Dolurrh, the Realm of the Dead

Every month, my Patreon supporters select a topic for a major Eberron article. This month’s choice was the plane of Dolurrh. Additional information about Dolurrh and all of the planes of Eberron is coming soon inExploring Eberron!

Endless caverns stretch throughout Dolurrh, bleak passages of gray stone. Wherever you go, shadowy figures reach towards you, imploring, but you feel only the faintest chill as their insubstantial fingers pass through you. Mist pools around your feet, and as you press forward you realize this swirling mist is moaning. This is no natural phenomenon; these are the remnants of souls who have forgotten their original form. This is Dolurrh, where mortal souls go after their bodies die, where memories fade and lives are forgotten.

Mortal spirits are drawn to Dolurrh within moments of death, and their memories begin to decay immediately. Within days, most spirits no longer have any desire to leave Dolurrh; within weeks, most only have the faintest memories of their previous lives. The faiths of Aerenal and the Blood of Vol assert that Dolurrh is the absolute end of existence, the last echoes of a life before it is gone completely. But when Dorius Alyre ir’Korran drew his classic planar map he used the octogram symbol of the Sovereign Host to represent Dolurrh, because he declared it to be the door through which all mortals must pass to join with the Sovereigns. This has come to be a common view: what appears to be memory fading is actually the soul slowly ascending to a higher form of existence, rising to a level of reality no mortal can experience. The vassals of the Sovereign Host say the faithful finally join the Sovereigns; followers of the Silver Flame say that noble souls strengthen the Flame. What is left behind is a husk—the cast-off remnants, like an abandoned snakeskin or the traces of memory that can be read using speak with dead. Thus, while Dolurrh has long been known as the Realm of the Dead, there are many who call it The Gateway. Ultimately, this is a matter of faith. Whether the other side of Dolurrh is oblivion or paradise, no one ever returns from it.

All living creatures will come to Dolurrh, sooner or later. Those that come here before death are almost always looking for something: a lost soul, a forgotten memory. But living or dead, any who come to Dolurrh can be trapped by its power.

Universal Traits

Everything about Dolurrh is gray and gloomy. Even the brightest colors seem faded, the most joyful sounds seem dull. The heavy weight weight of ennui settles on travelers the moment they arrive, making even the simplest tasks feel challenging. And there is a constant pull, tugging on memory and emotion, a desire to just sit down and let it all go.

  • Eternal Ennui. When you enter Dolurrh, you immediately gain one level of ennui (described below). This cannot be removed by rest or any other effect. It is immediately removed when you leave Dolurrh.
  • Impeded Magic. In order to cast a spell of 1st level or higher in Dolurrh, you must succeed on a spellcasting ability check with a DC equal to 10 + the level of the spell. On a failed check, the spell is not cast and its spell slot is not expended, but the action is lost.
  • Timeless. Time passes on Dolurrh at the same rate as on Eberron. But creatures on Dolurrh don’t age, and do not need to eat, sleep, or drink. Other natural processes may be delayed, though living creatures can benefit from resting normally and can suffer damage and die.
  • Inevitable Entrapment. Every time you complete a short or long rest, you must make a DC 12 Wisdom saving throw. If you fail, you gain one level of ennui. Each time you make this saving throw, the difficulty increases by 1. If you don’t complete a rest over the course of a 24 hour period, you must make this saving throw at dawn.

Ennui reflects the soul-sapping power of Dolurrh. It’s gained in levels, and duplicates the effects of exhaustion. However, it affects all creatures, including undead and other creatures immune to exhaustion. Ennui saps motion and memory. When a creature reaches six levels of ennui, its will is completely broken and it can take no purposeful action; if this happens to a living creature, its physical body dies and it becomes a husk bound to Dolurrh. Ennui is separate from exhaustion, and levels don’t stack. If a creature has both ennui and exhaustion, use which has more levels to determine the effects.

Undead cannot recover from ennui while in Dolurrh. If a living creature completes a long rest and succeeds on the saving throw against Inevitable Entrapment by 5 or more, they reduce their ennui level by 1. Creatures native to Dolurrh are immune to Eternal Ennui and Inevitable Entrapment, but still have to deal with the effects of Impeded Magic.

DENIZENS OF DOLURRH

The Quick

The native creatures of Dolurrh are bound to the cycle of transition, and all have some role to serve in this process. Nalfeshnee demons patrol the Catacombs of Dolurrh, dispersing melds and lemures and dealing with mortal intruders; Dolurrhi nalfeshnee appear as large humanoids whose features are shrouded by gray mist. Marut inevitables are more powerful guardians, and are occasionally dispatched to Eberron to intervene with acts of resurrection. No one is sure what triggers this deadly intervention, but Jorasco healers will always cast augury before raising the dead; if the result is “woe” they will refuse the job. Finally, the shadar-kai are servants of the Queen of the Dead, shades granted new life in this form. They serve her in the Vault of Memories and occasionally as her hands on Eberron, though their actions are almost always enigmatic. Other denizens of Dolurrh are unique. The Librarian is found in the Vault of Memories, while the Smith of Souls dwells in the Crucible; both are described later in this section.

The Dead

The spirits of the dead are omnipresent in Dolurrh. Shades are souls that are freshly arrived in Dolurrh, and maintain a portion of their memory and original appearance. They are insubstantial and can’t interact with material objects. Shades that are overcome by ennui become husks, which have only the vaguest memories of their past lives or awareness of their surroundings. Occasionally a group of husks cluster around one strong memory, forming an ectoplasmic mass called a meld that seeks more memories to consume; these are presented in more detail in Exploring Eberron.

Sometimes a shade clings to a memory with such intensity that even Dolurrh can’t eradicate it—perhaps a terrible mistake or bitter grudge. Other memories fade, but the creature lingers as a ghost and can be a danger to mortals. Other forms of undead are rarely seen in Dolurrh. The entities found here are the spirits of the dead, either undergoing transition or trapped in the process. Corporeal undead such as ghouls, skeletons, or zombies have no place here, while undead that hunger to consume life belong in Mabar.

The Lingering

Memories of joy and happiness do no harm in Dolurrh. But memories of pain, of cruelty, of anger… these don’t fade so easily, and they can hurt others. Even if they don’t trap shades as ghosts, this psychic residue can build up in the gears of the spiritual machinery of Dolurrh. Often it takes the presence of a mortal to trigger it; when this occurs, the lingering pain and hate coalesces into a solid form. The least of these are lemures, which are formed from hateful memories or deeds. The emotional residue of hundreds or thousands of people can form deadly sorrowsworn. In particular, the Last War and the Mourning created a lot of deaths that could fuel manifestations of the Angry and the Lost. When a character is struck by one of the Lingering, they may have a flash of one of the memories or deeds that drive the entity.

The Lingering are formed in Dolurrh and are immune to the effects of Eternal Ennui and Inevitable Entrapment. However, they are a waste product, not the desired result. Nalfeshnee, maruts, and other guardians will destroy the Lingering whenever they are found. 

The Queen of the Dead

The Queen of the Dead dwells in the great spire that rises up above the Vault of Memories. She is the most powerful being in Dolurrh, and has the ability to pluck shades from the cycle of entrapment and even to grant them new life. She appears to be an elf woman, robed in silver and black, her face hidden by a cracked alabaster mask. But little is known about her motives or her origins. She creates the shadar-kai by housing shades in new bodies. She saves other souls that she never restores; she preserves them in the Vault of Memories, saving them from dissolution for unknown reasons. She collects secrets and memories, plucking her favorites from those gathered by the Librarian and keeping them in her personal collection. Sometimes she seems to directly oppose mortal necromancers, especially Lady Illmarrow. At other times she seems to be interested in killing specific people, perhaps so she can preserve their spirits or their memories. But such direct action is extremely rare, remarkable if it occurs more than once in a century; most of the time she remains silent in Dolurrh, unknown and unknowable.

There are many mysteries about the Queen of the Dead. She takes the form of an elf and gives her shadar-kai elven bodies, yet she existed long before the elves. Her actions directly involve the Material Plane, in a way unusual for the great planar powers. This may simply be tied to her role as keeper of the gateway; or there may be some greater secret yet to be revealed.

LAYERS OF DOLURRH

Dolurrh is universally gray and gloomy. All layers that have been described in the accounts of explorers have appeared to be underground; no one has ever seen the sky in Dolurrh. Unlike most planes, the layers of Dolurrh don’t embody different ideas; instead, they serve different functions. Dolurrh is a machine for gathering, collecting, and perhaps transitioning souls; all of its layers serve that purpose. Here are four of them.

The Catacombs

Tunnels are carved into gray stone. In some places they are painfully tight; in others they widen into grand halls, with ceilings lost in the darkness. The dead are everywhere, shades pleading for release and husks keening in the shadows. Some chambers contain vast wells filled with moaning mist; in others nalfeshnee herd shades into pens or scrape lemures off the walls. There is no particular logic to it, just endless tunnels.

The Catacombs may be larger than Khorvaire, or even Eberron. A mortal could wander forever through these winding tunnels, or at least until they are consumed by ennui. However, there are junction points that transcend the logic of distance. If one knows the right symbols to follow, they can cross the vastness of the Catacombs quickly or pass to other layers.

The Kennel

All the mortals born on Eberron are bound to Dolurrh, but like spirits are drawn together. The Catacombs holds the spirits of dead humanoids. The Kennel is similar in appearance, but it contains the shades and husks of beasts and monstrosities. Here you’ll hear the howls of fading wolf spirits, and see flocks of spectral birds flying through grand halls… along with larger and more fierce creatures. Beast spirits rarely linger long in Dolurrh, as most have fewer memories to erase.

It’s possible that the Queen of the Dead has created special servants that wander these halls, just as she has made the shadar-kai; adventurers could be questioned by a clever raven with the soul of a poet. But nalfeshnee and maruts can be found here as well as in the Catacombs.

The Crucible

In the Crucible, the immortal spirit known as the Smith of Souls refines the essence of faded spirits and creates things out of this husksteel. The Smith forges the armor and weapons of the shadar-kai, and creates the maruts from the husks of brave souls. She also creates smaller and stranger items from husksteel. This is a comparatively small layer, but it is still a grand foundry, tended by shadar-kai and guarded by newly-forged maruts.

The Smith wears a mask of black steel and an apron that seems to be made from dragonhide. When forging maruts she is a giant; when crafting tiny trinkets she appears to be a gnome. It’s possible that she collects the memories of mortal artisans, and can replicate their works at her forge.

The Vault of Memories

The heart of Dolurrh is the Vault of Memories. It’s a tower carved up through gray stone, larger than any of the great towers of Sharn. The lowest levels are the Library. Here, the spirit known as the Librarian interviews each shade and makes a record of its life. The power of the Librarian is such that an entire life can be confined to a single large page. Every sigil inscribed holds a crucial memory; a character proficient in Arcana can read the symbol to experience that memory. The many floors of the library hold countless books of preserved lives, carefully tended by shadar-kai scribes. The Librarian himself is a massive hooded figure, and his books are enormous. It’s said that he can be many places at once, which is how he is able to speak to every shade before it fades. 

In the halls above the library, the Queen of the Dead keeps her many treasures. What seem to be obsidian statues are actually shades, crystallized to prevent them from fading into husks. Paintings and crystals contain memories that the Queen has chosen to isolate. Beyond these are countless trinkets and oddities, items collected by her shadar-kai over the vast scope of history. And higher still are the chambers of the Queen herself, where she usually sits in silent contemplation listening to the whispers of the countless shades in her domain. 

MANIFESTATIONS OF DOLURRH

Here are a few of the ways Dolurrh can affect the Material Plane.

Manifest Zones

Manifest zones tied to Dolurrh rarely possess the full properties of the plane. But they are close to the Realm of the Dead, and that means they are almost always haunted. Shadows may move in strange ways, and travelers may hear whispers they can’t quite make out.

Restless spirits yearn to return to the Material Plane, and it’s easier for them to do so in Dolurrhi zones. Sometimes they manifest as ghosts. Other times they’ll animate the corpses of people buried in the zone; these creatures are effectively zombies, but may display unusual intelligence as they seek to resolve their unfinished business. Raising the dead can be dangerous in a Dolurrhi zone; there’s a chance that the wrong spirit will be returned to the body!

While these are negative traits, Dolurrhi zones can have positive effects. In many zones it is easier to return people from the dead; you only have to spend half the usual material components when casting such a spell. In others, anyone can cast speak with dead as a ritual; this takes an hour to perform, and the caster must have the corpse they wish to speak with and a personal connection to the deceased.

The most dramatic manifest zones are those that serve as gateways to the Catacombs of Dolurrh. Opening such a gateway might require a special ritual, a significant sacrifice, an alignment involving the moon Aryth, or all of the above. It might only work if Dolurrh is coterminous. But under the right circumstances, you can use the gateway to enter the Realm of the Dead—and hopefully, to return. 

Coterminous and Remote

As with any plane, Dolurrh can become coterminous or remote when it serves the needs of a story. It has has a slow planar cycle, and becomes coterminous for a full year once every century. Fifty years after that, it is remote for a full year. Shorter phases are tied to the movements of the moon Aryth.

While Dolurrh is coterminous, it’s easier for ghosts to slip from the Realm of the Dead into the Material Plane, especially around Dolurrhi manifest zones. Any form of magic that restores life to the dead can also serve as a conduit for unwanted spirits.

While Dolurrh is remote, no form of magic that restores life to the dead—including revivify or reincarnate—will function. The only way to restore life to the dead in these times is by directly traveling to Dolurrh and pulling the shade back to the world. Ghosts are also especially common in this time. But these aren’t ghosts that return from Dolurrh; rather, if Dolurrh is remote when people die in the grip of great emotion or with vital unfinished business, their spirits can more easily resist Dolurrh’s pull.

Dolurrhi Visitors

 The most common types of visitors from Dolurrh have already been discussed. A marut may show up in response to resurrection. Ghosts may drag their way back into the world. And the shadar-kai—or other revenant servants of the Queen of the Dead—may come to the world pursuing her enigmatic missions.

Dolurrhi Artifacts

The most common Dolurrhi artifacts are the creations of the Smith of Shadows. These are formed of husksteel, the fused essence of faded souls. Depending on the nature of the object, it could be crafted from a single spirit—a dagger whose edge is forged from a single moment of pain—or from the emotional residue of multiple husks. Despite the name, husksteel can appear as dark metal, slick black leather, dark iridescent cloth, or other substances.

In creating a husksteel object, consider the memory or emotion that is the heart of the item. For a magic item, this should reflect its purpose; a husksteel cloak of elvenkind could be formed from a secret. A husksteel variation on a dagger of venom might be formed from a moment of absolute terror; when its power is invoked, the victim struck by the dagger must succeed on a DC 15 Wisdom saving throw or take 2d10 psychic damage and be frightened of the wielder for 1 minute. 

Other husksteel items are largely curiosities. Adventurers could find a monocle that shows the last thing seen by a dead man, or a journal containing poems written by a celebrated poet—after they died.

CONCERNING RESURRECTION

Returning life to the dead is not a reliable service in Eberron. There are many characters who are capable of casting the necessary spells, from clerics to adepts of House Jorasco. But just because it can be cast doesn’t mean that it should be cast… or that it will work if it does.

The first and simplest limitation is time. The longer a spirit remains in Dolurrh, the more it falls under the sway of ennui. Any spell that returns life to the dead requires the spirit to want to return. Once the shade becomes a husk, it can no longer make that decision and can’t be raised or reincarnated; note that most religions maintain that this is because at this point the true soul has moved on to a higher level of existence; you can’t easily pull someone back from their union with the Sovereigns. So you only have about a week or two—depending on the strength of will of the victim—to pull them back. But even before that time, it is quite possible that the spirit will simply choose not to return. What is it they have to live for? Is that worth fighting to lulling ennui of Dolurrh?

The second limitation is risk. The appearance of maruts is extraordinarily rare, but in part that’s because Jorasco knows to check beforehand and won’t raise someone if there’s a risk. Essentially, the question is whether this person is supposed to come back… or if this is, indeed, their time to die. If so, a marut may appear to challenge the resurrection.

The final risk is the direct intervention of a higher power. It’s said that the Keeper can snatch souls before they reach Dolurrh. It’s up to the DM to decide if there’s any truth to this myth; the story says that such souls must be recovered from the Lair of the Keeper in the Demon Wastes. The Keeper itself may or may not be there, but it’s certainly the abode of a powerful dracolich! Alternatively, the Queen of the Dead can crystallize a shade and prevent it from being restored, or she can catch a spirit that’s about to be restored and set a price on its passage. The flip side of direct intervention is that the Queen of Death—or another power that seems dramatically appropriate, as chosen by the DM—could offer to return a shade to life for a price. This is a way to bring a low-level character who can’t afford resurrection back to life, while adding a hook to their story. This article provides some ideas about the possible cost of a life.

Perhaps your augury warns you of woe. Perhaps Dolurrh is remote. There’s one way you can always bring someone to life: to go to Dolurrh, find their shade, and drag it back out to the Material Plane. All you need to do is to locate a single soul in the endless Catacombs (perhaps with the help of a native guide, the records in the Vault of Memories, or powerful divination magic) and evade the many guardians to return to the world. But if you succeed, the victim receives a new body, just as if you’d cast true resurrection; and while the defenders will try to stop you from leaving, they won’t interfere once you return to Eberron. It is theoretically possible to restore a husk in this way as well, but it won’t restore lost memories. Most resurrected husks are effectively mindless. Some can relearn new skills, though their original memories are forever lost. This is why people don’t try to bring back the Tairnadal ancestors or Galifar I; you could bring a body back, but it’s not the original person in any meaningful way. This is why the Queen of the Dead (and perhaps the Keeper) preserves certain shades from decay—so that it could be possible to restore them, even after centuries.

In the Age of Giants, the Cul’sir Dominion sent an army into Dolurrh to recover the spirits of a family lost in the Quori Conflict; none returned. The Queen of the Dead doesn’t care if a shade or two are stolen every century or even every decade. But her power cannot be contested in Dolurrh, and thieves who attract her personal attention will find their shades torn from their bodies in the blink of an eye.

DOLURRHI STORIES

Dolurrh can inspire many simple stories through its manifest zones or escaped ghosts. A husksteel trinket could provide a flash of memory that sets the adventurers on a particular path. And finding a way to rescue a shade from the underworld is always an epic tale. Here’s a few deeper stories to consider.

The Once and Future Queen of the Dead. The Queen of the Dead is an enigmatic figure who wields great power in Dolurrh. But there’s another being who uses this title: Erandis Vol, the last heir of the Mark of Death. Through her agents in the Order of the Emerald Claw and beyond, Erandis seeks to restore the power of her dragonmark; no one knows what godlike powers she might wield if she unlocks its full potential. Meanwhile, the Queen of the Dead seems to oppose Erandis, and often sends her agents—both shadar-kai and adventurers she’s restored to life at a price—to interfere with Vol’s schemes. This could be exactly what it appears. The Queen of the Dead may despise necromancers, and Vol is seeking to depose her. But perhaps there’s more to it. Time works in strange ways when dealing with the planes and beings of vast power. Perhaps the Queen of the Dead isn’t trying to stop Erandis; perhaps she’s guiding her down a very specific path. Perhaps Erandis will become the Queen of the Dead, in which case, she always will have been her. Or perhaps that’s what’s supposed to happen, but there’s a way in which it could still go wrong… which could destroy the Queen of the Dead and throw Dolurrh itself into chaos.

Agent of Death. After the adventurers kill a nefarious villain, their foe reappears alive and well. This happens time and again. How is the villain escaping from Dolurrh? Are acting as an agent for the Queen of the Dead, or have they simply found a back door to the Realm of the Dead? Either way, what can the adventurers do to lay them to rest once and for all?

Devastating Sorrow. When Dolurrh becomes coterminous, a powerful sorrowsworn emerges and devastates the region. The adventurers may not have the ability to defeat the sorrowsworn in battle, but if they understand the circumstances of its creation—the emotion that drives it and the event that triggered it they might be able to disperse the deadly monster by defusing this emotion. 

That’s it for now. Thanks again to my Patreon supporters for choosing the topic!

The Raven Queen in Eberron

The Raven Queen is trapped by her fascination with the past. She sits in her fortress, amidst all the memories of the world, looking at the ones that please her the most as though they were glittering jewels. 

—From Mordenkainen’s Tome of Foes

The Raven Queen was introduced in 4th edition Dungeons&Dragons. In her original form she’s a mortal who attained godhood after death. She’s the goddess of death, but specifically she’s a psychopomp—her role is to safeguard the soul’s passage to its final destination. She is also presented as a goddess of fate and winter. Her tenets include the idea that death is the natural end of life and that her followers should bring down the proud who cast off the chains of fate. So: She’s a shadowy goddess of death, but presented in a positive light—and specifically being opposed to Orcus and the undead. She’s also presented as being able to spare worthy mortals from death if they will perform services for her.

Mordenkainen’s Tome of Foes brings her to 5th edition, and in the process changes up her story. In 5th edition, she was originally an elf queen, a contemporary of Lolth and Corellon. She sought to attain godhood and in the process was pulled into the Shadowfell with her followers. She became an “entity composed of symbols, images, and perceptions.” She sustains herself by drawing on mortal memories, and thus created her Fortress of Memories. Those who go to her realm are “transported to a strange fairy tale world pulled from their experiences, filled with metaphors, parables, and allegories.” People might seek her out to free themselves from a dark past; to learn the secrets of the dead; or to find answers that only she possesses.

In both incarnations, she is served by the shadar-kai. In 5th edition, these servants are immortal; if they die, she will cloak them in new bodies to return to her service. She sends them out to uncover secrets or memories the Queen wishes to acquire.

So: we have a goddess of natural death who despises undead and seeks to safeguard soles and the natural course of fate. We have an Elven keeper of secrets who collects tragic memories. Both dwell in the Shadowfell, have shadowy servants, and may deal with mortals. How does this translate to Eberron?

Lest it go without saying, Eberron doesn’t have incarnate gods. So we know one thing she’s NOT, and that’s a god. She is a powerful extraplanar entity who can serve as a patron for warlocks. Perhaps it’s even possible for a cleric or paladin to gain power in her service, but if so, the power isn’t coming from her directly; it’s power gained in service to her ideals.

There’s a lot of different ways you could go with this. Here’s a few quick takes.

THELANIS. The archfey of Thelanis embody epic faerie tales, and that’s explicitly what the 5E version of the Raven Queen is: a fairy tale about a queen who sought power, was consumed by shadows, and now feeds on tragedy. It’s a simple matter to take her exactly as presented in MToF and simply place her Fortress of Memories in a shadowy layer of Thelanis. In this case, the shadar-kai are essentially immortal fey spirits temporarily housed in mortal forms to play their role in her story. She continues to seek memories and tragedy because that’s her story; it’s simply the case that when you deal with her, you want to think of her as a character in a faerie tale, to bear in mind that her goals and the logic driving her actions aren’t the same as those of mortals. If you want to follow this path, I’d check out my post on Thelanis. Note that this doesn’t incorporate any of the “Goddess of Death” aspect.

MABAR. In my article on Mabar I discuss the idea that realms are consumed by the Endless Night. The MToF story of the Raven Queen fits that idea well; it’s a tale of a mighty queen who seeks godhood and is consumed by her hubris, dragging herself and her followers into shadows from where she continues to feed on tragedy. You could certainly make the Raven Queen the ruler of a domain within Mabar. However, if this is the case, it would definitely play to presenting her as a more sinister and dangerous figure as opposed to being a possible ally or patron.

DOLURRH. The basic principle of Dolurrh is that it draws in the spirits of the dead and consumes their memories, leaving behind only forlorn shades. Most of the major religions assert that this is a side effect: that the memories aren’t being LOST, but rather they’re transitioning to a higher form of existence… either bonding with the Silver Flame or reaching the realm of the Sovereigns. Nonetheless, memories are lost. You could combine the two approaches and say that the Raven Queen is a powerful being who dwells in Dolurrh and saves the memories of the dead from being lost. This plays to the idea of people seeking her out to learn long-lost secrets from the memories of the dead. It also fits with the idea that she could restore ancient champions to life—that she preserves their spirits from the dissolution of Dolurrh so they can potentially be restored at a future time. This also fits with the idea that she could offer resurrection to a dead player character in exchange for their services in the mortal world, or that her shadar-kai are spirits restored to mortal bodies. In my mind, this is the best way to combine the two versions of her: she is a powerful entity who works to preserve the natural order of Dolurrh, encourages the natural cycle of death and despises undead, yet who also preserves the memories of the dead and could grant resurrection.

THE CHILDREN OF WINTER. If you work with the idea that “death is the natural end of life,” the Raven Queen could be the patron of the Children of Winter. This likely works best if she’s tied to Dolurrh, but it could work with any option. This would justify mixing a few warlocks among the druids and rangers.

ELVEN ORIGINS. Playing off the idea that she is connected to the history of the elves; that she hates those who defy fate; and that she collects memories, there’s another interesting path you could take: she could oppose the elves of Aerenal and Valenar. The elves seek to preserve their greatest souls from being lost to Dolurrh. The Raven Queen could seek the downfall of Tairnadal champions in order to claim the spirits of the patron ancestors they are sustaining; she could also oppose the Undying Court and its agents.

GUARDIAN OF FATE. In Eberron, fate is determined by the Draconic Prophecy. One option is to say that the Raven Queen knows the path the Prophecy is supposed to follow. When forces on Eberron—the Lords of Dust, the Chamber, the Undying Court—seek to change that path, the Raven Queen seeks to set things right, either using shadar-kai or pushing player characters onto the right path.

All of these are valid options, and you can mix and match them: She rules a layer of Mabar, but she was once an elf queen and seeks to destroy the Undying Court. She’s a power in Dolurrh and served by the Children of Winter. But there’s a final option that’s MY personal favorite, as it brings a number of different ideas together: tragic Elven backstory, mortal who’s become a godlike being, guardian of the natural cycle of death, mysterious motives and ties to fate, specific tie to Eberron. And that’s ERANDIS VOL.

THE ONCE AND FUTURE QUEEN OF DEATH

Erandis Vol was the product of experiments conducted by dragons and elves, experiments designed to produce a godlike being with power over death. But she was killed before she could unlock the powers of her apex dragonmark. She was brought back as a lich, but as an undead being she can’t access the power of her dragonmark and achieve her destiny. Her phylactery is hidden even from her; she can’t truly die, even if she wants to. For thousands of years she has tried to achieve her destiny. She’s done terrible things in pursuit of this goal. She raised ann army of undead champions and fanatics. Perhaps she’s gone mad. But at the heart, she’s trying to achieve her destiny: to become the Queen of Death.

One option is to say that there IS no Raven Queen… yet. Erandis is trying to BECOME the Raven Queen. But if it was me? I’d push things one level further. I’d use the Dolurrh version of the Raven Queen: the enigmatic spirit who preserves the experiences of the dead in her Fortress of Memories, who has the ability to catch the spirits of the dead and restore them if they serve her. This Raven Queen can be a mysterious ally for the PCs. She despises undead and those who seek to cheat and manipulate fate. She can point the PCs in directions that bring them into conflict with the Emerald Claw. And yet, even if they fight the Emerald Claw, these battles might also push Erandis towards her goals. On the surface, it seems like the Raven Queen and Erandis are the bitterest enemies, opposed in every way. But in fact, Erandis IS the Raven Queen… or will be. The process of ascension isn’t a simply thing; it transcends our normal understanding of time and reality. The Raven Queen has dwelt in her Fortress of Memories for eons: but at the same time, she is Erandis, and she still has to ascend. So the ascended Erandis despised the actions of the lich and helps those who oppose her; and yet, she also has to ensure that the ascension takes place.

Simple, right? And you can easily add the Raven Queen hating the Undying Court into that mix: not only do they defy the natural order of life and death, they also killed her family and HER, back when she was mortal.

So: there’s my thoughts on the Raven Queen in Eberron. Any questions?

As always, thanks to my Patreon supporters: I couldn’t keep doing this without you!

Q&A

How do you see Raven Queen cultists as behaving in Eberron?

Have you met the Children of Winter? Seriously, though: it depends on how you interpret her. If you embrace the 4E direction, she’s about sustaining the natural cycle of life and death and enforcing fate, and as such being strongly opposed to the undead. You could easily play up these aspects of the Children of Winter. Currently they focus on how the tools of civilization interfere with the natural cycle, but they are presented as despising undead and you could choose to play this up. As suggested above, I’d see Raven cultists as being opposed to the Elven faiths and anyone seeking to shift the direction of the Draconic Prophecy. Beyond that—and with whichever version of the Queen that you use—as she is a powerful outsider as opposed to an abstract god, she can give concrete directives to cultist, whether that’s digging up a secret, killing someone who’s escaped their fate, or what have you.

With the Raven Queen’s emphasis on death being the natural and fated end, how might you see her interactions with maruts? Would she pluck them from Daanvi to guard her fortress of memories or deploy them against those who would cheat death?

Per the 3.5 ECS, maruts are normally found in Dolurrh. Personally I see Dolurrh as being very mechanical in nature (philosophically, not necessarily visually). The process of drawing souls in and processing them isn’t done by hand; normally you don’t get some sort of cosmic judge reviewing your actions, it’s just “Souls come in, rinse, repeat.” I see maruts as being part of that machine—in essence, the antibodies of Dolurrh. If you come in and try to drag a soul out, you’ll have to deal with maruts. And as I called out in City of Stormreach, any time you use resurrection to return someone who isn’t fated to return, there’s a chance you’ll draw the attention of a marut; which is why Jorasco will generally perform an augury before they’ll do a resurrection.

With this in mind, I’d personally say that the Raven Queen DOESN’T employ maruts. I prefer to say that she is living IN the machine, grabbing memories before they’re lost forever, but she’s not actually OPERATING the machine. Largely this is because I prefer her to have to work through mortal agents—be they temporarily mortal shadar-kai, Children of Winter, or player characters—than to have an army of maruts at her disposal.

If one were to utilize the Crucible from Phoenix (specifically the Dhakaani Phoenix strike force version) in Eberron as well, how might the Raven Queen tie in to the Crucible?

If you’re adapting Phoenix to Eberron, you could certainly present the Raven Queen as being the force that created the Crucibles — saving spirits from the dissolution of Dolurrh so they can return as champions. In a sense, this mirrors the 5E concept of the shadar-kai, with the added ideas that power grows with each reincarnation and that they only get seven lives. The main question is how the Phoenixes interact with the Raven Queen. Traditionally, the only being a Phoenix interacts with in the Crucible is their mentor, the spirit of a prior Phoenix of their school. If you chose, you could say that ever mentor is in fact an aspect of the Raven Queen herself.

In Phoenix itself, you don’t have elves or gods. Personally, I’d make the Raven Queen one of the Fallen Folk — a Faeda spirit created to preserve the memories of the dead. Over the ages, she’s built her fortress of memories in the Deep Dusk, and could be a source of information or guidance for Phoenixes.

Hacking 5E Eberron

I am confident that there is going to be official 5E support for Eberron, but I don’t know when it will happen or how extensive it will be… and I know that there’s people out there who want to start a 5E Eberron campaign RIGHT NOW. I can’t provide extensive support, in part because I don’t know the system well enough. I’m still learning it, and I don’t know what’s balanced and what isn’t. My first pass on a few ideas was based on material in the playtest that has now changed; it needs to be reevaluated and rebalanced, and it’s going to be a while before I have time for this. But I can still provide some advice on starting your own Eberron game.

First and foremost, reskinning is your friend. Don’t be afraid to change names and change flavor. An infernal warlock doesn’t have to be infernal; as long as your DM’s on board, there’s no reason “Dark One’s Blessing” can’t be “Blessing of the Silver Flame.” “Hellish Rebuke” becomes “Vengeance of the Flame.” And pow! – you’ve got a Silver Pyromancer. Consider the following examples…

BEASTHIDE SHIFTER WARRIOR. Mechanically, he’s a half-orc barbarian with the bear totem spirit. Which means that he’s strong and durable, he’s got darkvision, and when he gets into a fight he can temporarily enter a state where he becomes stronger and more durable. You and I know it’s “barbarian rage”; but there’s no reason you can’t describe it as beasthide shifting.

LONGSTRIDER SHIFTER DRUID OR RANGER. Mechanically, she’s a wood elf; she’s got darkvision, enhanced senses (Perception proficiency), she’s fast, and good at hiding in the woods. She doesn’t literally shift, but on the other hand, any time she moves 35 feet she’s moving faster than a human could; you could simply describe her shifting at the start of combat. There’s a few things that don’t make sense, like the fact that she doesn’t sleep and has weapon training. You could ignore that or recolor it – it’s not that she DOESN’T sleep, it’s that her senses are so sharp that she can’t be taken unawares even while sleeping, and her feral mind resists charming effects. And is it really a problem that your shifter druid happens to know how to use a longbow?

HALF-ELF ARCHER ARTIFICER. This guy might be from House Cannith, but he’s from a mixed bloodline and can’t inherit the dragonmark. But he DOES have a talent for crafting temporary magic items and for making things explode. He can recognize and identify any sort of magic by studying its aura. He’s good with rituals and can figure out how to perform anybody’s rituals. Druid? Wizard? Cleric? He understands the fundamental principles and can make anybody’s ritual work. But crossbows are his specialty. Give him a moment and he can jury-rig a hand crossbow from almost anything. Give him another moment and he can throw together an enchanted bolt. Explosive? Stunning? Radiant Damage? He can do it. Of course, mechanically he’s an Infernal Warlock with the Pact of the Tome. His mastery of rituals comes from his Book of Ancient Secrets invocation. His ability to identify any magic item is the Eldritch Sight invocation. His fantastic hand crossbow is simply the cosmetic explanation of his Eldritch Blast. He can always put a deadly crossbow together, and he can fix up a host of magic bolts. Radiant damage? Sacred Flame. Explosive Bolt? Fireball. Stunning Bolt? Hold Person. Flamethrower? Burning Hands. Of course, given that the crossbow is entirely cosmetic, he can use any of these effects without it; this time the fireball is a one-use wand he’s thrown together. The point is that “invocations” don’t have to be invocations; they can represent his expertise. Spells can be jury-rigged magic items; he’s simply limited in how many he can put together before he needs to inventory his supplies with a short rest, and he can only create items tied to his specialties. It’s obviously not perfect; he can’t repair constructs (although with the Tome pact, you can get him the Mending cantrip) or create PERMANENT magic items. But it can at least get you the FLAVOR of an artificer until the real thing gets figured out.

WHAT ABOUT DRAGONMARKS?

I have thoughts on how to handle Dragonmarks, but my ideas are still very half-baked. For now, the simplest thing to do is simply to not play a character with a Dragonmark. You could still be in a HOUSE; any number of backgrounds support this. You Guild Artisan is a Cannith heir. Your Entertainer is Phiarlan. Your Soldier is from House Deneith. Your half-orc ranger with the Outlander background is Tharashk. Your Noble isn’t an aristocrat; he’s an arrogant House heir from a particularly powerful branch of the family. He hasn’t developed the mark yet, but you just wait and see – he WILL. You don’t need to have the Mark to have the flavor of the house.

If you really really want the Mark, there’s a few ways to do it. The simplest is the Magic Initiate feat; simply relabel it “Least Dragonmark” and choose a spell and cantrips that reflect your desired class. If you’re human, you can even do it at first level. Alternately, you could explain some of your class abilities as being derived from your mark, just as I reflavored the barbarian rage as Beasthide Shifting. Combine that with an appropriate background and it can certainly work. However, I do think there is a much better way to do this; I just think it wants to be its own thing, and I haven’t worked it out to my satisfaction.

WHAT ABOUT WARFORGED AND CHANGELINGS? KALASHTAR AND PSIONICS?

While all of these things are important parts of Eberron, you can have an Eberron game without them – and for now, that’s what I suggest you do. There are lots of possibilities you CAN easily explore right away… so try one of those. One of my favorite Eberron PCs is a warforged artificer, but in the campaign I’m in right now I’m playing a half-orc paladin from the Demon Wastes… because that DOES work perfectly within the existing rules, and it’s an interesting part of Eberron I’ve never explored in depth. If I hadn’t done that I was considering playing a Royal Eye of Aundair (arcane trickster rogue), a paladin of the Blood of Vol, or an agent of the Trust. Other characters in my campaign include a Gatekeeper druid and someone actually playing Jaela Daran (a cleric of Light using halfling racial stats to reflect “child”). I really like playing warforged, and I certainly will once they are ready, but I can start exploring Eberron in 5E without them.

BUT HOW DO YOU RECONCILE EBERRON WITH RARE MAGIC ITEMS?

It’s a good question, and frankly one I can’t answer in depth until I’ve actually seen the DM’s Guide. The main thing to me is that you can keep the fundamental idea of Eberron as a world in which low-level magic is used to benefit society – where we send messages with speaking stones and light the streets with continual flame – without making magic swords commonplace. The idea of 5E is that even a +1 magic sword is a special thing, and I’m okay with that as a concept. Low level magic remains a driving force of Eberron – it just turns out than many magic items that used to be low-level are now in fact high-level.

I’ll revisit this topic once the DM’s Guide is out, and I hope that there will be official support that will address it even more clearly in the future. But the short form is that I don’t believe 5E’s approach to magic items critically damages the basic foundation of Eberron.

That’s all I have time for today, as I’m just about to head off to PAX. If you’re in Seattle, check out my schedule here – in particular, I will be hanging out at Card Kingdom from 6 PM – 8 PM this Thursday!

Before I go, here’s two quick questions from the mailbag…

WotC seems to have taken down Eye on Eberron and your other series of Eberron articles. Do you know if they have plans to put them up again in the near future, or, if not, they are mirrored elsewhere?

I think this is just about reorganizing the website to focus on 5th Edition. It looks like all the content is still archived and available. The Dragonshard articles are here. And I think this is all the 4E articles.

My players are heading into Dolurrh through a manifest zone. Thoughts on the effect on unguarded players and divine powers?

Off the top of my head, the big thing about Dolurrh is that it saps your memories. I’d have people make Wisdom saves every so often, and anytime they fail say “Tell me what you’ve just forgotten.” If they can think of something dramatic and entertaining, that’s what they’ve forgotten. If there’s nothing compelling, I might have them forget a proficiency, spell, or class ability. It’s not something you can FIGHT – so needless to say, it’s a pretty compelling reason to get out of there ASAP.

I don’t particularly think DIVINE powers would be singled out; if there’s trouble, I think arcane magic would be equally affected. Bear in mind that Dolurrh isn’t the source of negative energy – that’s Mabar. So I might run through the spell list and come up with a few spells that will behave in an unusual manner – does Speak With Dead allow you to make contact with the living? If you use resurrection magic, does it fail, or does it just zap the target right out of Dolurrh? But I don’t have a list of effects off the top of my head.