the release of an Overlord — for sake of argument, let’s say Tiamat. The Mourning can be reversed, but reversing it will unleash Tiamat, who will corrupt Argonnessen, and set into motion an epic conflict with the dragons.
  • In The Fading Dream, the Eladrin present a theory of what caused the Mourning and how it could be reversed. I won’t spoil it here, but hey, it’s possible.

That’s just off the top of my head. OK, you may say, these things could have caused the Mourning… but what didI don’t know. In MY campaigns I’ve never felt a need to solve the mystery. What I like about the Mourning is the effect it has on the world: driving the cold war between the nations, holding the Last War at bay, creating a giant dungeon in the middle of things. If the mystery of the Mourning is solved, one way or another, it paves the way for the Last War to start anew. That’s not a story I’ve wanted to explore… so I’ve left in unsolved. Which means that I’ve never needed to choose between the host of possibilities. If I decided to tell that story, I’d pick one. But as it stands, I’m happy leaving it as an enigma.

That’s all I have time for, but let me know if you have questions about the Mourning and the Mournland… and share your favorite answers for the Mourning or manifestations of the Mournland!

Phoenix Friday: Manifestations of The Dread

It’s Phoenix Friday! If you haven’t seen it yet, check out our new website for Phoenix: Dawn Command. We’ve just submitted the test run of our first Phoenix expansion – we’ll have more news on that soon.  Meanwhile, I’d like to take a moment to talk about the force that threatens the world of Phoenix… The Dread. 

The Dread began slowly. Over the course of months, stories began circulating around the Empire. People murmured of savage beasts attacking travelers on the road, and caravans disappearing. There were reports of sudden plagues and strange weather. But these tales weren’t taken too seriously…until 591 IC, when the Bone Legion sacked the city of Westergate and began its inexorable march along the Summer Shore. Without the Phoenixes, news traveled slowly across the Empire. By the time the Emperor heard about the fall of Westergate, there was another, closer catastrophe: The town of Dulacia had fallen to the Chant, a form of infectious madness. It was at this point that the enemy was given a name. The Emperor assured the people that the Dread now gripping the Empire would not last, that order would soon be restored.

Thus began three years of escalating terror. The Imperial Army has done its best, but mortals cannot face these threats. The Army has been powerless to stop the advance of the Bones along the Summer Shore. When a town falls to the Chant, all anyone can do is ensure the curse spreads no further. Fortified cities provide shelter against many threats, and refugees have flooded the largest cities…but many manifestations of the Dread can strike anywhere. The Emperor has done his best to give the people hope, but in truth, there’s little he can do…and in their hearts, the people know it.

The most critical point in understanding this threat is that The Dread is a name the people have given to this wave of horrors. It gives the sense that they are facing a single foe that could potentially be engaged. But the Dread is anything but monolithic. Is the Chant related to the Bones? Do either of them have anything to do with the reports of Fallen activity in the north, or skinchangers in the Grimwald? No one knows. While missions in Phoenix often involve battling some manifestation of the Dread, investigation is equally important; the long-term goal is to unravel the mystery, not simply to kill a few monsters. The Chant is a contagious curse: someone starts chanting and attacking the people around them. Suddenly others are chanting and fighting. Within hours it can engulf a city. But… how does it spread? Are mortals afflicted when they touch chanters, or is just hearing them enough to spread the curse? Is there a way to cure those afflicted without killing them? Beyond that, how and why does it begin… and what does it have to do with the Bones, or other major manifestations? If you encounter a Chant outbreak in a village, containing it is a start… but uncovering the answers to these questions is the real challenge.

What does this mean for Players?

You become a Phoenix by dying, making your way through the Crucible, and returning to fight the Dread. In thinking about how you died and what drove you to come back, consider if you encountered the Dread — and if it was the Dread that killed you. What manifestation did you encounter? Was it your first interaction with the Dread, or had you dealt with other aspects of it? How will you react if you encounter it again? If you were killed during a Chant outbreak, are you terrified of the Chant, or are you determined to find a cure? And as you face the Dread in play, think about how your character conceives of it. Do you believe the Dread is a single force that can be fought, or do you think it’s the end of days? Are you shaken by the things you’ve seen, or does it just fuel your conviction to somehow bring an end to it?

What does it mean for GMs?

Whether you’re developing your own stories or using the mission arc in the basic set, keep the scope of the Dread in mind. The Bones and the Chant are major threats. But the Dread manifests in hundreds of lesser ways, and part of what’s terrifying about it is that no one knows where it will manifest or what form it will take. It’s as if nightmares are bleeding through into the world. Not every manifestation is deadly or even dangerous. But they are happening with increasing frequency and that is part of the fear that grips the Empire: dealing with a seemingly endless parade of terrors, never knowing what will come next.

Lesser Manifestations of the Dread

The Chant, the Bones, the Fallen Folk — these are major manifestations that can threaten cities. But not every face of the Dread is so epic in scope. Here’s a list of a few lesser manifestation of the Dread. If you’re a marshal, this might give you some ideas to add color to a scene or an interlude; if you’re a player, perhaps one of these could fit into your backstory.

  • Unnatural Weather. It’s summer, and the Phoenixes are approaching a village in one of the green valleys of Ilona when the snow begins to fall. The chill could soon prove deadly to mortals… and are there strange shapes out there, obscured by the fallen snow? Whether it’s a freak blizzard, rain of blood, a fog that won’t lift, unnatural heat or devastating storms, the Dread can create any sort of localized weather you can imagine.
  • Blighted Crops. An unnatural blizzard could ruin crops, posing a threat of famine and ensuing panic and chaos. Plants could grow, but in unusual forms. What will happen if anyone (human or animal) eats this strange fruit? Crops could appear normal, but be tainted and cause hallucinations in those who come into contact with them… or simply become incredibly toxic. Or perhaps the fruit of a plant bleeds when you cut or bite into it, and the plants scream in pain when cut.
  • Afflicted Animals. The Dread can turn wild beasts into monsters, transforming them into fearsome and unnatural forms. Animals – even herbivores – could begin craving blood or meat. Animals could be warped in ways that don’t make them a threat, but simply disturbing: loss of all hair; twisted limbs; animals with no eyes, who somehow still seem to be able to see; strange coloration; beasts that speak or sing in a language no one knows, but that don’t respond to attempts at communication. Maggots could spontaneously manifest, or hordes of vermin or insects could be inexplicably drawn to locations. Non-migratory animals could nonetheless migrate in large numbers. Phoenixes could come upon hundreds of dead animals of a particular species, all of which apparently dropped dead in an instant. What does it mean?
  • The Dead Rise. The Bones are the corpses of warriors who have risen to continue the battles they fought in life. The Bone Legion in the south is the most visible manifestation, but Bones can rise anywhere there’s been great violence. Bones don’t have to be human; the core set includes the Carrion Birds, and you could easily have other animals. These things are challenges to be fought, but death can be broken in ways that are eerie as opposed to deadly. Imaging a pack of ghostly wolves – entirely insubstantial – that stalk travelers but can’t actually touch or be touched by them. Ghosts of lost loved ones could dog the steps of a Phoenix, or you might have a town where such spirits haunt the inhabitants… or perhaps they just scream and wail. Phoenixes might come upon a farm whose inhabitants were killed by a plague… but their corpses continue their daily tasks, mechanically going through the motions. On a less direct level, strange footprints or handprints could appear with no explanation. Menacing graffiti could appear on walls. The haunting spirits could be known to the locals, or they could be from a distant past and be angry about the strangers in their homes.
  • Mass HysteriaEven without supernatural influence, people are terrified of the Dread. This is exacerbated by the fact that many people have been driven from their homes. There is panic, scarcity of resources, anger and suspicion that turns people against one another. Add the unnatural influence of the Dread to the mix, and things get worse. People could be haunted by terrible nightmares — threatening visions of a possible future, images of betrayal by friends or neighbors, or bizarre dreams depicting alien worlds. Large groups could be afflicted with collective amnesia… or perhaps their bodies are seized by hostile spirits for brief periods, and they can’t remember what happened while they were possessed. Groups could be gripped by burning anger, crippling despair, or deep ennui. People could find themselves speaking in languages they don’t understand, suddenly unable to communicate with one another. Can the Phoenixes calm those afflicted? Is this the work of spirits that can be exorcised, or something else?
  • Breaking Natural Laws. Be it on a small or large scale, the Dread can simply break the way the world works. Reflections or shadows threaten those who cast them. In a particular body of water, nothing will float. In a particular region, wounds won’t close… or perhaps people die, but their bodies won’t rot. Glass dissolves into sand. Water turns into acid. There’s a smell of rot in the air, though there’s no source. When people breathe, the exhale smoke or foul odors. Combustion won’t occur in a village; candles and hearths alike are cold, casting the people into darkness.

These things may not have a direct effect on the action of the game. They aren’t as dramatic as a pack of hungry Skinchangers or the arrival of the Harvester of Fear. But details like these can add interesting flavor to a scene, and emphasize the fact that the Dread is entirely unpredictable… you never know what’s going to happen next, and we don’t know why all these things are happening now.

if you have questions about Phoenix or the Dread — or favorite supernatural disturbances of your own — add them in the comments!