Category Archives: Eberron FAQ

Discussion of the Eberron Campaign Setting

IFAQ: Adepts and Divine Artifice

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Art by Julio Azevedo

I’m on my way to MegaCon where I’ll be talking about games and playing on the main stage! It’s been a busy month: I’ve relaunched my Frontiers of Eberron campaign on my Patreon and I’m writing for Wayfinder. I’m working on the next Dragonmark article, which will deal with Khorvaire in the Age of Giants. But when time allows I like to answer interesting questions from my patrons… so lets look at one of those.

Could you expand on the description of the Crucible artificers in Exploring Eberron, or more generally on how the overlap between adept magic and artifice/magecraft works & what it looks like? I’m assuming the faiths have followed technological progress, but I’m having a hard time coming up with more than mass-produced religious icons, scripture, and holy water.

One of the central aspects of Eberron’s idea of Everyday Magic is the existence of a widespread force of spellworkers who don’t have the flexibility or scope of player character spellcasters. An oracle can cast divination and augury, but they can’t perform healing magic. A locksmith can cast knock and arcane lock, but they can’t conjure illusions or fling fireballs. For most people in the world, mastering a particular set of spells is a life’s work, and you can’t just spend an evening reading a spellbook or a morning in prayer and completely change your spell list.

In the original ECS, adepts and magewrights were called out as entirely different classes. As the concept evolved this line was blurred. Eberron Rising From The Last War generally uses “magewright” as a blanket term for any professional spellcaster. The Magewright Specialty table on page 318 of Rising includes Oracles, Mediators, and Healers—all roles traditionally associated with adepts and divine magic. But the point is that from a purely mechanical perspective, it doesn’t matter how the magewright casts the ritual, only that they can; the rest is cosmetic detail. I discuss this in this article, looking at the difference between a divine oracle and an arcane oracle. Both can cast divination, but for the adept this is about communing with a divine force, while for the arcane magewright it’s based on some form of science, such as cartomancy. The short form is that “magewright” as defined in Rising From The Last War simply means someone who can cast a limited set of ritual spells or cantrips and doesn’t care whether that person is a traditional magewright, adept, gleaner, or wandslinger.

I expanded on this in Exploring Eberron:

Arcane magic is a science; magewrights master its techniques. However, there are other forms of magic which can likewise be adapted to everyday functions. An adept derives their magic from their faith, a more limited form of what a cleric can do; likewise, a gleaner masters the simplest forms of druidic magic. Especially with the adept, this is usually more of a calling than a job; you don’t decide to become an oracle of Aureon, you find that you are gifted with visions. The rituals of an adept will invoke divine forces, while a gleaner will draw on the world around them and often use an herbalism kit as a spellcasting focus.

Having said that in Exploring Eberron, I’m going to quantify it here. VASSALS don’t choose to become adepts; they believe they are called or blessed by one of the Sovereigns. You can’t demand that Aureon give you the gift of prophecy; either he chooses you to be an oracle or he doesn’t. But that’s because Vassals interact with the Sovereigns as if they were people. As a Vassal, you ask Aureon for guidance. By contrast, the Silver Flame is an impersonal force. It’s not an anthropomorphic entity that decides to do things. The Silver Flame was created to bind the overlords. That’s its primary function and we’re all very lucky that it continues to perform that function. The fact that people of great faith can draw on its power to defend the innocent is a side benefit. The Silver Flame binds the overlords. To do that, it must be omnipresent within the world; and therefore, the power is all around, available for a person of faith to use.

The people of Thrane are raised with that concept. While Thranish belief in the Flame isn’t universal or oppressive, for the faithful it’s part of everyday life. You know that the Flame is all around you, that it holds the ancient evils at bay, and that those with sufficient devotion can wield its power to serve the greater good. It’s a tool, like the bow… and where some Thranes master the bow and become templars or serve in the village militia, others turn to the tool of prayer and focus on harnessing the power of the Flame. Hence, as said in Rising From The Last War, moreso than in the other nations, “Faith is part of daily life in Thrane and divine adepts provide important services.” Specifically, they provide services that are typically provided by arcane magewrights in other nations. Healer and oracle are common roles for adepts in any nation. But in Thrane, you can find launderers using the power of the Flame to cleanse dirty clothes. You can find locksmiths who channel the power of the Flame to cast arcane lock—providing protection for the innocent. You can even find entertainers who draw on the Flame to amplify their voices or create music. This looks different from a Vassal adept, because the adept of the Silver Flame doesn’t have to ask for the power; the power is THERE, and they just need to know how to use it. But the Flame adept still needs faith to channel the power, and needs to believe they are using their gift for the good of the community. So the Thrane launderer doesn’t say “Oh Flame, I beseech you, cleanse these filthy clothes!” But they may sing a hymn to Tira or to the Flame while doing the laundry, and for them, doing laundry is an expression of their faith—they feel the power of the Flame flowing through them, and know that they are helping this community. A secondary point to this is that Flame adepts take money for their services, because they need to be able to thrive to continue to provide those services to their community, but as a rule they aren’t driven by greed. They need to believe they are providing a valuable service and it’s only just for those who can afford it to pay a fair price for that service. But they believe that they are doing a service for those in need, not simply chasing gold; and Thrane adepts are thus more likely to perform charitable work for those who truly are in need than the typical Brelish magewright.

SO WHAT ABOUT THE CRUCIBLE?

With all that in mind, let’s look back at the original question. Exploring Eberron has this to say about the Crucible of Thrane: Developed during the Last War, this small order of adepts and artificers crafts items drawing on the power of the Silver Flame. So what do they actually MAKE? Is it all mass-produced scripture and holy water?

These days the difference between adepts and magewrights is cosmetic. The same principle applies to artificers. Just as you can play a bard who isn’t a musician, a barbarian who never gets angry, and a warlock without a patron, you can play an artificer who draws on the power of the Silver Flame. And they can create anything any other artificer could create. You can be an artillerist carving wands or an alchemist making potions. The key is that you are enchanting these items by infusing them with the power of the Flame. Where a Cannith artillerist might craft a wand of fireballs inlaid with Fernian brass and fine draconic sigils, your wand will be traced in silver and an invocation of the Flame—and it may inflict fire damage, the flames will be silver. Note in particular that the Crucible was developed during the Last War. So what does it make? WEAPONS. Siege staffs. Blast disks. Long rods. Mechanically these are the same as their Brelish counterparts, but the Thrane force staff flings bolts of blinding silver energy and one of the three actions required to activate the staff is invoking the Flame. Exploring Eberron says that using arcane artillery “requires specialized training, similar to that of an artificer or magewright; someone trained to operate arcane artillery is generally called a bombardier.” Operating a Thranish Flame-powered siege staff would require an entirely different set of training. There ARE elements of science involved; the staff is still a tool that must be maintained. But the energy involved is divine in nature and only responds to faith. If you wanted to take this a step farther, Exploring Eberron presents dragon’s breath as the primary ammunition used by arcane artillery. I would imagine that divine artillery would use a different substance, possible just called Flame by the bombardiers—a powder that is literally infused with faith, produced in factory-temples.

Having said all that, it is important to note that there are arcane magewrights and artificers in Thrane and divine adepts elsewhere. It’s possible that Breland has a unit where Brelish templars operate a Thrane-made Flame cannon, and Thrane may have used traditional blast disks. Not that the Crucible was formed DURING the Last War. It is a reflection of wartime innovation and the industrialization of the faith—and just as there are many devotees of the Flame who don’t approve of the theocracy of Thrane, there are likely many who don’t approve of this industrialization.

So the short form is that ANY magic item could be presented as being a product of the Crucible powered by the Flame. Just consider how that’s reflected in its appearance. Potions produced by a Crucible artificer may shimmer with a silver radiance or seem to burn. The command word for a Crucible wand is an invocation to the Flame. And crucially, consider how the creator of the item could belief that in its creation they are serving their community and protecting the innocent. The Crucible created weapons and tools to protect the people of Thrane. It brewed potions to heal them. But it couldn’t produce pure luxury items or trivial goods, because the typical Crucible artificer would stumble in creation, questioning how it was a worthy use of the Flame’s power.

VASSAL ADEPTS

So how do these principles apply beyond Thrane? Can you have a divine artificer bound to Boldrei, and what does that look like? Certainly, you can have Vassal artificers and adepts. The key is that they are less industrialized. Because faith in the Flame is such a universal constant in Thrane, and because the Flame is perceived as an omnipresent force, it can be approached like learning to use a tool. Faith in the Sovereigns is more casual and more personal; each Vassal develops their own relationship with the Sovereigns. So again, as noted above, you don’t train to be an oracle of Aureon; you realize that you are an oracle of Aureon. The same principle applies to the artificer of Boldrei. It’s not a job with a clear entry path. You likely start by training for a mundane job and then realizing that Boldrei is guiding you, that she is infusing your work with magic, and over time, you learn how to effectively use her gifts. Which also means three Artificers of Boldrei could be very different based on their relationship with the Sovereign. The first thing I imagine is an Alchemist artificer who uses Chef’s Tools to produce enchanted food; their cure wounds is a strong cup of Tal that perks you right up and their enhance ability is a muffin whose flavor depends on the ability involved, but which channels the energy of Boldrei’s Hearth. On the other hand, a Battle Smith of Boldrei would be driven more by Boldrei’s role as defender of the community; their Steel Defender doesn’t follow any Cannith principles, but is animated by the artificer’s faith. This is also a good time to point out that the Sovereigns don’t stand alone. We often call someone out as an “Oracle of Aureon” to say that out of the Host, they feel the strongest connection to Aureon. But when the Oracle of Aureon gets in a fight, they may still offer a prayer to Dol Dorn–and likewise, the Battle Smith “of Boldrei” can also feel a connection to the rest of the Host. They identify with Boldrei because they feel they’ve been called to defend their community, but they can still thank Onatar while they repair the armor that was damaged in a battle.

Nonetheless, the key point here is that Thrane is the only one of the Five Nations where divine artifice has become an industry. Vassal adepts and artificers are usually more unique, and that means the things they create will be as well. So Boldrei’s Alchemist may use cooking tools and give you a muffin to enhance your strength; while Boldrei’s Battle Smith could use smith’s tools and give you a medallion engraved with Boldrei’s sigil.

That’s all for now; hopefully this gives you some interesting ideas. As I’ll be at MegaCon for the next few days I won’t be answering questions, but feel free to share your ideas and experiences with divine artifice in the comments. And thanks as always to my Patreon supporters for making these articles possible and for asking interesting questions!

Dragonmarks: Sky Pirates in Eberron

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Captain ir’Bit was drawn for my Eberron/Spelljammer campaign, but he’d make a fine captain in the Aundairian Sky Navy. Art by Matthew Johnson.

“We’re approaching the Strait of Shadows, Captain.” 

With a face forged from steel, the warforged captain couldn’t scowl… but his crystalline eyes glowed brighter for a moment. “I know, Mister Darro. Get the passengers below and arm the crew. If the Cloudreavers are in the sky today, this is where they’ll strike.” 

How would I handle sky piracy in Eberron? It’s a question that’s come up on my Patreon a number of times over the course of the last year, and it finally won a decisive victory in the poll to determine article topics. But it’s a tricky question, because the outright answer is that I wouldn’t explore sky piracy in canon Eberron. By canon, elemental airships have only been in service for eight years. Air travel is a very recent development and there’s just not a lot of traffic in the sky; I’d expect the most common form of aerial crime to be skyjacking. Which isn’t to say that I couldn’t or wouldn’t run a sky pirates campaign in Eberron; it’s that the first thing I’d do would be to change canon to support it. What follows are ideas I would implement for a sky pirates campaign—not just not canon, but not something I’d necessarily use in a standard kanon campaign unless I wanted air travel to play a significant role. So none of this is canon, and I may end up incorporating some of these ideas into the new setting I’m developing for Threshold. Having said that, let’s delve into the Eberron I’d run my Sky Pirates campaign in…

THE WORLD ABOVE

Look into the skies above our world and you’ll mostly find air and water—storms, clouds, and gales. You won’t find things that are solid and permanent. You won’t find lines of fire burning in the sky, or patches of eternal night. And you won’t see castles in the clouds, or chunks of stone or soil suspended in the air. In Eberron, all of those are part of the skyscape… and that’s only the beginning. Manifest zones are places where the planes bleed into the material world, and manifest zones aren’t limited to the surface of Eberron. The Strait of Shadows are a massive aerial zone tied to Mabar—a stretch of air that consumes light, creating a region of endless night filled with banks of roiling shadows. Firefalls are rifts in the sky where Fernian flame cascades down toward the surface. The flames fade before they reach the ground, but a firefall can be a deadly hazard to a vessel in the air. Here’s a few important things that can be encountered in the skies above Eberron. 

Walking on the Clouds 

While most of the clouds in the sky are insubstantial vapor, there are two planes that can produce solid cloudstuff. Syranian clouds are identical to mundane clouds—typical stratus or cumulus in form—but they are soft, solid, and stable. They generally lack any sort of indigenous life, making them a solid base for aerial colonization; the floating district of Skyway in Sharn is built on a foundation of Syranian cloud. 

Where Syranian clouds are generally uniform in design, every Thelanian cloud is unique—each held together by a story. Mistone Keep is a massive castle, with walls formed from the same cloudstuff as the “ground” it rests upon. It’s sized for giants, but it was empty when it was found and its original owners have never returned… though some wonder if they yet may, and if so what they will make of the people of Aundair who have colonized their castle. Thunderholt is a storm cloud, with lightning forever rippling in its murky depths. The surface of the cloud is filled with canyons and caves, and there are streams of lightning in its depths. Some claim that the archfey known as the Forge Maiden has a workshop in the depths of Thunderholt, where she harnesses the lightning; it’s said that the thunder is the sound of her hammer on the forge. Silverwood is a forest growing out of the clouds. Its trees are unique; some have snowflakes budding on their branches, others bear flowers made of mist. The heart of this cloud island is a massive tree of bone, with brilliant crimson leaves; the dryad tied to this tree is an oracle, but she will only answer questions for those who water her roots with blood. These are just three examples. Some Thelanian clouds are uninhabited, like the empty castle of Mistone Keep. Some, like Silverwood, have indigenous fey that are willing to coexist with mortal settlers. Others have denizens who have no interest in sharing their islands with others. Graystorm is home to the silver dragon of the same name; while he has been dormant for centuries, in the past Graystorm has pillaged cities below and its said that his hoard contains artifacts from Dhakaan and ancient Wroaat—possibly even the axe of Malleon the Reaver. While Graystorm is mechanically a dragon, he is functionally an immortal fey and has no ties to Argonnessen, nor any interest in the Chamber or the Lords of Dust. Cloud giants are an open question. A cloud giant could follow the model of Graystorm, being an immortal Thelanian creature tied to the story of their cloud. Alternately, cloud giants could be a colonizing force who have laid claim to the clouds over Xen’drik, a few of which have made their way to Khorvaire. 

Clouds spawned by manifest zones are stationary, bound to the zone that generates them. Cloudstuff will turn to vapor when removed from the zone, and a damaged cloud will regenerate over time. However, Thelanian clouds may produce unique resources that can be harvested and removed. The trees on Silverwood won’t grow anywhere else, but their fruit can be carried down to the world below. 

Islands in the Sky 

Lamannia sometimes projects pieces through its manifest zones, creating floating islands of soil and stone. Sometimes, these are extremely small; there are chunks of Lamannian sky-stone barely large enough for a single watchtower. Others are large enough to support entire towns, such as the seat of the Lyrandar enclave over Stormhome. Korran’s Belt is a massive field of small chunks of earth and stone found on the border of the Ironroot Mountains and the Lhazaar Principalities; sages theorize that at one point it was a single mass but that something caused it to shatter into hundreds of smaller stones. For the most part, Lamannian sky islands have the same qualities as mundane land; what’s remarkable is their ability to sustain an ecosystem even in an impossibly small space. They are essentially projections from Lamannia, and are not bound by mundane limits. A Lamannian island might have a pool of water that never runs dry, or a river that forever flows off the edge of the island and spilling down onto the world below; both are replenished from Lamannia, and have the purity imbued by the Primordial Matter trait of that plane. 

Lamannian islands can be verdant and fertile, making them excellent outposts for colonies in the sky; there are a number of sky towns in the Five Nations. Smaller islands may have been claimed by a particular family; in Breland, the ir’Tains summer on Griffon Crown, an island south of Wroat. However, there are many small and remote islands that are unclaimed in the present day. Some are home to untamed beasts, including megafauna creatures; if you’re looking for a place to put a roc in Eberron, look no further. Others could have outposts from fallen civilizations that once claimed the island; a sky island over Q’barra could have relics from the ancient dragonborn empire. These small islands can be excellent havens for smugglers and sky pirates; Korran’s Belt is filled with hidden harbors, some active and some long forgotten. 

Syranian Spires

Much like the Feyspires that phase in and out of alignment with Eberron, there are stories of Syranian towers appearing in the skies for brief periods of time. These towers are typically the seats of angelic dominions, holding secrets tied to the dominion’s sphere of influence. In some of these tales, explorers bargain with the master of the tower; in others, the spire appears to be abandoned. The only thing the tales agree on is that Syranian spires never stay in the material plane for long; if you find one, you’ll want to act quickly or pass it by. 

Wonders and Hazards

Manifest zones usually impose one or more of the universal traits of their associated plane. As such, manifest zones related to the same plane can produce dramatically different effects. The Straits of Shadow have the Eternal Shadows trait of Mabar, but don’t consume life. On the other hand, there are stories of regions where the Hunger of Mabar trait can trigger without warning, swiftly killing living creatures and leaving shadows in their place. Such zones create graveyards of haunted airships; new ships pause to investigate the derelicts, only to suffer the same fate when the Hunger of Mabar manifests once more. Risian zones that manifest the Lethal Cold trait of the plane are eternal blizzards, but a Risian zone that has the Stagnation effect might be less obvious to observers. Kythri zones can produce bizarre, psychedelic forms of weather—and vessels that pass through these prismatic storms can be affected by the Constant Change trait of the plane, suffering unexpected transmutation effects. And in addition to having chunks of stone that simply serve as obstacles for ships, a Lamannian zone could produce intense hurricanes or storms, or even an airport Sargasso that seeks to entangle ships with rapidly growing vines. These are just a few examples; there are countless possibilities, and zones can be of any size. A massive Fernian firefall may be a major obstacle travelers have to skirt around; on the other hand, there could be a Kythri zone that’s so small it’s never actually been noticed and recorded, but it’s enough to cause trouble when your ship passes through it. These environmental manifest zones are often hazards to be avoided, but some can produce valuable resources with uses in arcane industry… while others can serve as shelters or blinds for travelers with nefarious intent.  

THE SKYLINES

Islands, cloud castles, and manifest wonders all give a reason for people to reach for the sky. In canon Eberron, air travel is quite limited and dominated by House Lyrandar. And in my campaign, the elemental airship as we know it remains a recent development and the pride of House Lyrandar. But there is another form of common air travel that forms the basis of commerce and the target of piracy, and that’s tied to the Skylines. Also known as planar currents, skylines are vast, invisible channels of energy that connect major aerial manifest zones. The strongest currents weave together threads of different planes, but there are lesser currents branching off to minor the least zones. 

Ships capable of traveling along the Skylines are properly called manifest vessels, though ‘airship’ remains the common word for all large air vehicles. Manifest vessels don’t hover under their own power. Instead, they are buoyed by the energy of the skyline. While within a skyline, a manifest airship is much like a submarine (immersed within the medium it travels through as opposed to traveling on the surface of it). Left untended, a manifest airship will remain suspended in the line. However, should a vessel travel out of the skyline, it will fall to the earth. The energy of the line grows weaker the closer you get to the edge, which in turn slows the ship; any capable navigator can recognize the warning signs and keep their ship safely in the current. But it is possible to sail a ship out of the current and into the open—and unsupportive—air. Skylines vary in size; the largest is about a mile in diameter, while the smallest skyline might be just fifty feet across—though they can have “shallows” extending farther for vessels willing to risk them.  

The larger a vessel is, the stronger the current needs to be to support it. So while there are small skylines that connect lesser manifest zones, a large vessel can’t travel along these lines, just as a supertanker can’t travel along a stream. This means that a small, fast vessel can travel along lesser lines that trade ships can’t take—or just skirt the edges of a line, where the currents are too weak to support a larger ship, just as a water vessel would need to be careful to avoid running aground in shallow water. All of these things combine to support aerial piracy. The first element is that there are recognized, established trade routes and that large vessels have to stick to these paths. This is also how things like firefalls and the Strait of Shadows come into play. If you take the major skyline from Rekkenmark to Vedakyr, you’re going to pass over the Nightwood and the Strait of Shadows; avoiding it would require following a different set of skylines that will add a few days to your travel time, and they will likely have other hazards you’ll have to deal with. But it’s also the case that smaller vessels can travel along lesser lines—allowing them to take direct paths and also, allowing raiders to strike a ship on a main line and then flee along the lesser currents.

In setting up an aerial campaign, an important question is how ships REACH the Skylines. If you want to keep it simple, major aerial manifest zones can drop pillars down to the surface—so you can descend from Silverwood to the ground safely. On the other hand, this could be limited to specific manifest zones; for example, it could be that Syranian manifest zones like Sharn become crucial ports where major manifest vessels can descend to the surface, while in lesser zones only small ships can descend, leading to systems of tenders or away teams using skystaffs or flying mounts.  

Skylines are largely stable and predictable, but manifest zones can be unpredictable. A major skyline usually has a number of minor zones along its path that fluctuate in strength, like the Mabar or Kythri zones mentioned above. Thus you can have the equivalent of weather, as a Kythri zone that’s long been dormant suddenly flares up with a prismatic storm. It’s also the case that a skyline is still subject to MUNDANE weather; when you aren’t dealing with rocs or firefalls, you’ll still have to handle thunderstorms and blizzards! 

There are maps of the major skylines across Khorvaire, but there may still be skylines that have yet to be explored, especially those tied to minor currents or remote zones. Adventurers could discover a new line or be hired to accompany a vessel exploring a new line, not knowing what zones or threats they will encounter along its path. 

COMMERCE AND TRAVEL

The manifest airship is the main form of traffic along the Skylines. Most manifest vessels have a top speed between ten to sixteen miles per hour. The most energy efficient way to travel is using manifest sails, which can be arranged to catch the planar currents; such vessels are typically on the slower side unless they can also harness wind. Faster ships use a manifest engine that burns dragonshards to produce motive power; House Cannith produced the first manifest engine, but the Arcane Congress produced its own form of it. House Lyrandar doesn’t have a monopoly on manifest travel, but they have produced small vessels capable of combining wind power and manifest sails, enabling them to move swiftly at lower cost than other ships.

The skylines and manifest travel are the most COMMON form of air travel, but not the only one. The timeline for the development of the elemental airship remains the same; House Lyrandar launched the first commercial airship eight years ago. With a typical cruising speed of twenty miles per hour and the ability to follow any path—completely ignoring the established skylines—the elemental airship stands ready to upset the established balance of power. However, Lyrandar’s fleet of elemental airships is still quite small, and their manifest sails are still less expensive to operate—so Lyrandar continues to sail the Skylines in addition to charting new paths with their elemental ships. 

While manifest ships remain the most reliable way to travel over long distances, there are many short-range options and flying mounts. This article discusses some of those. I’d make skystaffs (brooms of flying, just not shaped like brooms) more widespread in a campaign with a strong aerial focus. Hippogriffs have long been the traditional canon mount, though fifth edition swapped the balance and made hippogriffs slower than both griffons and giant eagles; if you want to preserve the older balance, you could introduce a Vadalis hippogriff that has an flight speed of 90 ft but only inflicts 1d8 with its bite attack and 2d4 with its claws. Likewise, Syranian manifest zones that enhance flight—like the zone in Sharn and most regions with Syranian clouds—will support skycoaches and other local flying vehicles. As a note, if you find that the speeds of the ships feel too slow, feel free to increase them. A modern cruise ship travels at an average speed of 20 miles per hour, and I’m using naval speeds as a benchmark here. I could see doubling those speeds, but if you get to the sorts of speeds we see in modern air travel, among other things, ships don’t stay in the air that long and you don’t have as much opportunity for piracy! 

So in this version of the setting, Skylines become a secondary form of river—paths that connect communities and serve as paths of transit and commerce. Many major cities are built near or under Syranian clouds or Lamannian islands, while other sky islands serve as hubs in their own right. In this version of the setting, Arcanix was built in its current location rather than being moved; if Aundair DID seize Arcanix from Thrane during the war (as presented in canon history), it likely belongs to Aundair/Thaliost at some previous point and was lost to some form of bureaucratic motion during the long history of Galifar. Had I time, I would go deeper into the flavor of the skies of each nation. I’ve always called out Aundair as having strong ties to Thelanis, which would make Thelanian clouds more common there. Karrnath is home to the Strait of Shadows and other Mabaran zones, and I would see it having some rocky Lamannian islands; Breland has more Syrannian clouds and a few resource-rich Lamannian islands that are being harvested to support its industry. The Lhazaar Principalities are home to Korran’s Belt and other small islands—some claimed by Principalities, others left empty. Which brings us to…

PIRATES AND ADVENTURERS

In this vision of the setting, air travel is a common activity. Lyrandar has the fastest and most efficient ships, but every nation has ships in the air, along with countless independent merchants. The Skylines create established shipping lanes… which in turn create targets for piracy. It’s up to the DM to decide just how crowded the sky is. It could be that sky islands are relatively rare, or it could be that formations like Korran’s Belt are actually found across Khorvaire; if these Lamannian chains have valuable (and possibly renewable) resources, sky mining could be an important commercial activity. 

With this in mind, sky piracy would operate much like piracy on the sea. Pirates would find vulnerable spots in the shipping lanes, places where it’s easy for a raiding ship to hide. Pirates would likely use smaller manifest vessels, focusing on speed and the ability to go into shallow currents or along lesser lines where other ships couldn’t follow. On the other hand, you could easily have gangs of skystaff raiders or beast riders operating over short distances, boarding a vessel and then seizing control of it to take it to a nearby friendly port. I can also imagine a well-established Skyline that runs through particularly dangerous territory—with a significant number of mini-Kythri zones generating prismatic storms, Mabaran graveyards, chunks of Lamannian rock that are barren but dangerous—which is thus shunned by legitimate travelers but has become a haven for smugglers, pirates, and others willing to run the dangerous path. Let’s call that The Gray Road—and saying that someone “takes the Gray Road” is a slang term for up to no good. And again, the places where the Gray Road intersects with other skylines would be prime spots for piracy. 

In general, the principle of the Gray Road gives room for adventure. There can be known skylines that aren’t used by commercial traffic because they’re just too dangerous—so people know about paths that ships can take, but they haven’t been thoroughly explored. Beyond this, there can be lesser lanes that can’t support large ships… but the player characters have obtained a revolutionary vessel that can stay aloft in the shadows, and they’ve been charged to do some exploration and trailblazing. What’s the story of that Thelanian island? Can you steal an artifact from Graystorm’s hoard? Alternately, adventurers can be bounty hunters or privateers, venturing down the Gray Road or into other dangerous currents in pursuit of known pirates or war criminals. 

Looking to pirates, the simplest thing is to make use of the pirates we already know. The Lhazaar Principalities raid the seas because that’s all that’s available. But in this campaign, the Principalities could extend into the air. The Wind Whisperers might have the fastest ships, but the Cloudreavers could be the most brutal of the sky raiders. And despite the captain’s comment in the opening quote, the Bloodsails would likely love to linger in Mabaran zones like the Strait of Shadows. Over Droaam you’ll have to worry about harpies and gargoyles, not to mention the concept of a wyvern-riding Dassk force. In the Mror Holds there could be a gang of manticore-riding brigands. And worst of all, who knows what’s become of the skies over the Mournland? Have the effects of the Mourning destroyed the skylines above Cyre, or have they been transformed or seeded with monsters? 

Obviously this is only the tip of the floating iceberg, but I’m afraid it’s all the time I have for the topic. You may want to read my article on Airships or Flight in Eberron, though neither considers the concept of widespread flight. As always, thanks to my Patreon supporters for choosing the topic and making these articles possible! 

IFAQ: Perytons in Eberron

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The Peryton, from the original AD&D Monster Manual. Note the humanoid shadow!

When time permits, I like to answer interesting questions posed by my patrons on Patreon. Last week I wrote about cyclopes. Today, let’s look at another monster you don’t see every day. Patron Travis asks do you envision an niche for perytons in Eberron? Why yes, yes I do.

Peryton? That’s an old legend, child, tied to the long nights of old Karrnath. It’s said that when love and murder are intertwined, the shadow of the victim can congeal and pool in their heart. When carrion birds consume the heart of the corpse, the anguished shadow can slip into them. The tormented spirit changes the birds into vessels for its pain, making them huge, horned, and hungry things. The only respite the peryton has is when it consumes the heart of another humanoid… and then, for a short time, its pain will pass.

That’s the OLD story, the one your grandmother may have known. But she’d probably never seen a peryton, likely never knew it as anything but a story. Here, we know them to be the hungry truth. The peryton is tied to murder and to vengeful shadows. Well, child, thirty years ago there was a war within the House of Shadows. The elves turned on one another, and the Thuranni wiped out the Paelion family. Those elves had strong shadows to begin with, and they were strengthened by both rage and poisoned love, for this was a battle of kin against kin. When the carrion birds feasted on the Paelion dead, the shadows they consumed were stronger than anything. These monsters—they’re as much shadow as flesh. Cut one of them and you’ll see the shadow-form below the fur and feathers, as much a part of it as its blood; mere steel won’t cut that shadow, you be warned of that. And you’ll see—the creature’s shadow, it’s no bird shape. It’s the shadow of an elf, twisted in anguish.

What we’ve got in these woods? Don’t call it a peryton, child. Call it what it is. Call it a paelion. And be warned. They’re hungry for the hearts of elves, for those that betrayed them. But in the end, they’re just hungry… and when they hear the beat of your heart, they’ll come for you.

The peryton is a creature created by Jorge Luis Borges that combines the features of a stag and bird. Like the medusa and the gorgon, D&D’s interpretation of the peryton has always diverged from the source material. As presented in 5E D&D, the peryton is a monstrosity with human-level mental ability scores. Perytons understand Elvish but can’t speak. They are noteworthy for casting humanoid shadows, as seen in the image from the original AD&D Monster Manual I’ve included above. The 5E peryton is resistant to non-magical physical attacks, though no explanation is given for this resistance. And the story is suggested that the perytons were formed when carrion birds fed on the corpse of someone who died associated with murder and magic.

The Paelion perytons—which I’ll refer to as paelions going forward—build on that idea. There’s something about this particular region in northern Karrnath that makes the peryton curse possible. Perhaps it’s an unsual manifest zone, perhaps the forgotten working of an overlord such as Sul Khatesh. Whatever the case, there’s a place where carrion birds can consume the essence of people who’ve been murdered; and the Thuranni in the region knew nothing about this when they killed a Paelion family living there. The corpses were left to rot, but their shadows lingered, vengeful and strong… and when the crows consumed those shadows, they became monstrous paelions.

A paelion is a medium-sized monstrosity with traits of stag and eagle. But what truly defines it is its shadow. The shadow cast by the paelion has the appearance of an elf. This shadow is always visible, even when there is a limited light source. This shadow is a fragment of a slain Paelion elf, and it grants the paelion its understanding of Elvish and near-human intelligence, but it is only a fragment of the dead elf; its sentience is a blend of bestial instinct and elvish memories. A paelion is driven by its hunger both for humanoid hearts and for vengeance, but it can’t fully remember or parse the reason in craves vengeance or what proper vengeance would look like. A paelion can predict and anticipate humanoid behavior—it understands houses, weapons, tools—but can’t just choose to sit and have a friendly conversation as a normal person would; the fires of hunger and vengeance are always driving it to hunt and feed. If adventurers could find a way to dull that consuming hunger, it’s possible that a paelion could regain some of the sentience and personality of the elf within its shadow, but finding a way to achieve this would be a difficult challenge.

The paelion’s humanoid shadow is a sliver of a murdered Paelion elf. While it manifests most obviously as a visible phenomenon, the shadow is also suffused through the creature’s body. This is the basis of the paelion’s resistance to non-magical physical damage; when you cut or pierce the paelion, you see the shadow of the creature still intact within the world. Beyond this, the strength of this shadow and the effects it can have vary from paelion to paelion. Here’s a few possible options. Spells use Charisma as their spellcasting modifier; a spellcasting peryton might have a higher than average Charisma.

1d6Paelion Peryton Shadow Traits
1The shadow can speak Elvish and may sing traditional Phiarlan songs. This is instinctive and isn’t consciously controlled by the peryton itself.
2The shadow can take on other shapes; the peryton can cast minor illusion as a bonus action.
3The shadow is aggressive; the peryton can cast chill touch as a bonus action.
4If the peryton is slain, its shadow lingers as an independent shadow.
5The shadow guides the peryton, providing it with darkvision with a range of 120 ft.
6The peryton can unleash its shadow to cast darkness. Once it’s used this ability, it can’t cast darkness again in this way until its completed a long rest.

Why does this matter?

The Paelion peryton can just be an interesting regional monster. There’s a village in Karrnath where the people are haunted by beautiful songs that come from the deep woods, but anyone who follows the song never returns; the villagers could throw a coin to their Witcher adventurers to deal with this threat. Traveling adventurers could be attacked by paelions, especially if there are elves or Khoravar in the party. So, they could just be monsters. On the other hand, if the adventurers have any personal connection to the Shadow Schism, these creatures could be vital as one of the last links to the true events of the Schism and the lingering remnants of the Paelion line. Perhaps there’s a way to restore the creatures to full consciousness, or even to isolate their shadows and return them to humanoid bodies. If not, it could still be the case that one of the songs sung by a paelion’s shadow reveals a key truth about the Schism… or perhaps, a clue to a hidden Paelion vault that holds a lost treasure, whether that’s an artifact, a secret, or even a long-forgotten song.

That’s all for now! If you have an interesting Eberron question and would like to help determine the subject of future articles, check out my Patreon!

IFAQ: Cyclopes in Eberron

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2023 continues to be an extremely busy year. Among other things, I’m taking part in the liveplay session Destiny of Worlds, where I play Merrix d’Cannith of Eberron next to Ed Greenwood as Elminster of Shadowdale! If you haven’t seen it yet, the first two episodes are available here. I’m working on a larger article I’ll have out in the next few days, but in the meantime I wanted to address a few more questions from my patrons on Patreon. Such as…

How would you use cyclopes in your Eberron?

I’ve never used cyclopes in a campaign, and I think this raises an important secondary aspect to this sort of question… which is not just how I’d use a thing in Eberron, but WHY I’d add whatever that thing is to a campaign. While there’s a place for everything in Eberron, just because you CAN add something doesn’t mean you SHOULD. My question is always how will this make my story more interesting? Why will encountering a cyclops be a compelling experience for the players… and how will it be different from dealing with an ogre chib or an ettin in the Barrens? Fourth edition made cyclopes fey, tying them to fomorians and playing up the idea of the “evil eye.” But in fifth edition they’re just giants with poor depth perception. If I’m going to use those cyclopes in my campaign, I want to add something that makes them interesting.

Sight is the thing that immediately stands out with a cyclops. 5E gives them poor depth perception, but I like the idea of balancing that with a supernatural gift. Two thoughts immediately come to mind.

Plane Sight. It’s said that the first cyclopes were giants who yearned to see things no one else could see. They were so driven that they each plucked an eye from their skulls and cast them into the void; each found their way to a different plane. Now every cyclops sees two worlds at once they see the material plane through the eye in their head… but each cyclops is bound to another plane, and they perceive that plane overlaid atop the material. This is similar to my vision of the kuo-toa of the Thunder Sea, but where the kuo-toa are all bound to Dal Quor, each cyclops is tied to a different plane.

The first thing I like about this is that it gives me an immediate foundation to make every encounter with a new cyclops unique, because its personality and abilities may be affected by its unique vision. Consider…

  • A cyclops who is an unexpectedly sophisticated warrior, because they see into Shavarath and have studied the combat techniques of the celestials and fiends. Such a cyclops could be a dangerous foe, but they could also potentially be a swordmaster who’s able to teach manuevers that can’t be learned anywhere else on the material plane.
  • A cyclops who lives in a desolate cave but who is a surprisingly erudite sage; they perceive Syrania and while sitting in their cave, they are reading books in the library of a Dominion of Knowledge.
  • A cyclops who perceives Dal Quor, who sees the nightmares of their enemies. Do they use this knowledge to frighten enemies in battle, or do they actually use it to try to help people understand their dreams and face their fears?

Even following this model, not every cyclops has to be so clever and sophisticated; as presented in 5E, the default cyclops only has an 8 Intelligence and 6 Wisdom. So for every Shavarath-linked cyclops who has mastered celestial martial arts, you could have four more who are just especially aggressive because they perceive themselves as being constantly surrounded by war. Likewise, a cyclops who sees Dal Quor COULD just be confused by these visions—reacting to the dream-personas of adventurers rather than their physical selves—as opposed to making clever use of this model. I prefer to play with the more intelligent cyclops, but they can still be brutes if that’s what your story calls for.

Piercing the Veil. Rather than seeing into other planes, another option is to allow cyclopes to see into the Ethereal Veil. What I like about this idea is that it could lead to cyclopes dwelling in haunts, because they perceive the haunted echo of what once was. A cyclopes lives in the burnt-out ruins of a manor because it still sees Lady ir’Halan’s grand ball. Some cyclopes could take this further and serve as mediums, learning to communicate with ghosts and shades. Less sophisticated cyclopes might see the denizens of the haunt, but be unable to communicate with them; but they could still see these ghosts as companions. Either way, a cyclops could be an interesting way to draw adventurers’ attention to a haunted location. If I went down this path, I would probably go ahead and grant cyclopes the ability to see invisible objects and creatures, as see invisibility also grants ethereal sight.

But where are they from? My basic inclination is to keep cyclopes as being rare and remarkable, rather than to introduce a nation of cyclopes somewhere in the world. There’s a few options. They could be creations of the daelkyr Belashyrra; do they have any loyalty to the daelkyr or was this purely an abstract experiment? They could be native fey, each with a story, much like I’ve said of hags in this article. They could be the devolved descendants of giants from the Group of Eleven. However, what I would do is to make them a strain of ogre—making cyclops sight a rare, recessive trait that occasionally appears among ogre communities. In the ancient nation of Borunan, these eye-seers were celebrated for their plane-sight, which was usually tied to Shavarath or Fernia. They are rarely seen in the present day, but can still appear in any ogre bloodline. In Khorvaire they’re mostly found in Droaam, but can potentially be encountered anywhere on the continent.

That’s all for now! Thanks as always to my Patreon supporters for making these articles possible. And check out Destiny of Worlds!

IFAQ: The Beliefs of the Blood of Vol

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Art by Laura Hirsbrunner

When time allows, I like to answer interesting questions from my patrons. This has been an exceptionally busy month and I’ve largely only been able to answer questions on my Patreon, but I’m going to try to get to a few more this week, starting with this one.

The Blood of Vol asserts that everyone has the potential to become a god, but that no one actually has yet. How does this appeal to a commoner? Maybe a player character can believe that they’ll be the first one to do it, but isn’t this kind of like saying it’s a religion in which no one’s ever made it to heaven yet, but hey, maybe you’ll get lucky?

So the first thing to recognize is that the typical Seeker (someone who believes in the Blood of Vol, short for “Seeker of the Divinity Within“) doesn’t expect to become a god. A basic principle of the faith is that we all could become gods, but that the curse of mortality was created to prevent us from doing so—that you will die before you can unlock your true potential. It’s not a question of “maybe you’ll get lucky.” You won’t get lucky. You will die first. That’s literally why death exists. That’s not the goal of the faith.

So what is the goal of the faith? Let’s look at the basic principles presented in Eberron: Rising From The Last War.

  • Everyone has a spark of divinity. Find that power within.
  • Death is the end, Dolurrh is oblivion, and if the gods exist, they are cruel. Stand with those you care for; all we have is this life and each other.

Working backwards, the first thing the Seeker faith does is to provide an explanation for injustice and suffering. Why is there death and disease? Why do our crops fail and our children die? Because the universe is cruel. There’s no benevolent skyfather, there’s no happy afterlife at the end of the rainbow. If there are gods, they’re jealous beings who hoard their power and laugh at our pain. This is why the faith thrives in the harshest parts of Khorvaire; it’s the faith of a people who see suffering every day, and who seek an explanation for it. And that explanation is life is cruel. But what the Seeker faith tells you is to FIGHT. The universe is against us. This life is all we have. So fight for those you care about. Protect your family and your friends, because the world WILL try to take them from you. To be a Seeker is to know that there is misfortune around every corner, to be ever ready for the next plague or famine, because you know the universe will take any chance to screw you over. But it’s also to know that you will not lay down and die… and even if you do die, damn it, let your family animate your corpse so you can keep fighting for them until your bones are ground to dust.

And when it comes to fighting… Everyone has a spark of divinity. Find that power within. The common Seeker doesn’t expect to become a god, to fully unlock their Divinity and to become an omnipresent entity with the power of a Sovereign. But the SPARK of that power is within them… and they CAN draw on that power. This is most obvious in the magic of Seeker paladins, clerics, and adepts. Seekers believe that their divine spellcasters draw power from their own divine sparks. Each Seeker cleric is, in essence, their own deity. But what of the commoner who can’t cast divine spells? Well, consider the Vassal smith, who asks Onatar for guidance when they start their work. Consider the Vassal soldier who asks Dol Dorn for strength and courage in battle. They aren’t paladins or clerics, but they believe that they can get strength and guidance from a higher power. The Seeker soldier or smith believes the exact same thing—except that the higher power is within them. The Seeker knows that they have divinity within their blood… that they CAN perform miracles. They have the courage they need. They have the ability to make the finest sword that’s ever been seen. They don’t need to ask some alien force to help; the power is within them. A Seeker doesn’t ask Olladra for good fortune; they know that they can make their own luck. And if it doesn’t work? Well, that’s the cruel universe for you; spit in its eye and keep fighting.

So how does the Blood of Vol appeal to the commoner? It explains why you suffer. It urges you to defy the cruel fates and to fight for a better life, and it tells you that you have the power you need to fight. It doesn’t promise some gilded afterlife at the end of the road; death is the end. But that is exactly why it urges you to FIGHT for yourself and for everyone you care about. Because this life is all we have. Make it count.

WHY DOES THIS MATTER?

When you’re playing a Seeker, keep a few things in mind.

  • Some Seekers believe that the Sovereigns exist and that they are cruel. “As flies to wanton boys, so are we to the gods; they kill us for their sport.” Others believe that there are no deities, that the universe sis simply an impersonal engine of cruelty. Where do you fall on this scale? Do you believe that it’s theoretically possible to some day make the Sovereigns pay for their cruelty, or is the only fight that matters the struggle to survive?
  • As a Seeker, you’re always prepared for the worst. You expect nothing but cruelty from the world. Plague, disease, war, greed—whatever can go wrong surely will. You ration your food because there could be a famine next month… and when it happens you’ll be ready. The followers of the Silver Flame are prepared for the fiendish apocalypse; the Seekers are prepared for house fires, flash floods, flu outbreaks, and every other mundane, shitty thing that could happen. So as a Seeker, you’re never surprised when something bad happens. Of course you rolled a 1; the universe hates you.
  • … But again, part of what it means to be a Seeker is that you will fight against that cruelty. You’ll extinguish the fire. You’ll save your child from the flood and you will nurse them through the flu. You won’t give the universe the satisfaction of surrender.
  • And most crucially, you will fight for everyone you care about. You know that we can’t survive alone. Encourage teamwork. Try to form connections to the people you are working with, because you will need those connections to survive. You may be grim, but you’re not a lone wolf; you recognize the importance of standing with a pack.
  • As a divine spellcaster, you believe that your magic comes from within you. You’re drawing on your own divine spark. When you use divination, you’re being guided by the god you could become. Even if you’re not a divine spellcaster, you believe that you have that power within you, that you are being guided by your own divinity. Where others would pray to a higher power and say give me strength, you say I know that I have the strength I need within me.

What about necromancy? The Seeker refuses to surrender to death. We were cursed with mortality by the cruel universe; necromancy is a way to give that universe the finger. You killed my father? Well, he’s right here fighting alongside me. The Seeker faith asserts that death is oblivion and, therefore, there is no reason to have reverence for a corpse; a corpse is a tool, and if it can serve the greater good, that’s something any Seeker would want. Beyond that, Seekers have learned how to channel the energies of Mabar into necromantic rituals as a way to contain the negative environmental effects of those energies; in places like Atur, Seekers make significant use of necromancy because it’s actually vital to the ongoing health of the city.

So as a Seeker you may be grim and stoic. You may expect the worst from the world. But you know that we need to stand together to survive. You value friendship, love, and community, and you will fight fiercely for those you care about. And as seen in Atur, make sure to celebrate the joys of life when you can.

That’s all for now. Thanks as always to my Patreon supporters for making these articles possible, and look for a bigger article later in the week!

January IFAQ: Atur, Seeker Saints, Penguins, and More!

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I’m still in the process of deciding what I’m doing next—whether my next major project will be another Eberron book for the DM’s Guild, or whether I will explore a new setting—and if the latter, whether it will be for 5E D&D, another system, or system agnostic. However, in the meantime, I’m starting a new campaign! Every month I run an online session in an ongoing campaign for Patreon. All patrons at the Threshold level have access to recordings of previous sessions… as well as a chance to play in every new session. Over the course of this month, I’ll be running a series of patron polls to determine exactly WHAT I’m running next. So if you’d like to help determine my next campaign—or be a part of it!—check out my Patreon.

Meanwhile, another benefit of my Patreon is getting to ask me questions. I don’t get to every question every month, but here’s a few of my favorites from January!

In the original 3e Setting book for Eberron Atur is described as a bit of a party city with lots of bordellos and taverns, how true is this in your modern conception of Eberron and the Blood of Vol? Or is this a vestige of when the Blood of Vol and Emerald Claw were treated as interchangeable terms, and thus Atur was made to be seedy and decadent?

Also called the City of Night, Atur sits in the shadow of the Ashen Spires, near the great Karrn Falls that spill out of the mountains and fl ow into the Karrn River. The close peaks of the Ashen Spires, the constant mist rising off the swirling waters of the Karrn, and the oppressive brick buildings make for a place that has relatively short periods of direct daylight and consequently long nights. But the City of Night was named more for the fact that the place seems to come alive when darkness overtakes the land. With the city’s temple to the Blood of Vol (called the Crimson Monastery) and its massive Vaults of the Dead, where corpse collectors store the fodder for Karrnath’s undead armies, Atur has a definite connection to the twilight and midnight hours. A significant portion of the population follows the teachings of the Blood of Vol and attends the daily rituals in the Crimson Monastery.

Otherwise, the City of Night has a rhythm and pulse that seems to increase when the sun goes down. Feast halls, taverns, theaters, and bordellos of all descriptions open their doors after dark and stay active until the sun struggles back up and over the mountains. For many visitors, the city seems to operate in a way opposite to the other metropolitan centers of the Five Nations. Everything appears quiet and deserted by day, but by night the the various shops and businesses open to crowds of people.

Eberron Campaign Setting

The Grand Duchy of Atur is infamously a stronghold of the Seeker faith and a center for necromantic research. Its association with the Blood of Vol long predates Kaius I’s embrace of the faith, and its status as a palatinate means it remains a safe haven for Seekers regardless of how they are viewed elsewhere. Because of the strength of Seeker traditions, undead are found throughout the city. Knowing this, many who hear the name “City of Night” think Atur must be a grim, miserable place. Nothing could be further from the truth. Atur is a city that looks death in the eye—and because of that, it is a city that CELEBRATES LIFE. Karrnath as a whole is a stoic and austere culture; Atur is a place that celebrates all of the joys of life. Food, sex, art—all are enshrined and presented in a spectrum of delights. That spectrum means that there are definitely seedy elements in Atur, and if you’re looking for decadence you can find it. The quote above calls out that Atur is home to entertainments of all descriptions and that’s the key; there are taverns so fine your adventurers will surely never be let through the door, and some of Thuranni’s finest artists only perform at the grand Palace of Shadows. This is something that has evolved over the course of a thousand years, again with Atur running at odds to the generally stoic persona of the typical Karrn; the City of Night is a place for a Karrn to escape their lives for a few days, and tourism is its primary industry. So certainly, outsiders often call Atur “seedy and decadent”—but that description fails to grasp how seriously Aturans take their duty of celebrating life, and the quality of the food, music, and other performances that can be found in the City of Night.

Atur has been a bastion for the Blood of Vol since it first took root in Karrnath. The Crimson Covenant was first formed in the great monastery of Atur, and that Crimson Monastery has grown into the largest temple to the Divinity Within in Khorvaire. It was in Atur—in the palace of Nighthold—that the leaders of the faith forged their alliance with Kaius I. However, while a majority of the citizens of Atur follow the Blood of Vol, it’s not exclusively tied to the faith. The Great Hall of Feast and Fortune—commonly referred to as the Feast Hall—is one of the grandest temples of Olladra in the Five Nations; in addition to traditional services, it’s the finest venue for parties in the city, and the sounds of coins and dice can be heard at all houses in the gaming hall.

Thanks to the influence of the Blood of Vol, undead are a common sight in Atur.

  • The Seekers have no attachment to corpses and most are happy to donate their remains to serve the greater good. As a result, skeletons are found performing menial tasks and manual labor across the city. Because they serve many different functions, they’re generally painted to indicate their service; blood-red for those associated with the Monastery or other temples, dark green for sanitation, black and gold for those tied to the city watch, blue for this tied to commerce; artists add often secondary designs that give each skeleton a little personality. However, these are standard skeletons, possessing limited intelligence; they are managed by Bone Wranglers, specialized magewrights who effectively program the undead. As noted in the Monster Manual, “Although they lack the intellect they possessed in life, skeletons aren’t mindless. Rather than break its limbs attempting to batter its way through an iron door, a skeleton tries the handle first. If that doesn’t work, it searches for another way through or around the obstacle.” So a sanitation skeleton is focused on collecting garbage and disposing of it, but it can show limited initiative to overcome obstacles.
  • The Vaults of the Dead are a vast complex that served as the center of Karrnath’s necromantic war machine. Its fortified facilities include workshops for the production of undead, warehouses for storing bones and bodies, and the vast catacombs that currently hold the Karrnathi undead that have been sealed below since the Treaty of Thronehold was found. While the vast majority of the Karrnathi Undead are sealed in the vaults, the Atur Watch has a significant corps of these sentient undead, and they can also be found protecting the Ministry of the Dead, the palace of Nighthold, and other important locations. The Vaults of the Dead are maintained by the Ministry of the Dead, NOT by the Blood of Vol. While many Seekers serve in the Vaults, they serve the Crown and the Vaults are a separate entity from the Crimson Monastery.
  • The Crimson Monastery has its own corps of undead—Seeker martyrs who have devoted their endless lives to service to their faith. Most of these are Oathbound, a form of mummy; most have greater intelligence and lower strength than the typical mummy in the Monster Manual, but the principle is the same. Oathbound are sustained by the oaths they’re sworn to uphold and the restrictions placed upon them; many can’t actually leave the Crimson Monastery, while others are bound to their service but can roam the city. Oathbound can also be found in other roles in the city; the oldest tavern in Atur, The Old Bones, is maintained by Grethan and Talan Todar, two oathbound who’ve been serving Seekers for centuries. Unlike skeletons and Karrnathi undead, Oathbound do maintain memories of their former lives; but their oaths place considerable limitations on their activities.

Because of this, there are a number of businesses that cater specifically to undead. Second Life is an Oathbound salon. Despite what you may read in the Voice of Thrane, there’s no zombie bordellos in Atur (or ARE there…?) but there are a few establishments that are devoted to entertaining the undead. Oathbound can’t eat or drink and don’t experience physical pleasure, but they can still feel desire; Eulogies specializes in storytelling and roleplaying, helping the Oathbound remember joys they can no longer experience directly.

As called out above, Atur celebrates the arts. Before the Last War, Atur was the seat of House Phiarlan’s Demesne of Shape, devoted to physical arts—painting, sculpting, ceramics—as well as to the creation of costumes, props, and other supporting goods. In the wake of the Shadow Schism, House Thuranni claimed the demesne, now known as the True Shapers Enclave. This is a center for production and education, but it’s complimented by the Palace of Shadows—One of the grandest performance spaces held by Thuranni. This is not to be confused with the actual palace of Nighthold, a secondary seat for the royal family. As Atur is a Grand Duchy, it is semi-autonomous, but the presence of the Nighthold has always been a source of pride and a sign of the importance of the city. Kaius III has spent little time in Atur over the last decade, but Queen Etrigani loves the City of Night.

This only scratches the surface of the many wonders of the City of Night. You can be certain that in a visit to Atur you will see wonders you’ve never seen anywhere else. Is it seedy and decadent? It can be, if that’s what you’re looking for. But it can also be a place of astonishing beauty, a chance to experience meals and joys you won’t find anywhere else. And it is certainly a place to find forgotten secrets in the vaults of the Crimson Monastery, or to speak to an oathbound older than Galifar itself. But remember, what happens in Atur doesn’t always stay in Atur…

Am I correct in remembering that Atur is a major mabar manifest zone? If so how does that effect it’s status as a party scene and its culture more generally?

You are correct: Atur is in the most powerful Mabaran manifest zone in Karrnath, which is why it’s the seat of the Vaults of the Dead and the center for the production of undead. Which sounds bad, right? The key comes from the Fort Bones article in Dungeon 195: “Temples of the Blood of Vol are often built in manifest zones linked to Mabar or Dolurrh. The Seekers have learned to harness the power of (these zones) and to protect their comrades from their dangers.” This is WHY Atur is the site of the Crimson Monastery—the largest temple of the Blood of Vol in Khorvaire—and why Atur was left inviolate even when the nation shifted away from the Seeker faith: they need the Seekers to continue their rituals to keep the dangers posed by the Mabaran zone contained. This is also a concrete reason for the revelry in Atur; just as the Aereni veneration of the Undying Court generates the positive energy needed to sustain the Deathless, the ongoing celebration of life is part of the equation that holds the power of Mabar at bay. Incidentally, this is the underlying reason Queen Etrigani is fascinated with Atur and spends a significant amount of time there. She shares the common Aereni belief that Mabaran necromancy and undead pollute the world, but she is intrigued by the techniques the Seekers have developed to contain these energies… and she appreciates the active celebration of life even in this place of death.

I’m running a session in Atur and I’m trying to think of who would be memorialized by statues in the city. Does the BoV have any saints?

One of the basic principles of the Blood of Vol is that dead is dead—that Dolurrh eradicates the soul. The Seekers seek to unlock their Divinity Within, and clerics and paladins are partially doing just that. If someone truly did unlock the full potential of their Divinity Within they would in theory have the power of a Sovereign, but personally, I DON’T want to say “There’s a bunch of people who have already done that and we get power from them” because that fundamentally alters the flavor of the faith and because I always prefer to have things happening NOW than to have happened sometime in the past. I’d rather have your Seeker cleric potentially being the first to accomplish this. Some might believe that someone HAS unlocked their full divinity in the past—but that if so, they are locked in battle with the Sovereigns and unable to help mortals. The main point is that the Blood of Vol doesn’t have Saints in the sense of people who have died but who are still invoked to provide supernatural assistance. The dead are DEAD. You don’t pray to Malevanor hoping he will grant you favor; you go talk to Malevanor at the Crimson Monastery, because he became Oathbound precisely so he could continue to help Seekers after death.

So, the Blood of Vol doesn’t have saints in the sense of people-who-may-intercede-on-behalf-of-the-living. But BECAUSE dead is dead, the Blood of Vol does believe it’s important to remember the dead and to honor their memory and works. It’s the same way that WE have statues of founders and heroes; we don’t pray to them, but we want to remember them. Gyrnar Shult and Malevanor are two examples of recent people who could have statues honoring their achievements in Atur (a statue of Malevanor as he was in life, not reflecting him as Oathbound!). There could be statues of other great priests, philosophers, or soldiers; even in Atur, Karrns still respect martial prowess and courage.

Any advice how to create compelling religions in homebrew worlds?

Successful religions build community and generally offer hope or provide explanations for the challenges people face in life. The Sovereign Host tells us the Sovereigns are guiding us, that Boldrei brings us together, Aureon’s laws make us stronger, and that the Dark Six can be blamed for all the evil in the world. The Blood of Vol tells us the Sovereigns are to blame for the evil in the world (well, one Seeker sect says this): the gods are against us, life is cruel, and we need to stand together because all we have is one another. The Silver Flame teaches that there are real, concrete forces of evil in the world itself, but that we can overcome them by standing together and channeling the light of the Flame. So again, first and foremost: WHY should someone adopt the faith you’re creating? What questions does it answer? What hope does it offer? What about this faith would cause it to spread and flourish?

How would you explain Eberron to people who believe it is a Grimdark setting because of the multitude of world ending threats posed to it “at the same time?”

The multitude of world ending threats are presented as OPTIONS, but it’s up to the DM to decide which—if any—actually ARE world ending threats. It’s entirely possible that the stars aren’t right—that none of the overlords could be released in the next century, that the daelkyr are securely bound, that the Mourning was a fluke (a Cannith weapon that could only be created during a planar convergence that won’t happen for another five hundred years), that the Kalashtar have the Dreaming Dark situation under control. Part of my general campaign advice is to pick one or at most two of these threats to be factors in your story arc and to kick the others down the road; they all COULD happen right now, but none of them HAVE to.

So in short, it’s as grimdark as you want it to be. It COULD be that everything’s coming to a boiling point right at this moment… and while we’re at it, Lhesh Haruuc and King Boranel could die, Aundair could decide to reclaim Thaliost and the Eldeen Reaches, there could be a civil war in Karrnath, etc, etc… but the general approach of the setting is to present the DM with a lot of options, and for you to decide which will actually be threats TODAY.

Where would you put Penguins in your Eberron?

You’re asking the wrong question. You should have asked “Where WOULDN’T you put Penguins in your Eberron?” Those little %*¥#s are EVERYWHERE. Ok, just kidding. For real, though: they’re in the sewers of Sharn. There was a huge craze when Zil explorers brought them back from Everice, but then people got bored with them and dropped them down the privy, and next thing you know, soiled penguin swarms.

Of course, there’s the other obvious answer, “Silver Flame convents.”

And FINALLY, don’t forget about that time the megafauna penguin burst through the Lamannia manifest zone and laid waste to half of Silver Lake.

That’s all for now. Feel free to discuss these topics in the comments, but I’m afraid I won’t have time to answer questions myself. And again, thanks to my Patreon supporters for making these articles possible—follow the link if you want to ask your own questions or get in on my next campaign!

Dragonmark: Kethelrax and Shaarat Kol

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Art by Julio Azevedo

KETHELRAX THE CUNNING

Kethelrax the Cunning is the warlord of Shaarat Kol. Sometimes known as the Goblin Prince, Kethelrax has been a rallying figure for people who have been oppressed throughout the history of the region. Kethelrax was born into one of the Khaar’paal kobold clans of the Graywall Mountains. Gifted with sorcerous power, these kobolds have largely remained in their fortified tunnels, ignoring both the humans to the east and the raiders to the west. Young Kethelrax was curious and keen to explore the western lands—but soon after he ventured into the Barrens, he was taken prisoner by an ogre chib who dominated a village of kobolds and goblins. For a time, Kethelrax served this ogre, learning the ways of the Barrens and his oppressed cousins. Before the Daughters exerted their influence over the land, the Barrens were violent and unstable; the ogre chib was in turn slain by minotaur raiders, who took Kethelrax and some of the others back with them to the fortress then known as Haalrac’s Fist. Kethelrax had many opportunities to escape; he’d been honing his sorcerous talents throughout his time in the western lands, and his captors had no idea of what he was capable of. But Kethelrax wasn’t content to escape alone. As a servant, he managed to manipulate the warrior Turakbar, playing on the minotaur’s ego. Kethelrax convinced Turakbar to slaughter the reigning clan lord, Haalrac, and in the ensuing chaos the kobold was able to free a host of goblins, kobolds, and others forced into service in Haalrac’s Fist. Kethelrax led this band south, hoping he could convince the Khaar’paal to take in these refugees. But during the long journey, Kethelrax was visited by a blind hag who urged him to take shelter in Dhakaani ruins in the foothills of the Graywall Mountains. Sora Teraza told Kethelrax that change was coming to the Barrens—and that there was a need for a leader who could inspire the small folk of the Barrens, rallying goblins and kobolds alike. Over the few years, Kethelrax and his band targeted weak chibs in the region, freeing their prisoners and building a significant force. It wasn’t easy, and Kethelrax suffered a number of bloody defeats—but he and his people remained strong. In 985 YK, Sora Katra came to Kethelrax. She explained the Daughter’s vision for the region, and made a bargain with Kethelrax: if he could seize the fortress now known as Shaarat Kol, he could hold it as a warlord of Droaam, creating a haven for goblins and kobolds. Kethelrax agreed, and over a decade later he reigns as the Goblin Prince of Shaarat Kol.

Ketherax the Cunning lives up to his epithet. He is both clever and charismatic, able to inspire his people but equally adept at deceiving his enemies. His primary motive is always to improve the lives of the kobolds and goblins of the western plains, and this has led him to be one of the most trusted allies of the Daughters of Sora Kell. While some warlords chafe at the Daughters’ rule and yearn for greater power, Kethelrax recognizes that a strong and united Droaam holds many opportunities for his people. He continues to improve Shaarat Kol, working to make it a haven for both smugglers and honest traders. With that said, he still has a number of old scores he’d like to settle with those chibs and warlords that have long oppressed the small folk. He has been unable to convince the Khaar’paal kobolds to ally with the Daughters, but he continues to work on it.

Kethelrax is a red-scaled kobold. He’s a charismatic speaker who possesses both arcane gifts and a knack with a knife. He’s known for his ability to conjure blades of flame (something that mimics both flame blade and fire bolt, as he can fling his fiery daggers). He prefers to outwit enemies rather than to rely on force to solve his problems… but he’s deadly when he needs to be.

Rumors About Kethelrax the Cunning…

  • Kethelrax is a champion of the Dark Six. The Fury has empowered him to avenge the suffering of the goblins, and the Mockery cloaks him in shadow when Kethelrax doesn’t want to be seen.
  • Kethelrax is no kobold at all: he is a dragon who has taken on kobold form. 
  • Kethelrax has sworn that he will kill Rhesh Turakbar by the end of 998 YK. 

SHAARAT KOL

Population: 6,600

In Brief: City of goblins and kobolds, smuggling and manufacturing center

Key Inhabitants: Kethelrax the Cunning (male kobold warlord)

Shaarat Kol is a city in southeastern Droaam, set against and into the western face of the Graywall Mountains. Like Cazhaak Draal, it is built on the foundations of an ancient Dhakaani city; unlike Cazhaak Draal, far more of the original city remains intact. The city was either abandoned or completely depopulated during the wars with the daelkyr. Those parts of the city that were above ground were damaged by battle and the passage of time. An ogre chieftain built a simple fortress within these ruins, and this changed hands many times over the centuries. But much of Shaarat Kol was underground, and in its last days its gates were sealed with both arcane locks and adamantine bars. None of the chibs and chieftains who claimed the fortress on the surface were ever able to delve below. None, at least, until Kethelrax the Cunning. In 985 YK Kethelrax was the leader of a band of goblins and kobolds—rebels hiding in the Graywall Mountains and raiding the thuggish chibs. Sora Katra came to his camp, and the two talked for hours. In the month that followed, Kethelrax led his followers in a daring attack against the ogres and their ettin chib who currently held the ruins of Shaarat Kol. It was a vicious fight, but Kethelrax’s forces won the day and claimed the fortress… and using the knowledge Katra had shared, Kethelrax was able to open the gates of the old city and discover the true face of Shaarat Kol. The name of the city is Goblin for “Forge of Swords” and it was once an industrial center of the Dhakaani, home to some of their greatest forge adepts. The city was largely intact and contained resources untouched for thousands of years; while some of these resources were lost to time, adamantine doesn’t age. However, the city was lost in war, and the ancient daashors left countless traps along with their treasures. There are amazing facilities and other wonders to be found in Shaarat Kol, but claiming them is a slow process. Even now, more than a decade later, the denizens of Shaarat Kol have only reclaimed an estimated 20% of the ancient city.

So at the moment, Shaarat Kol is essentially two cities. The Upper City is the surface, which is being expanded and rebuilt in the new Droaamite style seen in Graywall and the Great Crag. Most of the people of the city live in the Upper City and it’s where most business takes place. But there’s also the Undercity, which lies beyond the ancient gates. This is where Kethelrax holds court and where his most loyal and talented followers dwell. Should there ever be a serious attack, Kethelrax could seal the gates—and when those gates were last sealed, they held off intruders for thousands of years.

The Upper City of Shaarat Kol is a haven for trade, known for the vast Goblin Market. This is an even larger cousin of the Bloody Market found in Graywall. All manner of independent artisans, hunters, and magewrights sell goods and services. You can hire mercenaries, buy plunder from raiders, find trinkets scavenged from Dhakaani ruins or dangerous imports from the Venomous Demesne. The Goblin Market is a vast open space largely filed with tents and temporary housing. Looking to the permanent buildings, roughly two-thirds of the structures are built for the comfort of small creatures, with a another third of the city being designed to accommodate medium and large creatures. Kethelrax has sworn that Shaarat Kol will be a haven for goblins and kobolds, who have long been oppressed in this region; he’s building this city first and foremost for his people.

The Undercity of Shaarat Kol uses the intact infrastructure of the ancient Dhakaani city. This was an industrial center and it contains mines, foundries, and forges; Kethelrax and his people are working to restore these facilities and to make use of them. While some of the great daashors were hobgoblins, the golin’dar (goblins) were the primary artisans of the empire, and much of the city is designed for their comfort. As noted before, the process of reclaiming the Undercity is slow, and there are always teams at work exploring new sections and trying to clear out traps and defenses. But just in the area that’s been reclaimed Kethelrax has been able to get a foundry and an ore processing facility working, and they are learning a great deal about the process the Dhakaani used to create and work adamantine. This is only the start, but Shaarat Kol has the potential to play a very important role in the future of Droaam.

Unlike Graywall, Shaarat Kol has made little effort to welcome the Five Nations. There’s no Orien trade route and no Dragonmarked outposts in the City of Goblins. The coastline to the south is rocky and dangerous, and it is difficult for large ships to land. Kethelrax is actively working to build a safe port so that Shaarat Kol can rival Vralkek as an important shipping destination. For now there are a few safe havens for those who know them, but they only support small ships. All this means that the people of the Five Nations who come to Shaarat Kol are mainly smugglers. There’s all kinds of valuable goods available in the Goblin Market, including many that are taxed or prohibited in the Five Nations. Some use paths and hidden passages through the Graywall Mountains, while others dare the dangerous coastline in small boats. While Kethelrax and the Daughters haven’t tried to bring the Dragonmarked Houses to Shaarat Kol, he’s happy to deal with legitimate traders, hence his work on the port; he just wants to finish securing the Undercity and unlocking its potential before bringing easterners into the city in large numbers.

Goblins and kobolds make up nearly 90% of the population of Shaarat Kol. Many of these were formerly subjugated by brutal chibs, and either fled on their own or were released from their bondage by the Daughters and allowed to go to Shaarat Kol. There is a tremendous sense of camaraderie among the people of the city; throughout the city you’ll see people working together and helping their neighbors. There’s only a small (literally) city watch, but that’s because anywhere that there’s trouble a mob of citizens will come together to deal with the problem. There are a number of large trade schools that are teaching the skills needed to use the facilities of the Undercity, and Kethelrax has brought in mentors from the Khaar’paal kobolds to help kobolds harness their sorcerous potential. As a result, Shaarat Kol has far more magewrights than any other city in Droaam. The city is still growing and finding its footing, but there’s more casual comforts than one can find even in the Great Crag. The denizens of Shaarat Kol have largely embraced the faith of the Cazhaak Six, and there’s a temple maintained by the medusa priest Shalaasa and a number of Khaar’paal adepts. In general, Shaarat Kol is one of the safest cities in Droaam, as long as you don’t start any trouble. On the other hand, the camaraderie among the small denizens means that the criminals and con artists of Shaarat Kol ply their trade on the visiting tall-folk; keep an extra eye on your purse and don’t buy a deed to a Byeshk mine, no matter how good the price is.

 Interesting Things About Shaarat Kol

  • The Undercity of Shaarat Kol holds undiscovered wonders. There could be an armory stocked with Dhakaani artifacts, or the forge that was used to make them. There’s certainly an opportunity here for adventurers willing to brave the countless traps. But it’s also possible people who dig deeper will find that there are daelkyr forces left behind as well—as the Mror found when they dug too deep into their ancient past.
  • The Heirs of Dhaakan may be interested in reclaiming Shaarat Kol or at least recovering relics from the Undercity. This could lead to a deadly conflict between Kethelrax and the Kech Dhakaan. It’s quite likely that agents of the Shaarat’khesh are already hidden among the people of Shaarat Kol, evaluating the situation and passing information to the clans.
  • Kethelrax rose to power by fighting other chibs. He’s made many enemies, most especially Rhesh Turakbar. Any of these foes could attempt to assassinate Kethelrax or at least sabotage Shaarat Kol.  

This is an excerpt from Frontiers of Eberron, which I’ve been working on since I released Exploring Eberron. I’m currently running a poll on my Patreon to help me decide where I go from here—whether I continue to develop this book for Eberron and the DM’s Guild, or whether I use it as the foundation of an entirely new setting. There’s many factors in this decision and I won’t be making it quickly. Regardless of what happens, thanks to my patrons and to everyone else who’s supported Eberron over the years!

Session Zero: Background Prompts

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Art by Julio Azevedo

As time permits, I like to answer questions posed by my Patreon supporters. Here’s one from this month…

You often suggest questions for new players starting a campaign to spark some character motivation. “Why do you owe/need 200gp?” “What is something you regret?” What would you suggest a good prompt would be for a campaign set in the Principalities?

This is, indeed, something I suggest. What’s your greatest regret and Why do you need 200 GP? are both mentioned in Eberron Rising From The Last War. As a DM, what I like about What’s your greatest regret is that it immediately gives me ideas about who the character is and about situations to work into future adventures. Can I squeeze in a chance for the character to regain something they’ve lost or to redeem their past mistake? Meanwhile, why do you need 200 gp is a way to give a concrete NEED that drives the story. You aren’t just taking this kill-rats-for-5-gp job because you have nothing better to do; you only have two weeks to pay off the Boromar Clan before they come after you!

In Chronicles of Eberron, I suggest another of my favorite background questions—What did you do during the Last War? The Last War lasted for a century, and came to an end only two years before the default campaign start. Many of the current nations didn’t exist or weren’t officially recognized during the Last War; if you’re from Droaam, you’re probably older than your nation. If you’re playing a fighter, did you serve in the war? If so, who did you fight for… and if not, why not, when you clearly have the skills? Was your ranger a scout, or were you a smuggler? Did you artificer repair weapons of war, or did you help warforged deserters build new lives? A follow up question is what did you lose during the Last War—a friend? Your home town? Your faith in the Sovereigns?

Part of what I like about questions like this is that they give me an immediate sense of the character without providing too much detail. I don’t actually WANT a player to show up to session zero with a ten-page backstory already written about their character, because I want the player characters to evolve together. You can add details to your character’s backstory over time. If we all agree that you served Breland during the war, and served on the Breland-Droaam border, then in a later adventure when you meet a worg ranger we can say Oh, of course—you met Ja’taarka when you were serving at Orcbone! That was that long patrol—you saved his life and you helped him find your way back home. If the player has carefully documented every battle they fought in, that’s more likely to get in the way of the unfolding story. But having a general picture—I fought for Breland on the Droaam front, and my brother was killed by minotaur raiders from Turakbar’s Fist—gives us a strong basic foundation we can build on.

Questions like this work with character background, but don’t define it. Critically, just because you fought in the Last War doesn’t mean you need to take the Soldier background. The benefit of the Soldier background is Military Rank, which establishes that you get recognition and respect from other soldiers (regardless of their nationality!). To me, this indicates that you were essentially a war hero—lots of people fought in the war, but any soldier knows YOUR story. Meanwhile, if you were a quartermaster you might take the Guild Artisan background. Entertainer? Perhaps you were the company musician before you launched your professional career. The direction-finding abilities of an Outlander are perfect for a scout. Your Acolyte could have been the chaplain, while your Criminal could have worked with the black market during the war—or simply gotten into crime afterwards. Essentially, the war is so far reaching in Eberron that fought in the war isn’t a defining background; it’s just a shade of it.

So: I like to present players with one or two interesting questions at the start of a campaign, as prompts to story. With that in mind, let’s get back to the original question… What would be a good prompt for a campaign set in the Lhazaar Principalities?

Any of the questions mentioned so far would work for such a campaign. Even pirates have regrets. Perhaps your party has a boat, but you need 200 gp to pay off your docking fees! And what DID you do during the Last War? Were you a pirate? A privateer? An innocent fisher whose boat was destroyed by Karrnathi soldiers during a navel battle? But I understand that the SPIRIT of this question is What’s a unique and interesting prompt for Lhazaar characters? Thinking about it, my question is…

What’s your most famous ancestor known for?

d12What’s Your Most Famous Ancestor Known For?
1Brutal Piracy. It’s not rust that stains the shores of Orthoss red—that’s the blood spilled by your ancestor, said to be one of the most merciless pirates to sail the Lhazaar Sea.
2Buried Treasure. Your ancestor amassed a legendary hoard, including priceless artifacts from Aerenal. But they swore that no one would ever find their treasure… and no one ever has. Can you claim your long-lost inheritance?
3Turtle Hunting. Drake hunting plays an important role in the Principalities, and your ancestor was the greatest turtle-hunter of them all. It’s said turtles still quake when you speak their name. But your ancestor was eaten by a particularly large and vicious dragon turtle, who’s still at large; do you want revenge?
4Humiliating Defeat. Your ancestor had grand dreams and early success, only to come to an especially embarrassing end. There’s a popular song about it. Who was their enemy? Do you believe there’s more to the story… or was your ancestor, in fact, an idiot?
5Prince of an Ancestor. There’s an annual holiday in Port Verge celebrating the deeds of your ancestor, a folk hero who clashed with Galifar and Riedra but always shared their bounty with people in need. They became a prince through popular acclaim and reigned over a golden age. Think you can live up to that?
6Fishing. Your ancestor was a pacifist who condemned both piracy and all forms of bloodshed, and who encouraged the people of the Principalities to focus all their efforts on fishing and trade. Do you support their views, or are you tired of people making fish jokes every time you walk in the room?
7Betrayal. First, your ancestor led a mutiny and took a ship from their captain. Then they murdered a prince and claimed a crown. Their reign only lasted for a single generation, but it was marked by countless acts of ruthless betrayal. Are you equally deceptive, or are you ashamed of their legacy?
8Trafficking with Malefic Powers. Your ancestor was said to be a warlock whose success was the result of deals with immortal evils. Do you believe these stories or do you think it’s jealous slander? Could you have inherited some sort of vile pact without knowing it?
9Carrying the Light. The people of the Principalities aren’t especially devout, but your ancestor was a missionary who briefly inspired a strong following that still lingers to this day. What faith did they follow? Do you uphold this tradition?
10Haunting The Lhazaar Sea. Your ancestor died long ago, but they still sail the sea in a ship of shadow and bones. Were they a brutal raider who still seeks to slake their thirst for blood? Or is their undead existence the result of a curse—they’re forced to wander the waters until they right an ancient wrong?
11Pirate and Poet. While your ancestor was a pirate for a short time, what they are known for is their poetry; they created countless shanties that are still sung to this day. If you’re an entertainer or bard you might carry on their legacy; if not, you may be sick of all the damn songs.
12Founding The Principalities. You’re descended from Lhazaar herself, the pirate queen who led the fleet from Sarlona. Sure, at this point, half the people of the Principalities have some trace of her blood in their veins… but you are from a line that has always preserved and celebrated that connection, a line that has produced many remarkable captains and raiders. Your parents have Lhazaar’s sword. Can you live up to the legend and claim that sword?

In a Lhazaar campaign, I expect the adventurers will eventually have a ship; they may walk a line between piracy and privateering, they might search for lost treasures, or they might get involved in the politics of the Principalities and perhaps even claim a crown. But the Principalities are a relatively small region of people closely linked together, and that means there will be stories about the past. People know who your parents were, and your grandparents—and they know what they did. Who’s the most famous or infamous member of your line, and what are they known for? Do you want to reclaim your ancestor’s legendary lost treasure or prove that they didn’t lose their last battle due to incompetence? Is your ancestor a source of inspiration to you, like the Tairnadal elves—or are they an albatross you carry, a story you’d like people to forget?

The table here presents a few specific ideas, but there’s countless possibilities. What your famous ancestor a prince, a pirate, a priest or a privateer? Are they renown for daring raids against Lyrandar shipping, or cursed as a traitor who worked with Lyrandar? Did they do great things at the beginning of the Last War, or did they sail in the first days of the Principalities?

This is a random example, and there are countless other questions you could ask. The point is that you don’t need to know everything about your character as a campaign begins… but answering a few interesting questions may give you a strong foundation to build upon. Thanks as always to my Patreon backers, whose support makes these articles possible!