Dragonmarks 6/25/14: House Heraldry

I’ve been traveling for the last few weeks and haven’t had a lot of time. There’s a lot of good questions in the Q&A slush pile, and I still have other features I want to work on. But last time I said I’d finally address the question of Dragonmarked Heraldry, so that’s what I’m doing today. As always, this is just my personal opinion, and it may contradict existing or future canon material.

A question regarding the emblems of each Dragonmarked House…. why did each house choose each particular magical beast?

Flip open the ECS or ECG and turn to the section on Dragonmarked Houses, and you will see the seals of the houses. Each house has a particular beast, such as House Orien and its Unicorn. But why exactly does Kundarak use a manticore? What’s the basis behind these?

The current structure of the Dragonmarked Houses is an artificial construct established at the founding of the Twelve. Some of the houses were already operating as monolithic guilds, but others were more scattered; there were tinker families with the Mark of Making that weren’t tied to the influential Vown artificers. While every house has unique traditions, the Twelve worked to establish a unifying foundation, codifying the system of licenses and bound businesses; adoption of foundlings and excoriation; patriarchs and seneschals; and so on. Part of the purpose of this was to establish the houses as a united front in the face of kings and lesser guilds. The Guild seals were thus established in deliberate emulation of noble heraldry, with a unifying theme: the use of magical beasts, creatures who—like the Dragonmarked themselves—possessed innate mystical powers that set them apart from mundane wolves and bears.

The upshot of all this is that some of the houses had a preexisting attachment to their chosen symbol… while others literally chose a beast on the spot because it was the structure that had been agreed upon. So Kundarak actually does have a strong ongoing relationship with manticores, while Thuranni has no attachment to real displacer beasts. Needless to say, in the centuries that followed the selection of these symbols some houses have developed an attachment to their patron creature or superstitions connected to it, like the claim that Orien heirs need to remain virgins until the Test of Siberys to “attract the Unicorn.” But many of the houses had no pre-existing connection to the beast they chose. Anyhow, here’s my thoughts on the origins of these symbols…

CANNITH: THE GORGON

Cannith are artificers, who weave magic into steel. The bull has long been a symbol of power and triumph. What better symbol for this industrial house than a steel bull? The core Cannith guild was already using this symbol, and it was Cannith that proposed the magical-beast tradition; Sivis latched onto the idea and helped them push it through.

DENEITH: THE CHIMERA

The families that founded House Deneith had each prospered as independent mercenary companies. Each company had its own heraldic beast. While they couldn’t preserve each of these traditional symbols, they embraced the idea that like the chimera, their new house bound multiple beasts together into an even more fierce form.

GHALLANDA: THE BLINK DOG

As described in Dragonmarked, “Ghallanda” is the Talenta name for the blink dog. Talenta tales identify the blink dog as a helpful creature who appears to help stranded travelers: “The helpful hound who appears where needed the most.” It’s Eberron’s answer to the Saint Bernard with the barrel of booze on its neck.

JORASCO: THE GRIFFON

The Jorasco leaders wanted to use the Glidewing as their symbol, but the majority insisted on a unified theme of magical beasts. The Jorasco matriarch had seen a painting of griffons descending on a battlefield to help the wounded, and it stuck with her; this was accepted by her kin and the Twelve. As it turns out, the image was actually of griffons descending on a battlefield to feed on carrion, so it’s often been seen as an odd choice, but the house has stuck by it.

KUNDARAK: THE MANTICORE

As noted in Dragonmarked, this is tied to a legend of an early alliance between the clan and the manticores of the Ironroot Mountains. The house maintains this alliance to this day, and employs manticore cavalry in the mountains.

LYRANDAR: THE KRAKEN

Also called out in Dragonmarked; a common legend of the house founder holds that a kraken emerged from the depths to save him when he was attacked by pirates. Beyond this, a hidden sect within the house maintains that the founders of the house continue to exist as immortal krakens, though this tale is largely unknown outside the house.

MEDANI: THE BASILISK

Medani’s power is observation. They will see your enemies before they can harm you. They will spot threats… and eliminate them. Thus, a creature with a deadly gaze was a logical choice.

ORIEN: THE UNICORN

Pretty straightforward: the Unicorn is a swift land creature, a strong image, and it has the ability to teleport (check the SRD!). ‘Nuff said.

PHIARLAN: THE HYDRA

Also covered in Dragonmarked. The five heads of the Hydra represent the five artistic demesnes of the house, and they also appreciate its general reputation for resilience.

SIVIS: THE COCKATRICE

The power of Sivis lies in words; thus, the a creature with a “deadly quill” seemed to be an appropriate choice.

THARASHK: THE DRAGONNE

Again, from Dragonmarked: The Dragonne is a deadly hunter touched by dragons, long respected by Marcher hunters.

THURANNI: THE DISPLACER BEAST

Like Orien, it’s pretty straightforward; a feared predator who’s never where you think it is. What better symbol for a house of shadowy assassins?

VADALIS: THE HIPPOGRIFF

House Vadalis claims to have bred the first hippogriff. Whether or not this is true, they were certainly the first to domesticate the creatures and sell them as mounts; this was a strong part of their early success and an obvious choice for house symbol. However, as the house breeds many flying mounts, it’s not considered gauche for a Vadalis to back a different creature in the Race of Eight Winds.

TARKANAN: THE BEHOLDER

When Thora Tavin and her allies established House Tarkanan, they deliberately adopted some of the trappings of the Dragonmarked Houses. However, rather than choosing a magical beast, they chose one of the mightiest aberrations. This works on multiple levels. Obviously it’s a powerful creature feared by others; it also ties to the fact that aberrants are often treated as monsters or abominations by the “pure” dragonmarked.

I was wondering if you wouldn’t mind recapping some of your ideas for the beast that the Mark of Death would use if it hadn’t been scrubbed away into obscurity and (nigh) extinction.

As noted before, the Line of Vol was never a “Dragonmarked House”; it was erradicated centuries before the Twelve came into existence. As such, it never had any reason to follow the magical beast tradition, and would have been more likely to use the traditional elven seal of the line, or a creature more traditionally associated with psychopomps or the dead (such as a raven). If for some reason it had to follow suit, one possibility would be the Catoblepas, which is a “magical beast” and death-themed. However, the Catoblepas is deadly as opposed to being associated with death, and the Mark of Death is more about understanding and interacting with the dead than killing things, so it’s not a very good match. If I had to pick a magical beast for them, I’d personally choose the Sphinx; hidden knowledge is more appropriate for line than a deadly gaze.

You mention how some of the Houses have adopted their beast, but as many of the beasts are intelligent as well, how do they feel about representing a humanoid structure of power? Do Displacer Beast Packlords revel in their feline authority to see themselves plastered on flags, if they know how to interpret such things? Do unicorns accept their majesty being condensed into a symbol of travel and transport?

I don’t see it as a serious concern. Despite their varying intellects, none of these creatures have been presented as having anything on par with a nation. The Kundarak dwarves made a pact with a particular manticore tribe, but we’ve never presented manticores as having any remote political or cultural impact; it’s sort of like saying “Does Karrnath worry that wolves don’t like their being used on the flag?” Taking unicorns, I think it’s going to vary by unicorn; some may be amused, some may be insulted, most probably won’t care in the slightest. But there’s no unicorn nation that is going to band together and raise some sort of concerted outcry about it. And at the end of the day, the images being used aren’t especially offensive or specific to any particular cultural group among those species; it’s essentially the equivalent of having a sports team called “The Human Beings.”

Back on the previous point, some of the houses actually do interact with their heraldic beasts. Vadalis breeds manticores. Some Talenta-based Ghallanda have friendships with local blink dog packs. Kundarak still deals with Ironroot manticores. But even there, MOST Ghallanda have never seen a blink dog, and a Kundarak dwarf doesn’t have some sort of special in with a manticore from Droaam, any more than having human friends from Karrnath will help you when some thugs from Thrane want to beat you up.

Dragonmarks 5/30/14: Vol, the Dark Six, and the Trouble With Aundair

Spring has been a busy time, and I haven’t had much time for the site. I’m working on a lot of exciting things, and I look forward to being able to discuss them in more detail in the future. I also have a backlog of Stories & Dice to get to. But for now, here’s a few Eberron questions. As always, bear in mind that these are only my personal opinions and that my answers may contradict canon material.

Chris Perkins said that Eberron will have 5e/DNDnext support and your input. Is this true?

Yes. It’s far too early to talk about details as to what form support will take, how extensive it will be, or anything like that, but I have been talking with Mike Mearls and Chris Perkins about Eberron in D&D Next, and I will be working with WotC on future Eberron support. More details to follow in days to come.

What makes Aundair interesting? It seems like idyllic farm land except for Aurala’s ambitions.

This question came in at the last minute, and it can easily be the subject of an entire post. So I’m just going to give you a very high level overview, and explore all these points in more detail in the future.

What makes Aundair interesting?

  • A land divided. Aundair USED to be idyllic farm land… until a big chunk of its idyllic farmers seceded to form the Eldeen Reaches. That’s huge ongoing rift with serious impact on daily life in both Eldeen and Aundair. Then to the west, you have Thaliost – a major Aundairian city now in the hands of Thrane. Of all the surviving Five Nations (we’ll leave Cyre out of this) Aundair carries the worst wounds from the war… which is one of the reasons Aundair HAS ambitions.
  • Mystical sophistication. Aundair is the seat of the Arcane Congress. It’s the smallest of the Five Nations, and during the war, Aundair relied on its arcane superiority to survive. Out of all the Five Nations, Aundair is the one where arcane magic is the most integrated into daily life. If you want to explore that aspect of Eberron, Aundair is the place to do it.
  • Ambition. Aundair dares! The bitter wounds of the war give Aundair a motive to fight – the belief (perhaps foolish) that only renewed war could settle these injustices and turn the fortunes of the nation. Combine this with the belief that Aundair’s mystical edge could let it win that war – that it’s just one super-weapon away from ultimate power. The King’s Citadel is basically working to preserve the status quo… while the Royal Eyes want to destroy it. If you want to be a spy who’s out to CAUSE trouble instead of stopping trouble, it’s the place for you.
  • A nation of dreamers. Karrnath is stoic and grim. Thrane is tied to the church. Breland is industrial and grimy. Aundair is all about magical thinking, figuratively and literally. Its people have the most romantic – and unrealistic – outlook on things, in part because as the nation of magic, they know life can BE unrealistic. Aundairians love duels. They love grand gestures. Life in Aundair is full of flair and color. This ties to the fact that most of the zealots of the Silver Flame are actually from Aundair – because they are more passionate and, if you will, magical in their beliefs, while Thranes tend to be moderate and compassionate.

I’d love to go into more detail on all of these points, but I don’t have time. But to me, the high degree of magical integration combined with the tensions of Thaliost and Eldeen can give birth to a host of interesting stories.

I notice that, in relation to Aundair, you did not mention that, according to the maps published in Forge of War, the entire of southern Aundair (including Arcanix) was actually part of Thrane before the Last War, and a good chunk of northern Thrane (not just Thaliost) used to be part of Aundair. Do you use those border changes in your home game? If so, how does that impact the nation?

This is why I always say “My answers may contradict canon material.” I have no problem with borders having shifter, but I don’t accept the idea that Arcanix was originally part of Thrane. As I said above, the whole idea of Aundair is that it’s the nation most driven by arcane magic… that Aundair herself was one of the earliest wizards and made her nation the seat of the Arcane Congress, and that this is an integral part of Aundair’s character and culture. Conversely, Thrane has nothing arcane in its culture at all (yes, Silver Pyromancers, but that’s the key – even wizardry is tied to the church). Having Thaliost or other significant cities have changed hands is interesting, but having Arcanix have been part of Thrane weakens both nations, because it doesn’t play into the character of either.

Why the Dark Six? By this I mean: What is the function of the Dark Six and their worshippers from a plot perspective? If I’m looking to run an evil cult, why the Dark Six? Or is there some completely different function that they’re serving that I am missing?

First off, it’s a mistake to separate the Dark Six from the Sovereign Host. The Shadow is cast by Aureon. The Mockery puts Dol Dorn and Dol Arrah in perspective… as shown by the Three Faces of War, which is devoted to all three of them. We’ve mentioned a number of cults that blend the worship of Host and Six – for example, the Restful Watch, who revere both Aureon and the Keeper. The Host and the Six are all part of the same big picture, and you should always consider how your cult walks the line between the two.

Looking to one simple example: Onatar is the divine patron of House Cannith. However, the house has always been a haven for Traveler Cults. Canniths who follow the Traveler typically do so because the Traveler drives innovation. Onatar guides the hands of the smith when he makes a sword, but is the Traveler who gives him the idea for a gun or a bomb – something that could utterly change the face of warfare (for better or for worse). The Traveler encourages dangerous risks and paradigm shifts. These things are dangerous, and that’s what puts the Traveler in the Dark Six. But Cannith Traveler cultists have made some of the largest breakthroughs in the history of the house. Sometimes dangerous risks pay off.

The Three Faces of War maintain that all the Dols have a place on the battlefield. Dol Arrah is the patron of honor and strategy, and there’s a time for that. Dol Dorn is the rough-and-tumble patron of the career soldier. But war can get ugly… and that’s where Dol Azur comes in. The Mockery pursues victory at any cost. He shows you the path to defeat the undefeatable foe. He’s not honorable. He’s not strong. But he will win, and so will you… if you’re willing to follow his path.

In Droaam, the Six are revered as positive forces. Humans see the Shadow as the corrupting force that creates monsters. Well, monsters see the Shadow as the Prometheus who gave them their gifts, powers Aureon won’t share with humanity. For wizards, the Shadow/Aureon divide is much like Traveler/Onatar or Mockery/Dol Arrah. Do you follow the rules, or do you follow the path others are afraid of?

In short, don’t just think about one of the Six in isolation. Think of them alongside their counterparts in the Host, and think about what it says about a person that they embrace the aspect represented by the Six.

Could some way the cultists of the Dark Six and the Lord of Dust cooperate? Maybe could a rakshasa impersonate a god?

Certainly! In my opinion, both the Lords of Dust and the Chamber have posed as deities to manipulate mortal cults. Of course, I wouldn’t really call this “cooperation”; the cultists don’t realize they’re working with a fake god, after all. But yes, the Lords of Dust may manipulate cults of the Dragon Below, the Dark Six, or for that matter the Sovereign Host (though that’s usually the dragons’ department).

Why is the Order of the Emerald Claw not shown to have grey morality too? It can have tragic figures.

I have a different answer to each of these sentences. Taking the last one first: It’s very easy for the Emerald Claw to have tragic figures associated with it. Its members can be driven by tragic past, misguided patriotism or religious zeal, or an understandable desire for vengeance for crimes inflicted during the war. Erandis Vol herself is a very tragic figure, with many valid reasons for doing what she is trying to do.

But that’s where we come to grey morality. Erandis is a tragic figure with understandable motives for doing what she is trying to do. But when what she is trying to do is suck out the life force of everyone in Sharn so she can power her necrotic resonator and become Queen of the Dead, there’s no question that your PCs are doing the right thing when they try to stop her. And that’s the purpose of the Emerald Claw. It’s like Cobra in GI Joe or the bad guys in Raiders of the Lost Ark; these are PULP villains, enemies that the PCs KNOW they should oppose whenever they are encountered.

If you want more shades of grey, just pick a different order. Personally, I use the Order of the Ebon Skull as my go-to Blood of Vol chivalric order with a complex moral agenda. But from a storytelling perspective, there is a value to having a particular force that the players KNOW they don’t need to think about; if the Emerald Claw is up to something, stopping it is the right thing to do.

So the key point: You can do anything you want with the Emerald Claw. YOU can make them more complex. But their role within the setting as designed is specifically to BE a black-and-white pulp enemy as opposed to a shades of gray noir faction.

How are Outsiders, native and otherwise, seen in Blood of Vol theology?  They have blood, and they have immortality. Do Outsiders have the divine spark?  If so, why aren’t they getting divinity and deific status with the massive amounts of time at *their* disposal?

First: The Blood of Vol maintains that Eberron and its inhabitants are special, a belief shared by others. The planes are isolated aspects of reality: War, peace, light, darkness, order, chaos. Eberron (well, the material plane in general) is where all these things come together. Mortals know war AND peace, order AND chaos. They dream, they have inspiration, and at times this can drive them to madness. The pit fiend of Fernia and the angel of Syrnia each possess tremendous power, but both are limited by their fundamental nature. An embodiment of war can’t become a force for peace. In a sense, it’s about free will. Ultimately, very few immortal outsiders actually have it. They are incarnate ideas, but that means that they are bound by their nature. Changing their fundamental nature literally means a physical transformation; a fallen angel becomes a devil or a radiant idol or what have you. And it’s very rare that this can happen in the first place.

So: an angel has vast power to begin with, but it’s limited by its nature. You don’t get to be a hashalaq quori by starting out as a tsucora and working your way up; you either are a hashalaq or you’re not.

The mortals of Eberron have nothing BUT potential. A baby has no power at all, but he can grow up and become an amazing sorcerer or a mighty cleric. If he can do all that in a single century while also suffering the daily trials of mortal life, what could he achieve with eternity at his disposal?

Looking at it another way: the basic premise of the BoV is that mortals have a divine spark and the potential to achieve divinity… and that because of this the gods afflicted them with mortality. The fact that outsiders are immortal is, essentially, a sign that they have no spark… because the gods don’t see them as threats or rivals. Which makes them tools, weapons, slaves, servants… call it what you will. The key point is that for all its power, a pit fiend (or a lich, for that matter) lacks the raw potential of a mortal human.

As a side note, I personally don’t think that immortals DO have blood in the same sense as mortals. If you want to get purely mechanically, if a creature doesn’t specifically say it can’t be killed by stirges then it theoretically has some form of circulatory fluid that can be drained with a negative effect. But even if that’s true, I don’t think that an angel’s blood or demon ichor is going to resemble the blood of a human or an elf. I might say that an angel’s blood is light, while the blood of a demon might be a foul black substance that slowly eats away at mortal matter… and I’d probably change this based on the nature of the angel or demon. Really, that’s a DM’s call – but I don’t think immortal blood resembles mortal blood, and that’s enough for a BoV priest to call it a mockery or imitation.

Are there any particularly handy resources already floating around where you’ve commented on the Blood of Vol history or philosophy, particularly the role of its undead champions (when they’re not just being used as a corny “eeevil” death cult), the nature of House Vol before its fall, or the history of the Blood of Vol dating back to before Galifar such as Aerenal or the Qabalrin?

I don’t know about “handy.” One of these days I’ll have to consolidate some of these into a single coherent entry. But here’s a few scattered pieces and discussions across the web. The RPG.Net links are discussion threads, but ones where I’ve posted at some length.

Eberron Expanded: Libris Mortis

Dragonmark: The Mark of Death

Dragonmark: Erandis Vol – Hot or Not?

RPG.Net: What’s Erandis Been Doing For 3,000 Years?

RPG.Net: The Blood of Vol

On this one, I particularly recommend pages 2 and 3, which discuss what makes it an attractive religion to followers and what a paladin of the BoV can do to “fight death”.

Is there a dark side of house Ghallanda? Hosting illegal parties with dangerous substances and activities I would guess…

Anything can have a dark side, if you want it to.  House Ghallanda doesn’t just run inns and restaurants; they are the masters of the urban social arena. They know what to do to make their clients comfortable. A Ghallanda fixer is the person who can get you anything. He may employ members of other houses to accomplish that – turning to Sivis, Medani, or Tharashk, among others – but the point is, the concierge at the Gold Dragon Inn can get you anything. You can just as easily have crisis managers and cleaners – the branch of Ghallanda who takes care of things when there’s a dead body in the prince’s room or when the Countess overdoses on the dreamlily the concierge obtained for her. Ghallanda also has its promoters who build up celebrities to help as draw to Ghallanda events and locations.

Beyond that… are you familiar with the Black Dogs, from Eberron? These are Ghallanda assassins, who among other things are experts at mystically poisoning food and drink.

Do you have any thoughts on what place Vestiges and Pact Magic might have in Eberron? 

Personally, I say that Vestiges are immortal entities that linger in Dal Quor. Not exactly gods, they are beings who have become legends, and their spirits draw power and sustenance from that. I’ve called out titans of Xen’drik and ancient dragons as possible Vestiges. It’s entirely possible the Daughters of Sora Kell are trying to become Vestiges, or that Sora Kell is one.

If you could add a new continent to Eberron, what would you put on it?

Drawing on past answers, the simplest is that I wouldn’t add a new continent; I’d add more depth (get it?) to the undersea civilizations. At the moment, I don’t feel a need to add something completely new to the surface world, in part because it’s so easy to add an entirely new race/civilization/whatever to Xen’drik.

You once mentioned how the future of Eberron may be (warriors with many magical weapons, etc) Have you played in a future era?

I’ve played in some very near-future scenarios, but not in a future where the level of magic has changed significantly.

If warforged have no souls, which is an option, could Canniths somehow force/program them to do something against their will?

People in the world argue about whether or not warforged have souls. Speaking personally, the question to me isn’t whether warforged have souls; the fact that they can be raised from the dead is basically proof of that. Instead the question is how can they have souls, and where those souls come from. Whatever your stance on this, whether or not warforged have souls doesn’t affect Cannith’s ability to manipulate them. You can’t “program” a warforged; if you could, Cannith would have done it to all of them. There are quite a few aspects of sentience Cannith would love to have selectively removed from the warforged, but sentience came fully formed. Cannith can provide basic direction to the warforged – producing a model with an inherent aptitude for combat or recon, for example – and it is this that suggests that they might actually be using recycled souls. The reason Warforged X pops out with an innate aptitude for combat is because he has the soul of a soldier.

In any case, the key point is that by canon there is no way for an artificer to “program” a warforged. You could always introduce something – say that Merrix has a secret network of Warforged Manchurian candidates – but it’s not the default.

I must admit, though, that I prefer the possession of souls by warforged to not be settled under canon but to be left to each DM…

Even if it is established under canon, it’s ALWAYS up to each DM to change canon as they see fit. The main issue is that warforged BEHAVE as if they have souls for purposes of magic that directly affects a soul – resurrection, trap the soul, magic jar, etc. The DM could certainly come up with an explanation for why this is possible when they don’t actually have souls – but MECHANICALLY they are treated like creatures that do have souls.

I wonder if perhaps Cannith artificers do not at the very least have the capacity to “charm” warforged in a very powerful way, being their creators, or of removing their souls from their bodies -temporarily or not- if they do have souls.

Again, it’s always up to you as a DM. But from a world design standpoint, the concept has always been that Cannith itself doesn’t fully understand or control the warforged. If every aspect of the warforged was under their control, there are many aspects of humanity they would probably eliminate. The idea is that they didn’t CHOOSE to give the warforged the capability to feel love, or sorrow, or fear; these things simply came with the package when they found a way to imbue them with sentience. Again, the key is that warforged aren’t robots; they are living beings who were created through artificial means.

Thus, a typical Cannith has no means to control the thoughts of a warforged, even one he created. However, what he does have are many, many ways to DESTROY a warforged… disable construct, inflict damage, etc. We see this in the Dreaming Dark novels with Lei; she can’t take control of a warforged, but she can certainly shut one down.They can’t manipulate their thoughts any more than they can manipulate the thoughts of any other living being. But they can take apart their bodies, because that’s the part of the warforged the Cannith understand perfectly.

With that said, you can do anything with the right Eldritch Machine; this is presumably the foundation of the soul-stripping plotline in DDO.

I’m sure it’s been asked before, but… name one new technology you’d like to see replicated Eberron-style. Smartphones?

In the original proposal I had “crystal theaters.” Essentially, the theater has a GIANT CRYSTAL BALL, with a number of preset “channels” – Phiarlan and Thuranni stages where major events are performed. At showtime, the screen is tuned to the proper location. It’s an example of magic accomplishing the same function as technology, but using the existing mechanics of magic. Rather that the event being broadcast to the screen, the screen is scrying on the stage. I use these in my campaign, but I don’t think they made it into any official source.

Bear in mind that Eberron’s key principle is finding ways to use D&D magic to accomplish the things we do with technology. So in thinking about something like a smartphone, the question is how you create a smartphone using existing D&D principles. Is it a sentient magic item with decent knowledge skills combined with a form of sending that can only connect with someone carrying another smartphone? That sort of thing would work, but of course, a sentient magic item is SENTIENT… so you might have to worry about whether your smartphone is smarter than you.

That’s all for today. A late question is “Why do the Dragonmarked Houses use the animal symbols they do” and I’ll see about addressing that as a bonus tomorrow.

Dragonmark 3/19/14: Orcs, Mean Streets and More

The last few months have been very busy. I’ve got many things I’d love to write about, including a bag full of Stories & Dice entries; however, I’m working on multiple deadlines and it’s going to be another week or two before I can get to them.

In other news, I will be attending T.A.B.L.E. in Coppell, Texas on March 28-30th. It’s a gaming expo that’s working to reach out to people who don’t normally play games, and it’s got a few small-time guests like me and Steve Jackson. If you’re in the area, I hope you will come and play a game with me!

And now, the latest round of Eberron questions. As always, my answers are not official in any way and may contradict canon sources; this is how I do things in my personal Eberron.

What’s next for you and Eberron? Anything?

The main news I do have is that the PDF of the 3.5 Eberron Campaign Setting is available online here. As for new Eberron material, no news to report yet, but I’ll let you know as soon as there is anything to know.

 

Could you tell us about your dndnext Eberron experience?

I don’t have time to go into a lot of detail, I’m afraid. I’m playing a changeling inquisitive (rogue), which means I’m really playing three or four different characters. I’m having fun with my personal vision of changeling culture, in which personas are tangible things that are shared within families and passed down to descendents; so my character has a few identities that are older than he is, and he’s got obligations and expectations to fulfill whenever he uses one of them. After an adventure involving werewolves, the DM and I have actually spun off a whole new take on the history of lycanthropy in Eberron – where the curse originally came from—and this will hopefully play a larger long-term arc in the story of the character. The game itself is sent a few decades in the future of the default setting, which means I don’t know everything; one of the other players is playing Jaela, who mysteriously vanished and has now returned with only a fraction of her former abilities. So far it’s been a lot of fun. The system is very different from both 3.5 and 4E, but there’s a number of things I like about it, and we haven’t had any trouble adapting changelings, shifters, inquisitives, and other elements to the system.

 

I am trying to make the Orcs more than just Green, Strong Humans and could use some advice.

To me, a key thing is that the orcs are a very primal race. Their emotions and instincts run deep, and they are very passionate. While they are often known for their fierce rages, this passion is just as powerful when in manifests as love or grief. They engage with the world around them more fully than many humans do. It’s easy to look back at their shared history with the Dhakaani and portray the orcs as savages who lived in the woods while the goblins built empires, but the key to me is that the orcs never wanted the civilization the goblins adored. It’s not that orcs are stupid or brutish; it’s that they don’t feel the same need to impose their will on the world that many other races do. They embrace their lives as part of nature instead of holding themselves above it. This is why they have a natural inclination for the primal classes, and why they took so quickly to Vvaraak’s teaching.

As a minor aside, this quote from The Player’s Guide To Eberron might be useful.

Many of the people of the Five Nations are uncomfortable around half-orcs and find the idea of humans and orcs crossbreeding to be vile and distasteful. Such beliefs have never found root in the Shadow Marches, though, and those orcs who chose to welcome humanity to their land were quick to mate with the newcomers. Those who followed the druidic paths knew that hybrids are often the strongest plants, while the Khyber cultists have always seen change as a path to power. In the Marches, half-orcs are celebrated; they are called jhorgun’taal, “children of two bloods.” Blood is everything to the clans, and the jhorgun’taal are the proof that orc and human are kin. They have the strong spirituality of their orc forebears and the wisdom of humanity, and as such many of the greatest druids and priests are half-orcs.
The jhorgun’taal perform important tasks in the Marches, for while they are not as clever or charming as their human kin, they have the trust of both races. As a result, the sheriff of a muck-mining town is more likely to be a half-orc than a member of either of the pure races. Likewise, when the clans send ambassadors to negotiate feuds or trading rights, they often send a jhorgun’taal, even if a more charismatic human comes along as an advisor.
While half-orcs are a true-breeding race in their own right, the jhorgun’taal are just as likely to mate with humans or orcs as with their own kind. The half-orcs of the Shadow Marches don’t see themselves as a separate race; rather, they consider themselves to be the bridge that makes humans and orcs one race.

Looking to the race as a whole, I see orcs as a fundamentally chaotic race where goblins are fundamentally lawful. Goblins thrive on structure and hierarchy; orcs are more driven by instinct and impulse. Where the goblins established a vast empire, the orcs remained bound to family and clan; we’ve never mentioned a “King of the Orcs”. They are passionate and creative, but more driven by what an individual can accomplish than a nation. This doesn’t prevent them from placing value on tradition, as shown by both the Gatekeepers and Cults of the Dragons Below… but even there, both of these faiths are far less structured than the Church of the Silver Flame. Humanity has a greater impulse towards order, and House Tharashk reflects the marriage of human and orc; it benefits from orcish passion and strength, but also from the human desire to build and expand.

This is a simplistic look at a complex race. The Ghaash’kala orcs of the Demon Wastes are highly disciplined… but even there, their structure is less hierarchical and complex than that of the Church of the Silver Flame. Again, my feeling is that on a very primal level they value personal instinct and emotion more highly than the rule of law. An orc lives in the moment and follows his feelings.

While House Tharashk strongly reflects the influence of humanity and the half-orcs, it is worth noting that Tharashk is a house that has already been pushing rules and stepping on toes. Through its dealings with Droaam it is overlapping with the existing business of Orien and Deneith, while its inquisitive business fills a role long monopolized by Medani. This ties to that early point. They are more chaotic and more inclined to pursue their own desires than to accept the established order and be content with one niche.

As a final thought: When the Daelkyr invaded, they made things from the creatures they fought. They made dolgrims, dolgaunts, and dolgarrs from the goblin races. They made chokers out of Halflings. But we’ve never said what they made out of orcs. Perhaps this is because they COULDN’T physically corrupt the orcs, and that this is another reason that Vvaarak chose them; there is something fundamentally primal about the orcs that prevents the daelkyr fleshwarping. Thus instead they chose to mentally corrupt the orcs, preying on their passions and planting the seeds of madness and the Cults of the Dragon Below. If you like this idea, here’s a few other things you could play with…

  • We have half-orcs and we have half-elves. We’ve never mentioned, say, half-dwarves, half-halflings, half-gnomes, or half-goblins. This could be because orcs are an exceptionally fertile and versatile race due to their deep primal nature. Note that when we say “half-orc” we don’t say what the other half is… so perhaps you can have orc/goblins, orc/dwarves, etc and it’s just that the orcish half is dominant enough that most people can’t tell them apart. As for elves, the elves are themselves a genetically altered slave race; they too may have an unnatural ability to interbreed with other species (and if you read the Khoravar Dragonshard, the fact that they could produce offspring with humans was a surprise to the elves as well).
  • Perhaps the orcs are actually the root race that produced the shifters. The first shifters could easily have been primal champions created by Vvaarak and the first Gatekeepers… orcs blended with animalistic spirits.

 

Why don’t we see many Cults of the Dragon Above? Apart from draconic prophets, Siberys doesn’t seem to have worshipers.

Well, if you look to the Progenitor myth, Siberys is DEAD; those are the pieces of his body floating in the night sky. People may revere Eberron as the source of natural life and Khyber as the Mother of Monsters, but Siberys died before the world was even created. He gave us gifts; many say that the energy that is the foundation of all magic is the “blood of Siberys.” But Siberys is dead and not looking for your prayers.

Beyond that, very few people worship ANY of the Progenitors directly. The short form is that the Progenitors aren’t seen as active forces. People worship the Sovereigns instead of Eberron, because the Sovereigns are seen as active forces who may intervene in mortal affairs.  Khyber won’t and can’t personally do anything to you. But Khyber’s children – the Overlords – can and will. Thus, the “Cults of the Dragon Below” are typically tied to the Daelkyr, to a particular Overlord, or they are crazies who don’t actually think of themselves AS a cult; take a look at this Dragonmark for more details.

 

Where is your favorite location in Eberron to set a game, and why? Besides Sharn.

Personally? Graywall in Droaam. It’s like Casablanca, only with more trolls. It’s a frontier nation where the law is more or less whatever Xorchylic wants to be. It’s a haven for war criminals, dissidents, bounty hunters, and other interesting characters. There’s ancient ruins dating back to Dhakaan and the Daelkyr below it. And it’s a great opportunity to explore the intriguing possibilities of a nation of monsters. Check out The Queen of Stone for more of my vision of Droaam.

 

A player wants to play an incorruptible Sharn Watch Captain. How much could he clean up his district before Boromar kills him?

There’s many different layers to this question.

First of all: How is this going to impact your game? If it’s PURELY background… if he’s playing a paladin and wants to say “I started out cleaning up the mean streets of Sharn, and now I’m heading out into the wider world”… personally, I’d let him. If you’re not IN Sharn, what’s the harm in it? It means when he goes back to Sharn, he’ll have some allies and enemies, and he may be disappointed at how things have gone to crap in his absence. But if your adventures aren’t ABOUT cleaning up Sharn, then what’s the harm in him having done some impressive things in his time on the force and somehow kept ahead of the hit men?

On the other hand, perhaps your campaign is about Sharn, and what this player is saying is that he wants clean up the streets as part of the campaign. First of all, what district is he dealing with? Many parts of Sharn already are quite clean; Skyway is a very different place from Callestan. Second, there’s a limit to what one guard can do when the structure around him is corrupt; however gifted and virtuous he is, if his targets keep getting tipoffs, if his companions let them escape, if charges don’t stick, it doesn’t matter how many he brings in. So he may need to clean up the WATCH before he can really make a dent in the Boromar Clan; and once he’s cleaned up the Watch, he’s not a lone target any more. And remember, being in the Watch doesn’t make him judge, jury, and executioner; if he runs around slaughtering Boromar fences and smugglers, HE’S the criminal.

Next up: look at any good noir story. How often do the bad guys just shoot the good guy in the head? It shouldn’t be as simple as “He arrests some guys so they kill him.” Instead, you want to draw it out, and put him in a position where he has to think about his actions and the price of his principles. If this were MY game, I would sit down with the player and ask a number of questions. I’d ask him to tell me his three favorite places in the district he protects. What’s his favorite bar? Or shop? Then tell me his three favorite people. The barmaid? The orphan beggar boy? I’d like to know about his family; his vision of what he wants the district to be; and the worst mistake he ever made (because if this is a noir character, he’s made AT LEAST one). Once I know all these things, I have a wealth of tools to play with that are far more interesting that just killing him. After all, the Boromars aren’t an especially violent organization; they prefer blackmail and coercion to murder. What does he do if they threaten his family? If they take that beggar boy hostage? If they threaten reprisals, and when he ignores the threat, they burn down that bar? If the only tool you have to work with is the life or death of the player, it’s all or nothing. So you need the player to care about other things in the world, so you can threaten those… and follow through on some of those threats. A final challenge here is to come up with a reason the Boromars don’t WANT to kill him. Perhaps he’s so beloved that they don’t want the attention that would come from an assassination… in which case one thing they’ll do is to try and attack his reputation. Perhaps Saiden Boromar has a personal vendetta… the classic “I will take everything away from him before I give him the mercy of death.” Perhaps his family has a connection to the Boromars he doesn’t know about; his father was a corrupt cop who saved Saiden Boromar’s life three times, and Saiden is going to ignore three mortal insults before he takes action.

Side note: personally, I’d be inclined to have the PC be a relative newcomer in the district he wants to clean up. Either he’s just been transferred from a nicer district, or this is where he grew up but he’s been away. Rather than explain how he’s been a pain in Boromar’s rear for years and has never dealt with the consequences, start the clock NOW.

You could turn it around and say that it simply makes no sense that the PC has survived this long… but someone else is looking out for him. Someone shoves the assassin from his hiding place so the PC has a chance to defend himself. Someone pushes the poisoned drink from his hand. Someone gets the barmaid out of the bar before it’s destroyed. Is it the Chamber? A Lord of Dust who has plans for the PC? The Tyrants? House Thuranni? Someone could have long term plans for the PC… or they could want to see the PC clean up the district, but want him to be the figurehead.

The short form: There’s lots of ways to make this background work. It’s all a question of how far you want to go with it, and what impact it’s really going to have on your actual campaign. As a minor recommendation, I suggest Warren Ellis’ Fell (available in graphic novel form); here you have a story of a remarkable detective sent into a corrupt place, who does his best to clean it up but is limited by the overwhelming scope of the corruption and his own very limited resources. Find ways to make little things feel like big victories; he doesn’t have to bring down the entire Boromar Clan on day one, and they can overlook a lot of little losses.

 

How do you keep track of SO many factions?

Generally speaking, I don’t. In any particular campaign, I pick a certain number of factions I want to use, and I pick a few of the major villains. I don’t try to weave Vol, the Dreaming Dark, the Daelkyr, the Aurum, the Lord of Blades and half a dozen Overlords into a single coherent plot; instead I pick two or three that I will focus on, typically with one as the obvious initial threat, one as the hidden long-term threat, and one as the wild card, and focus on those. The others are around for me to sprinkle in for interesting one-shots, but I don’t try to make them all equal. Short form: Most of these forces are playing a waiting game. The Stars (or the Prophecy) need to be right for the Daelkyr to pose a threat. If I don’t want to use them, I simply assert that their stars won’t be right for another century; they simply aren’t going to be major players in this arc. This also addresses the question of why all these world-threatening forces aren’t stomping on each others’ toes; they simply don’t all have to be active right at this moment.

 

Are there many other large ‘franchises’ in Eberron, aside from the Houses?

Certainly. Most of the major members of the Aurum are people with their own franchises of one form or another; I suggest you check out this Eye on Eberron, if you can. Organized crime gives you another recognized brand, such as Daask and the Boromar Clan. Many of these sorts of franchises are limited to a particular nation, but are still everyday encounters in those nations. On a broader scale, you have the Church of the Silver Flame, which touches the world in many ways; a key example would be their free clinics. You generally can’t get the magical services you could get at a Jorasco house and it’s not as comfortable, but it’s a low-cost alternative for people who need help and something everyone is familiar with. Another would be the Korranberg Chronicle, which is known and respected across Khorvaire.

 

Drow – Why scorpions?

It’s a common misconception (one made by many of the inhabitants of Khorvaire and Stormreach) that the drow are especially hung up on scorpions. The Sulatar and Umbragen don’t care about scorpions at all. Among the jungle tribes, Vulkoor the Scorpion is simply one of a pantheon of primal spirits; if you read The Gates of Night or The Shattered Land, Xu’sasar calls on a number of other spirits. The Vulkoori tribes consider Vulkoor to be the greatest and most powerful of these spirits, but that’s a particular choice of a particular group of tribes.

 

WHY do souls go to Dolurrh? Did they originate there and are returning home? Is there some sort of magic pulling people there? Where did it originate? Why are souls made? (Are these “Big Unanswerables”?)

These are Big Unanswerables. A key point is that no one actually agrees on what Dolurrh IS or what happens to the souls that go there. It’s a provable fact that when someone dies a soul appears in Dolurrh that matches them, and that this soul then fades over time. The most common theory among the Sovereign Host is that the “fading” isn’t destruction at all; rather, Dolurrh is a GATEWAY to the realm of the Sovereigns, a place that is beyond all mortal experience and cannot be visited even with planar magic. The “fading” effect is the process of the soul transitioning to this higher realm; and what is left behind is just a husk, like a discarded snakeskin. Meanwhile, the Blood of Vol asserts that Dolurrh is the end; some believe that the Sovereigns created Dolurrh specifically to destroy mortal spirits, and that your spirit is drawn their after death because they designed it that way. Others say that the “fading” is the spirit being cleansed so it can be reused and reincarnated. But there’s no absolute “right” answer.

With that said… the general answer to big unanswerables such as “Why are souls made and what draws them to Dolurrh” is “The Progenitors did it.” The Progenitor myth includes the creation of the planes and the creation of mortal and immortal life. They set the system in place; they simply don’t interfere with it directly now it’s in motion. Meanwhile, the Sovereigns aren’t described as having CREATED the world; they simply govern particular aspects of it.

 

In your opinion, which nation is most likely to restart the Last War?

In MY Eberron, definitely Aundair. Of the current rulers of the Five Nations, Aurala is the only one who’s called out as really having a strong vision of reuniting Galifar. In my Eberron, Aundair is also aggressively pursuing research into new forms of war magic, as arcane magic is the only thing that offsets Aundair’s small size and population. This could be seen as a threat or provocation by the other nations… or alternately, if Aundair does develop superior rituals it could give them the confidence to act.

Another possibility is Cyre. Groups such as Dannel’s Wrath want vengeance for the fall of Cyre, and might engage in terrorist actions designed to provoke the other nations to war.

None of the other rulers—Boranel, Jaela, or Kaius—are portrayed as having an interest in war. However, Boranel and Kaius are specifically called out as being in precarious positions. Boranel is old and there’s a movement that’s interested in unseating the monarchy in Breland; and Kaius has alienated many of the warlords. If a current ruler is displaced, a new ruler could emerge with a more aggressive agenda.

 

The comic introducing Chapter 1 of Magic of Eberron suggests that nobility can have Karrnathi undead minions. Is that common?

It depends how you define “minions.” You can’t buy Karrnathi undead, and you can’t key them to be specifically loyal to a particular person. For more information on the process used to create them and the nature of Karrnathi undead, check out the article on Fort Bones.

Karrnathi undead are soldiers by nature. It’s believed that they channel the martial spirit of Karrnath. As such, they typically abide by the military chain of command; in The Queen of Stone, there’s a Karrnathi skeleton with the Karrnathi delegation. You could also find them serving bone knights regardless of their current standing. So personally, when I look at the comic in Magic of Eberron, I assume that Lord ir’Krast is a bone knight or a high-ranking member of the Emerald Skull or a similar order. The skeleton is loyal to someone who happens to be a noble; that doesn’t mean any random noble could purchase a Karrnathi skeleton. It’s one of the economic advantages of the warforged; anyone could buy one of those.

 

How would one get to the Lair of the Keeper in the Demon Wastes?

The simplest way would be to take a boat to the ruins of Desolate and cut across on land from there. A more difficult path would be to go through the Labyrinth to Festering Holt and go north, which among other things takes you very close to Ashtakala. Bear in mind that there’s no perfect maps of the Demon Wastes, so it’s not as though anyone in the Five Nations knows EXACTLY where the Lair of the Keeper is (and SURPRISE – it’s shielded from divination!). It’s very much a “Here there be dragons” situation; its location is loosely derived from a handful of ancient accounts and Ghaash’kala myths. If you really want to find it, you’d be best off getting a local guide or dealing with a living person who’s been there… say, Sora Teraza.

 

What info have you been hiding about the dwarves that got sealed in Khyber by their now topside dwelling kin?

I feel like I’ve written about this in detail somewhere, but I don’t remember where. Short form: In MY Eberron, they were wiped out or corrupted beyond recognition during the Daelkyr Incursion. The ruins of the Old Kingdom are now filled with aberrations and other horrors, and there’s a Daelkyr somewhere beneath the Ironroot Mountains. Mror heroes sometimes go below in search of glory and treasure.

Oh, and bear in mind, the surface dwarves didn’t seal the other dwarves below… the surface dwarves got KICKED OUT of the awesome subterranean kingdom. Check out this Dragonshard on the subject.

 

Which factions or countries have the largest rivalries with each other?

There’s no shortage of rivalries…

Karrnath and Thrane

The Chamber and the Lords of Dust

The Royal Eyes of Aundair and the King’s Citadel of Breland

The Kalashtar and the Dreaming Dark

Adar and Riedra

The Blood of Vol and the Sovereign Host

Thuranni and Phiarlan

Cannith and Cannith (and Cannith)

The Aurum and the Twelve

House Tarkanan and the Twelve

Aundair and the Eldeen Reaches

The Ashbound and House Vadalis

The Gatekeepers and (some of) the Cults of the Dragon Below

The Boromar Clan and Daask

The Lhazaar Princes and the Lhazaar Princes

Erandis Vol and the Undying Court

The Swords of Liberty and the Brelish Monarchy

… And that’s just the tip of the iceberg. Beyond that, if you pick one of the Five Nations, you can probably find a faction in any of the other Five Nations that hates them.

 

What is the royal symbol of the kingdom of Galifar?

I’m not sure it’s ever been defined in a canon source. In my Eberron, it’s a gold crown bearing five jewels, set against a green field; I believe a canon source somewhere speaks of Cyre as “the purple jewel in Galifar’s crown,” and this is where that expression comes from. Cyre kept the Crown of Galifar on its flag during the war, while adding other elements.

 

Are there equivalents to European monastic orders for the major faiths?

Sure. It’s touched on at the beginning of this Dragonshard, though it then turns to a description of more martial orders.

Many of the creatures can trace a path back to their origins, but what of shapechangers? We know changelings descend from dopplegangers, but where do beasties like dopplegangers, and by proxy things like tibbits, come from?

Depending on what edition you’re using, the distinction between changelings and doppelgangers can be blurred. In 3.5 they are concretely distinct species; in 4E “doppelganger” is an alternate word for changeling, implying that the changeling uses his abilities for larcenous purposes. As for origins, I’ve developed a particular changeling creation myth for my D&D Next character; perhaps I’ll include it in a dedicated Changeling post in the future. I’ll also point out that one of the first D20 products I had published was The Complete Guide to Doppelgangers, by Goodman Games; there I propose a lifecycle that links doppelgangers and mimics, though it’s not something I’d use for changelings as presented in canon Eberron.

Who judges those convicted to go to Dreadhold? Sivis judges, international judges, judges from the 5 nations?

The key thing to bear in mind is that Dreadhold isn’t directly tied to ANYONE’S legal system. Dreadhold is a for-profit operation run by a business, House Kundarak. Consider prisoner Deep Fourteen, who some believe to be the true Kaius III. He was never convicted of any crime. Almost no one in the world knows that he exists. He was sent to Dreadhold by the King of Karrnath, who is paying for his incarceration. With that said, does this mean ANYONE can send someone to Dreadhold? Probably not. I expect that Kundarak has a certain criteria they apply before they accept prisoners from you, likely defined by your legal status and your wealth. The short form is that they take prisoners sent to them by the courts of the Five Nations… but they probably also take prisoners sent to them by the Aurum or patriarchs of Dragonmarked Houses. It’s not Kundarak’s job to determine guilt or innocence; it’s their job to imprison the people they are paid to imprison, for as long as they are paid to do so. A potentially interesting point would be to have Dreadhold release a host of dangerous criminals or political dissidents (some who may have been preserved in the Stone Ward for centuries) that were imprisoned by United Galifar or Cyre, because none of the Thronehold nations want to keep paying for their imprisonment.

Being a private or for-profit endeavor, house Kundarak could get in trouble in my opinion if they accept to imprison someone in exchange for payment when that someone is innocent or not deserving such a harsh punishment and is sent to Dreadhold by a nation or anyone else who is its rival.

First off: We HAVE discussed the existence of international courts that judge war crimes, established under the terms of the Treaty of Thronehold. The key is that these courts have nothing in particular to do with Dreadhold. They can choose to send a person to Dreadhold, but if they do someone will have to be designated to pay for it, and be treated like any other client. Kundarak evaluates every prisoner submitted to Dreadhold. They consider all the risks associated with incarceration; these include the challenges posed by the prisoner and risks associated with the prisoner’s outside influence. If they decide to accept the prisoner, they set the cost of imprisonment. If the client agrees to those terms, they will maintain the incarceration until the client or their heirs cease payment or cancel the contract.

What DON’T they consider? If the prisoner is innocent or guilty. That’s not their problem. Dreadhold isn’t about justice. Every nation has its own prisons. Dreadhold isn’t part of any nations’ judicial system. You send someone to Dreadhold when no other prison can hold them; when you are concerned about an uprising or military action to free them; or when you can’t kill them but never want them to see the light of day again, like Melysse Miron. Dreadhold exists in international waters, and it’s not under the jurisdiction of any kingdom. If Aundair objects to the imprisonment of someone Breland has sent to Dreadhold, Kundarak’s answer is simple: take it up with Breland. If you want, you can lay siege to Dreadhold; however, it is one of the most impregnable fortresses in Eberron and on top of that, your nation would face immediate sanctions from the Twelve.

This touches on one of the key themes of Eberron: the balance of power between the houses and Eberron. When Galifar was united, Kundarak would be unlikely to refuse the King of Galifar if he demanded the release of a prisoner. But the Queen of Aundair is an entirely different matter… and it can be argued that Aundair needs the Twelve far more than they need her. Is she willing to risk losing the services of all the houses at a time when she’s contemplating war? Essentially, no single house HAS the leverage to place demands on Kundarak… and thus, Kundarak will simply say “Take it up with the people who sent the prisoner to us.”

Case in point: Prisoner Deep Fourteen. He’s being held incommunicado, masked, in a deep cell. His identity is hidden from the world. Is he guilty of something? Given that we don’t even know his identity, who knows? Kaius wanted this person to disappear forever, so he sent him to Dreadhold… there’s no one to challenge this, and Kundarak doesn’t care what his story is.

With that said: Kundarak can and will refuse submissions. Let’s say Erandis Vol kidnapped Jaela and sent her to Dreadhold. Kundarak would in all likelihood refuse to take her, not wanting to have the entire Church of the Silver Flame rise against them. On the other hand, if Cardinal Krozen sent her to Dreadhold with the full support of the church, they would take her. It’s not a question of innocence or guilt; it’s the fact that if she’s sent by the church, it’s safer for Kundarak to take her.

But the key thing to remember: Dreadhold isn’t about justice. It’s a business, plain and simple. Half the people in there may be innocent; if you want to get them out, take it up with the people who imprisoned them, or break them out yourself.

Is the Church of the Silver Flame still paying for Melysse Miron’s incarceration, or do they have an alternate deal worked out with Kundarak?

Yes, they are still paying for her. With that said, I doubt she’s the only one; I suspect they have a significant ongoing payment that covers a significant number of prisoners. It’s likely they are covering Saeria Lantol’s imprisonment as well. The mandate of the church is to protect the innocent from supernatural evil. If the best way to do that is to pay for its incarceration, they will.

How do the Sentinel Marshals view Dreadhold?  On the one hand, it houses legitimate prisoners, which they must support, but does the incarceration of others not in accordance with any law give them pause?  If a person was kidnapped according to the laws of the nation in which the crime occurred, and then sent to Dreadhold, would the Marshals feel a need to do anything about it?

A key point: The Sentinel Marshals aren’t some sort of Justice League, fighting crime for the good of all. Let’s take a look at the first source to describe the Sentinel Marshals, Sharn: City of Towers:

During the reign of King Galifar III, House Deneith was granted the right to enforce the laws of the kingdom, bringing fugitives to justice and enforcing punishments in exchange for gold.

Sentinel Marshals aren’t tied to the Watch. They aren’t casual law enforcers. If a Sentinel Marshal is walking down the street and sees a robbery, he’s not OBLIGATED to do anything about it. Many are honorable people who MIGHT… but that’s not their job. They are private contractors who are authorized to enforce the law across Khorvaire. Some Sentinel Marshals are deeply concerned with honor and justice; for others it’s just a job. It’s a job they have to take very seriously – Sentinel Marshals are held to very high standards of conduct – but you could easily have an evil Sentinel Marshal, who plays strictly by the rules but doesn’t give a damn what happens to the criminals he brings in. Meanwhile, looking back to Kundarak: THEY aren’t the kidnappers. As I said, Dreadhold is in international waters. If the person who brought the prisoner to Dreadhold kidnapped them, fine – FIND THE KIDNAPPER and get them to end the incarceration contract. So say Saiden Boromar kidnaps someone and sends them to Dreadhold. If there’s a Sentinel Marshal who’s so infuriated by this miscarriage of justice that he’s going to take independent action to do something about it, the best thing for him to do would be to expose Saiden and bring him to justice. SAIDEN has committed the crime of kidnapping in a nation bound by the Code of Galifar. Dreadhold is NOT bound by the Code of Galifar.

Fun side note: As Dreadhold is in international waters and not actually covered by the Code of Galifar, it’s technically not a crime to break into Dreadhold. It’s a frontier operation. if Kundarak catches you, well, they may just throw you in a deep cell… but you won’t end up in a court anywhere.

Again about Dreadhold, since they are in international waters, they could be payed to perform tortures to a prisioner?

I’m sure that they could; after all, one could argue that the conditions of Deep 14’s imprisonment are a form of torture. With that said, I don’t see them resorting to torture to acquire information. In a world where people have access to detect thoughts, zone of truth, discern lies, and so on, I can’t imagine that the keepers of the most sophisticated prison in Eberron would use physical torture as a primary means of extracting information… though I suppose that physical and psychological torture could be COMBINED with some of those spells as a way to force an answer and then verify its accuracy. While they could farm this out to another house, it wouldn’t surprise me if Kundarak has its own specialists in this; after all, psychological warfare would play an important role in holding certain prisoners.

Since he came up, are there any people that you have in mind for Prisoner Deep Fourteen besides the real Kaius? 

Spoilers here, so if you don’t know Kaius’ story skip this question. I don’t have anyone in mind for D14, but I could brainstorm a few possibilities, given a moment. He’s someone Kaius wants alive, but not allowed to speak or write. The idea that he’s a relative is one possibility. Another is that he’s a Karrnathi warmage who committed war crimes so vile he couldn’t be left at liberty (in part because other nations would demand justice) but Kaius wants to be able to retrieve him if there’s another war. A third even zanier possibility is that HE is Kaius I, and that the biggest secret of Karrnath is that Kaius III IS Kaius III, presenting himself to Kaius’ inner circle as his grandfather. If you want to get really deep into conspiracies, try this. Erandis arranged to have Kaius transformed. Because of the nature of this process, the vampire that transformed Kaius has direct influence over him, if s/he chooses to exert it. Unwilling to live with this threat hanging over him, Kaius I turned Kaius III into a vampire. In this theory, I’m asserting that a vampire can assert control over his direct progeny, but not over THEIR progeny. So K1 sires K3, and then arranges for K3 to send him under deep cover into Dreadhold. K3 poses as K1 posing as K3. His mission: to find and eliminate K1’s sire, so no one can dominate K1; once that’s done, he’ll free K1 from Dreadhold. In the meantime, Erandis is baffled by the fact that she can’t exert control over Kaius.

Personally, I like the idea of K3 posing as K1 posing as K3… but perhaps I’ve been watching too much Orphan Black.

Now, I just came up with this idea on the spur of the moment. But running with it a little further, you can get even farther out there and say Kaius III isn’t a vampire. Here’s the sequence of events. Kaius is turned into a vampire by Erandis. After being undercover for a time, Erandis sends him to replace K3 and take over Karrnath; she likes the idea of having a puppet on the throne. But K1 is no one’s puppet, and he has his own scheme. K3’s lover Etrigani is a deep-cover Deathguard agent, and knows rituals that can allow a living person to appear undead, a variant of the half-life techniques common among the Jhaelian clan. Together, Etrigani, K1, and K3 arrange to make it SEEM as though K3 is actually vampire K1. This “coup” – the idea that K1 has replaced K3 – is revealed to Morana and the other inner circle of Karrnath, and of course all of Vol’s spies. “K3” – actually K1 – is sent to Dreadhold, and made incommunicado, so there is no way for Vol to manipulate him; he can’t get out even if he wanted to. Etrigani and K3-posing-as-K1 want to destroy the vampire that sired K1 and to get as much information as they can about Erandis’ inner circle and her reach in Karrnath. Again, in this scenario Etrigani is an agent of the Deathguard, who have been trying to eliminate Erandis for centuries. But K1 is under close scrutiny by Vol. She doesn’t understand why she can’t control him, but he’s doing his best NOT to reveal his true identity. He’s too closely watched. He needs agents she doesn’t know… agents like the PCs.

The main thing I like about this is that most people who know Eberron know that Kaius III is a vampire and Kaius I. To negate both of these – not only is he actually Kaius III, he’s not even a real vampire – is a great way to catch people who think they know everything about the world offguard. And it helps solidify K3 and Etrigani’s relationship; it’s not that she loves him in spite of his being a vampire, something that’s an anathema to her people; rather, she loves him because they are working together to bring down Erandis, and it’s her skills that allow him to maintain his masquerade.

 

 

Things I’m Backing: Games

For some reason, January 2014 was the Month Of Kickstarters. Ever day seemed to bring a new project I had to back. There’s too many projects for me to discuss in a single post, but if I don’t write something soon time will run out, so let’s get started!

Hero Forge White BackHERO FORGE: CUSTOMIZABLE 3D PRINTED MINIATURES

I’ve always been a sucker for miniatures. Like many others, I backed Reaper Miniatures’ Bones campaign, and was thrilled when the huge box of minis finally arrived. Hero Forge is a different sort of animal. Rather than offering quantity, Hero Forge offers the chance to create a miniature tailored specifically to your needs. More often then not, I ended up using a miniature that is close to my character, but not quite right… wrong weapon, wrong armor, SOMETHING I’d like to change. Hero Forge aspires to solve that problem. Using an online tool, you select from different poses, equipment, race, gender… hopefully finding the perfect match. The miniature you design is then printed in plastic (or other materials) and sent your way. Obviously there are limitations; you can only choose from the poses, equipment and races they provide, so my dreams of the warforged fighter wielding a Talenta tangat are off the table… at least for now. But there’s a wealth of options, and an opportunity to create a miniature that truly feels like a personal representation of your character. And as time goes on, they will be continuing to expand the library of parts, both expanding the existing lineup and adding new genres. They’ve already committed to Wild West and Sci-Fi lineups; Pulp/Noir, Steampunk, and other genres are just around the corner.

Hero Forge - Dramatic Lineup UnpaintedHero Forge isn’t a cheap way to get a figure; depending on the material and number of figures you select, you’re putting anywhere from $15 – $30 into a single miniature. With that said, I’ve had a chance to examine Hero Forge miniatures directly, and I’m impressed with the quality and variety of the figures. Hero Forge isn’t about quantity. I wouldn’t use Hero Forge if I needed thirty goblins that will likely be wiped out in a single fireball. But when it comes to representing a specific individual, it’s a fantastic opportunity. I have to be honest: I never end up using most of the miniatures I purchase. Quite often I’m chasing one specific figure, and it comes with others that I simply never need. A Hero Forge figure may cost as much as a half dozen premade-minis… but it’s exactly the figure I want it to be, and I know I’m going to use it.

As of today, Hero Forge has been funded and already reached numerous stretch goals. I’ve seen their products and have no doubt that they will follow through with it. Time is running out, so if it interests you, check it out today!

 

PDarkPROJECT: DARK

As a professional designer, there’s a handful of people whose work consistently amazes me… people who inspire me and make me want to do more with my own designs. Will Hindmarch is one of those people. His cyberpunk epic Always/Never/Now is one of my all-time favorite roleplaying experiences. Now he’s launching a new game, Project: Dark. Personally, I think there’s an abundance of good systems out in the world, from the many flavors of D&D to Fate, Cortex, WaRP, Savage Worlds, GURPS, and on and on. As a result, it takes a lot to get me interested in an entirely new system. I want a reason for new mechanics… for the system to create a play experience that I simply couldn’t replicate with a difference system. And that’s what Dark does. It’s not a general-purpose system. It’s designed to tell a very specific sort of story – a story focused around stealth and exploration, about devising the perfect plan and creeping through the shadows to carry it out. While it’s designed for a certain style of adventure, it’s not tied to a single setting; currently it will include three distinct settings, each well-suited to the sort of stories the system does best.

I’ll be talking with Will Hindmarch about Dark in more detail in the next few weeks, so keep an eye out for that. The project is already fully funded with a few weeks to go, and it’s not Will’s first foray into Kickstarter. This is a project that’s going to happen, and a game worth checking out. So do it already!

 

BoxMockZEPPELDROME

From the minds of Anthony Gallela and Jeff Wilcox comes Zeppeldrome, The Hazardous Dirigible Rally. If you’re like me, you’ve been bemoaning the horrifying dearth of dirigible-based board games on the market today (though there’s a surprising surge in dirigible games on Kickstarter!). Zeppeldrome doubles down on this concept, as it’s a dirigible race in which the racecourse is itself in an even larger dirigible. This isn’t just a load of hot air, folks. Well, it is, but it’s also an intriguing game involving a modular board, pre-planned movement, and the ability to interfere with your opponent’s preplanned movement, while remaining casual and fun. So if you’ve been hankering for a quality game about humorously awkward airships, take a look!

CW_airships_color_final_72dpi

Timewatch-Cover-MockupTIMEWATCH

I’ve always loved time travel. As a kid I ran into it through Peabody & Sherman’s Wayback Machine and Ray Bradbury’s “The Fox and the Forest”, and made my way to The Anubis Gates, TimeWars, The Sarah Connor Chronicles, and so much more… I love it all. At the same time, I’ve never actually run a roleplaying game based around the concept. And more often than not, I’ve been frustrated by stories that feature time travel without truly considering the consequences of the technology. Kevin Kulp’s TimeWatch tackles both of these; it’s a brilliant time travel RPG that dives into all the issues that I find intriguing about the concept. TimeWatch is based on Robin D. Laws’ GUMSHOE system, tuned in various ways to fit the concept. As a TimeWatch agent, it’s your job to protect history from a myriad host of threats. Greedy Humans? Check. Radioactive cockroaches from the future trying to engineer nuclear war? Check. In any given mission, it’s up to you to figure out how history has been altered and what you need to do to resolve the problem. Like Project: Dark, TimeWatch has already been funded and already blown through multiple stretch goals, and it’s still got a week to go. If you like time travel, this is definitely worth a look!

Phew! That’s all for today, but that’s just the GAMES I’ve backed this month. I’ll be back later this week with a few more projects to check out. In the meantime, let me know what YOU’RE backing!

Stories & Dice: Erika and Teagan

Diceball MachineIn December 2013, my wife gave me a gumball machine filled with dice. There’s a little space at the top, and rather than fill it myself I decided to turn to you. I want you to send me a die and a story. It could be a story about the die itself, or just about you: who you are and why you play games. Traveling around the world, I’ve found that gamers cover an amazing spectrum – teachers and students, celebrities and children, strippers and soldiers. Everyone has a story, and I’d like to share yours.

ErikaTeaganDieI met Teagan and Erika during my recent trip to LA. Erika is an actress; Teagan is the Technical Art Director at Naughty Dog, a video game developer that’s produced a few obscure titles you’ve probably never heard of (Uncharted, The Last Of Us, Crash Bandicoot). Their home is filled with games, custom miniatures, and more NERF guns than I’ve ever seen in one place… and I’ve seen a lot of NERF in my time. They gave me a remarkable die that Teagan had actually made himself. I’ll let him tell the story.

Perfect gifts sometimes only happen when everything falls into place. We’d been hard at work on a custom miniatures startup “Hero Forge” we planned on Kickstarting come the new year. We’d received a few test prints back already so I was pretty familiar with the process of sending 3D models off to get 3D printed. I turned to finding a Christmas gift for my lovely and vivacious D&D partner and girlfriend Erika Ishii. It needed to somehow compensate for how absent I’d been putting so much work into the Kickstarter! A custom made silver D20 that could be worn as a necklace was the perfect intersection of beautiful jewelry and functional nerd culture. The 20 was replace with an E&T encased in a heart. Cheesy but… “critical hit to the heart cheesy” according to Erika. She was ecstatic, and insisted on wearing it nearly all the time. By the end of our New Year’s party she had bruises where the dice was around her neck from all the hugs she’d been getting!

The dice I’m sending you for your dice machine is a test print before I ordered it in full silver. It’s the exact same material we’re printing our Hero Forge miniatures in! 3D printing is going to bring so much personalization and meaning that was just not possible before. We’re very excited about what the future holds… although Erika might want to avoid wearing the necklace during celebrations where there’s frequent hugging.

Erika Necklace

Teagan started playing games at an early age, but there were religious restrictions on what his parents would allow in the household. As a result he made his own games, crafting books of puzzles and mazes. The Legend of Zelda: The Ocarina of Time was a defining experience for him, drawing him into a new and magical world. While video games have played a central role in his life and career, tabletop roleplaying has only become a passion in the last few years. In his own words: I discovered just how engaging and exciting it is to collectively tell a story with your friends while face to face. There’s a power there that video games just aren’t advanced enough to provide. Seeing the emotion in your friends’ faces and participating in the back and forth. It’s powerful stuff!

By contrast, Erika’s first brush with roleplaying came as a sophomore in high school, when a friend handed her the 3rd Edition Player’s Handbook and said it was the game she was meant to play. Apparently he was correct. Erika was captivated by the game and read the PHB cover to cover, and generated a host of characters. This continues to be one of the most compelling parts of the gaming experience today. She’s not a min-maxer or rules lawyer, but she puts a great deal of time and effort into developing elaborate character backstories and roleplaying her characters’ tics and motivations… even when they aren’t beneficial to her as a player. More than anything, what she loves is the experience of collaborative storytelling… hearing and shaping living, organic stories with her friends.

Both Erika and Teagan have plans for the world of gaming. Teagan is especially interested in finding ways to blend technology and tabletop, building on the virtual tabletops that exist today and finding more ways to merge virtual aspects with the tangible… ways to maintain the vital experience of being face to face with friends even when it’s impossible. Erika would like to have a hand in making games more inclusive of women and minorities; in her words, “I think the miniature market could stand to have a few tiny people of color on the shelves… and Josh and Teagan have promised me that Hero Forge will give you the option of creating a female miniature that doesn’t have giant breasts, which is extremely novel.”

Today Teagan is in the midst of his Hero Forge campaign, and the 3D printer is churning out new figures. Erika wears the silver die on a chain around her neck, while the prototype rests at the top of the gumball machine… a symbol of love of games, but more important, of their love for one another.

Do you have a story and a die? If you’d like to take part, send both of them to Keith Baker, PO Box 13250, Portland OR 97213. Make sure to include contact information so I can get in touch with you for follow up questions!

Sundry and Geeky Gloom News

Ten years ago I made a game called Gloom. In 2012 Gloom was featured on an episode of Geek & Sundry’s awesome series TableTop, with Wil Wheaton, Meghan Camarena, Amber Benson, and Michelle Boyd. In 2013, Atlas and I teamed up with Geek & Sundry to produce a special TableTop-themed Gloom expansion, which was given away on International TableTop Day.

TableTopGloomCoverWell, it’s 2014, and International TableTop Day is happening again – on April 5th 2014! Last weekend I had the good fortune to be at the announcement party, and it sounds like Geek & Sundry still has some copies of TableTop Gloom on hand. We only did a limited run on it, so no promises that they’ll have it at any particular ITD event… but they might! So if you missed TableTop Gloom last year, look for a ITD event near you.

One of the highlights of the party was playing the game with Meghan Camarena – better known as Strawburry17 – her brother David, and my friend Satine Phoenix. So I got to play TableTop Gloom with one of the people who played Gloom on TableTop, which was a awesomely palindromic way to end a day. On top of which, we killed Wil Wheaton. Twice.

Strawberry GloomOf course, as long as I’m talking about TableTop Gloom, I’d be remiss if I didn’t post a link to the video I made last TableTop Day, with The Doubleclicks and Molly Lewis!

I’m working on a few Gloom-related projects that I’m not quite ready to talk about, but there is one interesting thing happening RIGHT NOW. Artist Len Peralta is producing a new series of Geek Trading cards: Geek-A-Week Year Five Two, and I’m in the roster for the set. Looking at it, my first thought was “I want to play Gloom with these cards!” I talked to Len, and if the Kickstarter hits $20,000 I’m going to put together a set of Geek-A-Week Gloom cards using his artwork. To be clear: This won’t be a fully produced expansion on translucent plastic; plastic cards are expensive to produce, especially in a small run. Instead, this will be a single sheet for you to download and print on cardstock, taking eight of Len’s geeks and translating them in guests and characters for Gloom. Since characters are always on the bottom of the stack, it doesn’t matter if they aren’t transparent. But if you’ve ever wanted to tell a terrifying story in which Patrick Rothfuss traps Neil Gaiman on a train just in time for them both to be murdered by The Doubleclicks and Anne Wheaton, help make this Gloom set a reality! Plus, it means that I’ll get to be on a Gloom card, and I’ve got some ideas for that.

GAW GloomI’ve been meaning to write a Gloom Q&A for a while now, but I’ve never gotten around to it. So… what do you want to know about Gloom?

 

Dragonmarks: Spies, Heraldry, and a Lightning Round

When I put out a call for questions last week, I didn’t expect to get fifty of them. This has inspired me to get to work organizing previous posts, both because some of the questions people asked have already been answered and because it would be nice to have all the answers on Droaam or The Mark of Death in one place. I’m going to answer a few topics in detail today, and then do a lightning round of short answers. If your question isn’t dealt with here, it may be addressed in the upcoming reorg.

As always, my answers are entirely unofficial and may contradict canon sources. If you’re looking for official answers, you might check the Dragonshard Archive, Eberron Expanded, or Eye on Eberron.

So on to the questions!

Does Eberron have a place in the next edition? Will we ever see more novels?

Eberron certainly has a place in the new edition, but I don’t have any concrete new information about what that place will be. Warforged appeared in the playtest material, and James Wyatt has mentioned Eberron a number of times in his articles about D&D Next. However, I don’t yet know exactly what that place will be or how much support you can expect, and whether novels will be a part of it. I’ll make an announcement as soon as there is concrete news.

How’s your experience been with D&D Next? And how do you run changelings in your campaign, as a player or DM?

Given that I’m playing a changeling in the D&D Next campaign I’m in, these two questions are directly related. I’m planning to write an entire post on my adventures in DDN, and I’ll cover both these questions there.

I’m hoping for advice on two fronts; I want to diversify the various intelligence agencies (Dark Lanterns, Royal Eyes, and… who do Thrane and Karrnath have?)…

First, bear in mind that the King’s Citadel isn’t just the intelligence service of Breland. back in the day, the Citadel was the intelligence service of GALIFAR, just as the Arcane Congress was the center for mystical research for Galifar, and Rekkenmark the center for training for the armies of the united kingdom. While the Citadel employed agents from all Five Nations, the bulk of its resources and command structure were based in Breland, and the vast majority of its agents were from Breland. Just as Rekkenmark reflects the martial culture of Karrnath and Aundair’s love of the arcane is tied to the presence of the Congress, the Citadel was a source of national pride for Breland and a reflection of their pragmatic culture, and the vast majority of Citadel agents were Brelish. So the reason you hear more about the Citadel than about the agencies of other nations is because it is the oldest and largest force. Prior to the Last War, Karrnath didn’t HAVE a national intelligence agency; it had the King’s Citadel. Its current agency was built at the start of the war using those Karrnathi agents who’d worked with the Citadel and the bits of infrastructure it was able to seize. But the Citadel is a national strength of Breland… just as the Arcane Congress, Rekkenmark, and Flamekeep are all institutions that once served all nations but now benefit their home nation.

So: at the start of the Last War, the Five Nations had to come up with an individual approach to intelligence. Here’s how it broke down.

Aundair. The Royal Eyes were established by Aundair herself at the dawn of Galifar. They were her personal corps of spies established to spy on the leaders of the other nations (which is to say, Aundair’s own siblings). They maintained this mission over the centuries, an have an exceptional talent for intelligence-gathering augmented by the finest arcane divination techniques and equipment in the Five Nations. Since the Last War they have expanded their numbers and the scope of their operations. However, they don’t have the numbers or resources of the Citadel, and their strength is still divination.

Breland. The Dark Lanterns and King’s Shadows once encompassed all of Galifar. As such, they have centuries of resources and techniques at their disposal. Many of their foreign safehouses and moles were identified and eliminated over the course of the Last War – but not all of them. Their agents are both more versatile and more numerous than those of the other Five Nations, and they have no particular specialty; they can carry out any sort of operation. Breland’s strong ties to House Medani and good relationship with Zilargo are additional strengths. Short form: A Dark Lantern may not be as tough in a fair fight as a Karrnathi agent and may not have the specialized magic of a Royal Eye, but they have exceptional training and strong mission support. Karrnath has warriors, Aundair has wizards, and Breland has rogues.

Cyre. Each nation had its own strengths. Breland had the Citadel. Karrnath had Rekkenmark. Cyre had the royal treasury and mint. Initially, Cyran intelligence relied heavily on House Phiarlan and House Tharashk. As the war progressed, Cyre built up its own agencies using their own ex-Citadel agencies. One that has been mentioned in the novels is the Fifth Crown, an urban strike force specializing in infiltrating enemy territory. Cyran agencies were small and had limited strategic resources (safehouses, generational moles, etc) but were generally extremely well equipped.

Karrnath. The people of Karrnath take pride in military discipline and skill, and think little of those who would skulk in the shadows; before the Last War, few Karrns service with the King’s Dark Lanterns. In the wake of the war, Karrnath established the Twilight Brigade as a special division of the White Lion police force; members of the Twilight Brigade are sometimes called “Dark Lions”. The Brigade specializes in counterintelligence, devoting its efforts to identifying and eliminating enemy operatives; it also serves the function of “secret police”, gathering information on Karrns on behalf of the king. Karrnath thus has a limited reach when it comes to gathering intelligence in foreign nations, often relying on Phiarlan and Thuranni for such purposes; its philosophy is to deny intelligence to the enemy and then rely on its own martial strength. With that said, during the war it made use of the Raven Corps, an organization formed from Blood of Vol mystics who specialized in gathering intelligence through the use of necromancy – interrogating corpses, using shadows as spies, and so on. The Raven Corps was a volunteer force, and was disavowed and disbanded at the same time as the Emerald Claw and other Seeker orders.

Thrane. The Argentum is a branch of the Church of the Silver Flame tasked with identifying, locating, and obtaining powerful or dangerous artifacts… by any means necessary. The Argentum has carried out this mandate for centuries, and this talent for covert operations made it the logical choice to serve as the foundation for Thrane’s intelligence agency in the war. In this, the Argentum is similar to the Royal Eyes. It is a small, specialized organization that has been operating for centuries and is highly skilled at a specific type of mission, which has now been given greater resources and drafted to perform other operations. As such, it’s on par with the Royal Eyes in terms of resources and scope, and still trailing behind the Citadel. Where the Royal Eyes specialize in information gathering, the Argentum excels at theft and extraction, and has access to the warehouse of dangerous artifacts its gathered over the centuries.

… and need a little help coming up with potential hot spots in a cold war across Khorvaire.

A personal favorite of mine isThaliost. Once a major Aundairian city, it’s now controlled by Thrane. They placed an Aundiarian bishop in charge of the city, but his zealous excesses have exacerbated a delicate situation. Violence is inches away, and there’s certainly opportunity to push things one way or the other and to threaten Thrane or Aundair.

Droaam is also good, as you can see in my novel The Queen of Stone. There’s all sorts of topics that could come up: its desire to be recognized, the threat of hostility against Breland, the activities of Daask, Droaam harboring war criminals or political refugees, a nation trying to secure a military or economic alliance with Droaam (which is sitting on many useful resources), or even Sora Teraza announcing that she has a collection of secrets that could topple governments and she’s going to release it next week – do you steal it? Destroy it? Protect it from other nations?

Stormreach has many of the same possibilities as Droaam. A nation could be pursuing a strategic resource in Xen’drik, funding an extremist group operating out of Stormreach, conducting secret business with Lyrandar, etc.

Beyond that, you can have themes that could occur anywhere. Any sort of serious research on the cause of the Mourning is a serious cold war threat; it’s the Manhattan Project all over. Any form of significant arcane research could be nearly as significant an issue – anyone creating something that could give them a position strong enough to start the war anew. This could be creation of a new spell or weapon, an alliance with Argonnessen, Aerenal, or Riedra, something that would cripple another nation (say, extinguishing the Silver Flame), etc.

Do the Dragonmark Houses place any honor, taboo, or significance on their standard beast? For example, would a Thuranni killing a displacer beast be seen as bad form?

It varies by house. The tradition of house heraldry is tied to the Twelve; bear in mind that Thuranni, for example, was Phiarlan until just a few decades ago, so they haven’t had long to build up a particular attachment to their heraldic beast. In some cases the beast was chosen by the house because it was a creature they already had an attachment to or use in some way. For example, in the Talenta Plains the blink dog has a reputation for helping stranded travelers; “ghallanda” actually means “helpful hound who appears where needed the most.” House Tharashk took the dragonne both because it is a fierce predator, but also because it’s a “dragon-that’s-not-a-dragon”; this is a reflection of their general view of themselves as outsiders (also reflected by their willingness to overlap Deneith and Vadalis in their dealings with Droaam). The cockatrice of Sivis can be seen as “the deadly quill.” For the most part the beast is chosen for what it represents, not because the house has a literal relationship with it. However, Kundarak does make use of manticore cavalry, and Lyrandar legends say that the spirits of Lyrandar elders linger as krakens in the depths.

So for the most part, a Thuranni killing a displacer beast would be like a Republican killing an elephant – a humorous coincidence, but not a dishonorable act.

However, if you WANTED to take it further you could certainly decide that there is a greater significance to the beasts. Perhaps each house truly does have a totem spirit, something that revealed itself to the founders of the houses… an incarnation of the power of the mark that can choose to manifest in the wild beasts. So not every gorgon has a tie to Cannith… but any gorgon could suddenly speak to a Cannith heir and offer them advice or call on them for a favor. It could be very interesting to say that there IS a sentience to each mark; the real question then is what it means that the Mark of Shadow has two beasts.

What, if any, was the totem beast for the Mark of Death? Or was the mark eradicated before it had a chance to be a proper House?

Per canon, the line of Vol was never a “Dragonmarked House”. The traditions of the houses were established and standardized by the Twelve, and the line of Vol was exterminated long before that. If you run with the idea that the beasts are more than mere symbols, then it would make sense for the mark to have a totem beast. One possibility would be for that beast to be undead, but I wouldn’t go that way; all the others are magical beasts, and I’d look for a beast that is in some way associated with the dead.

OK: there’s a lot of good questions, but too many for me to answer in depth. So it’s time for a LIGHTNING ROUND! When I do the reorg I may expand on some of these, but for now I’m keeping it quick.

Since the code of Galifar is not applicable in Xen’drik, do the Sentinel Marshals find obstacles and is their jurisdiction denied by the storm lords in Stormreach?

Sentinel Marshals have no official jurisdiction in Stormreach and the Storm Lords could block them. However, consider that Sentinel Marshals are honored members of House Deneith. Blocking the actions of a Marshal is thus spitting on House Deneith… which could be seen as insulting the Twelve. Is this situation worth the danger of economic reprisals from the Houses? In short, the Storm Lords COULD block a marshal, but I’d only expect them to do it for a VERY good reason.

What Icons would you use for an Eberron 13th Age game?

Lucky for you, I addressed this in a previous post!

Eberron and 13th Age

Can you get Randy Lander to start up our game again?

Yes. If he knows what’s good for him. I’ve got your number, Randy.

Where can I find out more about Darguun? What is society like there? Tech level? Cultural idiosyncrasies?

At the moment, your best bet is to read Don Bassingthwaite’s novels, such as Legacy of Dhakaan.

Was the Undying Court ambivalent to the daelkyr invasion of the Dhakaani empire? Or busy with some other pressing business at the time?

Excellent question that deserves more than a lightning round answer, but that’s all the time I’ve got for it. Short answer: The power of the Undying Court is concentrated in Aerenal. They undoubtedly took action to defend Aerenal from the incursion. The Dhakaani had already fought the Tairnadal and driven them from Khorvaire, so there was no love between elf and goblin; even if the Court had the power to help Dhakaan, it’s not much of a surprise that they chose to focus on their own defense.

Is there any evidence to support the claim that the daelkyr were refugees seeking asylum in Eberron and that the Dhakaani empire was the one to initiate hostilities, forcing the daelkyr to respond in self defense?

None at all. You may be thinking of the theory that the Quori were refugees seeking asylum in Eberron when they were attacked by the Giants; there’s a fair amount of evidence suggesting that, and more important, neither culture survived to the present day, so there’s no way to verify it. Meanwhile, we have the Gatekeepers, Heirs of Dhakaan, and the Daelkyr themselves as multiple living threads attesting to the hostile intent and actions of the Daelkyr. With that said, it can be argued that the Daelkyr don’t consider collapsing civilizations and warping creatures into new forms to be a hostile act. You might consider this Dragonmark:

The Daelkyr and their Cults

Are there Gatekeepers corrupted by the Daelkyr?

Certainly. “Gatekeepers corrupted by the Daelkyr” is an entirely valid foundation for a Cult of the Dragon Below. Consider the link above.

What would it take for Droaam to be accepted as a nation the way Darguun has been?

Good question, and one that’s explored in my novel The Queen of Stone. You might also look at the following Dragonmark:

Droaam and the Daughters of Sora Kell

Who fathered the Daughters of Sora Kell? Do they have any favorite children of their own?

They each have different fathers, which is why they are all different types of hags. The identities of their fathers have never been revealed in any canon source. No children have ever been mentioned in a canon source, though you might find a possibility in the comic Eye of the Wolf.

How would the Daughters of Sora Kell react if the Queen of Stone was assassinated?

The main question is if they were aware of it in advance or orchestrated it themselves. Remember that Sora Teraza is the most gifted oracle of the age, so you can be sure SHE’D know; the question is if she shared the information with her sisters. Personally, my feeling is that if they allowed it to happen it’s because it helps them in some way. They could have allowed it in order to replace her with a more pliable warlord. It could be a calculated move to create a martyr to inspire their forces or to demand concession from the nation of the assassins. I’d check that Dragonmark about and consider what the motives of the Daughters are in your campaign.

I watched Game of Thrones seasons 1-3. I noticed quite a lot of parallels between it and the Eberron setting. Is Eberron more than just a little inspired by A Song Of Ice And Fire?

My original pitch for Eberron was “Lord of the Rings meets Raiders of the Lost Ark and The Maltese Falcon.”  If I wrote that today, I’d probably substitute Song of Ice and Fire for LotR, because there are lots of similar aspects; stories don’t always end well, there’s more shades of gray than black and white morality, and hey, a terrible civil war. I can only imagine that I hadn’t really gotten into SoI&F when I was first working on Eberron. With that said, there are major differences. One of the central themes of Eberron is exploring the impact of magic on civilization, while Westeros is a low-magic society. SoI&F has three dragons; Eberron has an entire continent of them. SoI&F is more about the balance of power between kings, while Eberron is more about the balance between the aristocracy and the mercantile Dragonmarked Houses. Essentially, I think Game of Thrones is a great inspiration for a martial or political Eberron campaign, but it wasn’t a driving factor in the original development of the world.

What would a Warforged god be like? Domains? Favored weapon?

Faiths of Eberron includes two: the Becoming God and the Lord of Blades. That’s a place to start.

Is it settled that warforged have souls?

No, it’s not settled. This is a quote from an old HDWT post:

This is one of the key mysteries of the setting, and one that should never be given a canon answer. The artificers of House Cannith generally assert that (the spark of life in a warforged) is something artificial that they have created; others, such as the kalashtar, maintain that this is impossible, and that no mortal agency can create a soul. With this in mind, a number of theories are out there. One is that they are reincarnated spirits of soldiers who died during the war, thus explaining their natural talents for war. Another is that they are quori vessels waiting to be filled; it’s a back-up plan that would allow the quori to escape Dal Quor if the age turns, and the soul is a sliver of the quori. For a third, turn to the Sovereign Host theory that the spirits found in Dolurrh are just the husks of the true souls, which must strip away these worldly trappings to ascend to the realms of the Sovereigns… so the Warforged soul is essentially the recycled compost of a previous soul. Anyhow, there’s a few possibilities – I’m sure you can come up with more!

THAT’S ALL FOR NOW… I’d love to answer more questions, but I need to sleep and do some actual work. Upcoming posts will address Phoenix, my experiences playing D&D Next, and the next Dice Story – along with working on organizing old Dragonmarks.

Got more questions or thoughts on these topics? I’d love to hear them!

 

 

 

Stories & Dice: Ed Hurtley

In 2009 I wandered around the world playing games in exchange for a place to stay. One of my goals was to meet gamers from as many different places and walks of life as possible… to break the stereotypes of the gamer and find out what drew different people to the table. I stayed with students, strippers, executives, prison guards, teachers, soldiers, and more. It was a fascinating experience, and I wrote about a few of my stops for The Escapist. Eventually, however, the real world caught up with me. It was a cheap way to see the world, but not a free one; sooner or later I had to settle down and get back to work.

In December 2013 my wife Jennifer Ellis gave me an amazing gift: a gumball machine of dice. However, there’s still space in the machine, and that got me thinking. I may not be able to get out to hear people’s gaming stories in person… but perhaps people would be willing to share. So I posted a request, asking people to help me fill the machine by sending a die and a story. Who are you? Why do you play? What moments has this die seen? Ed Hurtley was the first to respond.

The year was 1985, and Ed Hurtley was a Boy Scout. The Boy Scouts had just instituted the D20 Merit Badges, and Ed needed another level of rogue to get the Multiclass Achievement Badge.

I’m kidding, of course… though you’d think the Boy Scouts might support Pathfinder. There really is a Game Design merit badge, but that’s a relatively recent development. In 1985, Ed had never heard of roleplaying games or D&D. He just knew that some of the older scouts were up to something. He heard shouts of triumph and groans of despair coming from the tent where the boys were gathered. He pushed his way into the tent, watched the game unfold, and he was hooked. Next campout, the kid who usually played the Thief didn’t show up. Ed swears he had nothing to do with this absence, but he took the seat at the table and picked up the dice. He’s been rolling those dice for over twenty-five years. Now he’s got hand-carved stone dice and a twenty-sided that blinks when he rolls a critical hit. He’s got two Crown Royal bags filled with dice. But he’s always kept his first set from his days playing the Red Box, and those are the dice he gave to me.

Ed was born in Portland, Oregon and he still lives there today. As a Boy Scout (and a Thief) he thought he’d grow up to be an aerospace engineer or an Air Force pilot, but along the way he discovered that he knew how to use computers and that people would pay him to do it; he dove into the world of Tech Support and has been living there ever since. He collects vintage computers, and has nearly a hundred different systems in his collection; his daughter loves playing Apple II games. He’s still playing in a regular weekly RPG group, bouncing around between D&D, Rifts, Pathfinder, and other systems. He’s been playing with three of the people in that group for nearly fifteen years.

That’s one thing I found when I was traveling around the world: gaming is something that holds people together. Back in 2009, my Scottish host John McLintock said that what he loved about gaming was that it created a “personal mythology” – a shared set of stories that his friends still told decades later. What I love most about roleplaying is the collaborative aspect of it. It’s a story I create with my friends, and even when I’m the game master I don’t know how it will end.

I’d like to thank Ed and everyone who’s shared a story or rolled some dice with me. If you or someone you know would like to take part in Stories & Dice, my address is PO Box 13250, Portland OR 97213. Please include your email address so I can follow up with you! You can also catch me at a convention, though I don’t have anything scheduled for the next few months.

Thanks for reading, and I hope I’ll hear your story soon.

Over The Edge

From high school on, I knew I wanted to write roleplaying games. What I didn’t know was how to get that job. In 1997 I responded to an open call online… Atlas Games was looking for submissions for Forgotten Lives, a collection of adventures for Jonathan Tweet’s Over The Edge. I submitted a piece called “Dreaming On The Verge Of Strife”, about conspiracies that only exist in peoples’ dreams… a theme I’d later revisit in Eberron with the Dreaming Dark. The image above is one of Grey Thornberry’s pieces from “Dreaming…” My friend Lee Moyer and I collaborated on a host of ideas for the next OTE anthology, a collection of businesses called At Your Service. “The Rose Hotel” is one of my favorite creations, and a scenario I still enjoy running today.

Why am I bringing this up now? Because there’s never been a better time for you to explore Over The Edge. For the next nine days, the Bundle of Holding is offering a comprehensive collection of DRM-free Over The Edge PDFs. For $5.95 you get the rulebook, player’s guide, and a novel by Robin D. Laws. If you beat the average price, you get a stack of supplements, including Forgotten Lives and At Your Service.

What is Over The Edge? The tagline is “The roleplaying game of surreal danger.” Set in roughly modern day, it’s based on the bizarre island of Al Amarja – a haven for all manner of conspiracies and curiosities. Mash together Fringe, The Twilight Zone, Naked Lunch, Illuminati and Fear And Loathing In Las Vegas and you’ve got something that tastes like Al Amarja. It’s got a simple rules system that encourages creativity and can handle almost any character you can come up with; I’d describe it in more detail, but hey, for six dollars you can see for yourself. Because of the flexibility of setting and system, it can support many different playstyles. I’ve had players who played simple, serious characters – the secret agent on a mission, the reporter determined to get the Big Story, the local gamer who knows everybody. Others drifted slightly further from the beaten path… a Kaiju trapped in a human body; a cowboy abducted by aliens and dropped off in the present day; Kurt Cobain seen through the lens of Six-String Samurai; Phil Lovecraft, private eye. And then there’s been some very odd characters, such as Zombie Jesus and Five Ducks In A Battlesuit. The beauty of Over The Edge is that the system handles all these concepts with ease – and that the setting can encompass all of them. Over The Edge also includes one of my favorite game mechanics of all time – Robin D. Law’s Cut-Ups Method, included in the Weather The Cuckoo Likes supplement.

Whenever I prepare an Over The Edge adventure, I like to provide the players with the latest issue of Al Amarja Today (something suggested in the rules). Here’s an example…

To put things in perspective, one of the PCs in the campaign was Jan Brady: Ninja. No one pays attention to Jan Brady… so when she grew up, she put that talent to use as a professional ninja. Of course she continues to be overshadowed by her sister Marcia, who is not only a musical superstar but also a better ninja than Jan. This ties to one of ways OTE influenced Eberron. While the game provides all sort of details about the setting, it encourages you to pick and choose what you want – and to change things to fit your game. In “canon” Over The Edge, the beloved singer-songwriter with the Good Tunes is Karla Sommers. When my friend came to me with the idea of playing Jan, I just changed “Karla” to “Marcia”. It gave me a host of material to work with, but now completely revolving around the PC. That attitude to “canon” – something to serve as a starting point and source of inspiration, not something that limits the game – directly influenced my approach to Eberron.

Anyhow: Over The Edge has long been one of my favorite RPGs, and The Bundle of Holding is a fantastic opportunity to pick it up. So check it out!

Stories And Dice

A few years back I told Jenn “You know what would be awesome? A gumball machine filled with dice.” I forgot about it… she didn’t. So meet the newest addition to our house. It’s just as awesome as I expected, but it’s not a small machine. Jenn included a few pounds of dice as part of the present, and I’ve added in all the loose dice I had around the house, but that’s still left us with a significant amount of room at the top. And that gave me an idea.

As gamers, dice are our faithful (and sometimes treacherous) companions and tools. We have our favorites, we have superstitions, we have memories of amazing critical hits and tragic fumbles. One of my favorite experiences during my Have Dice Will Travel tour was the story of how D&D came to Bulgaria… in particular, how for many years it was very difficult for Bulgarian gamers to acquire dice. A set of dice was a relic to be treasured by a gaming group. At one point the first Bulgarian gamer had to sell some of his dice to raise rent money. Stop and think about that for a moment: you need some significant cash, fast, so what do you do? Sell some dice, right? At the end of my trip to Bulgaria, my guide Stefan gave me one of those very dice (both pictured below), and that little grey die is one of my regulars today. It’s not much to look at, but once upon a time it was one of the only dice in Bulgaria.

Dice aside, I love hearing people’s stories about how they started gaming, why they play, or favorite moments. It’s especially great to hear from people who have enjoyed something I’ve done – to hear YOUR stories of Eberron, Gloom, or anything else. Last year at Calgary Expo I met a pair of newlyweds who’d met in an Eberron campaign; the year before I met a soldier whose unit played Eberron in Iraq using dice made out of toilet paper.

So I have a diceball machine with empty space at the top, and thousands of people out there whose stories I haven’t heard. I could just buy another two pounds of dice, but I thought I’d do something different. I want you to send me a die and a story. It doesn’t have to be your favorite die, and it doesn’t have to be an epic story; just tell me something about you. Why do you game? What was one of your favorite moments? If you played in Eberron, what’s the most awesome thing you did there? I’ve made a layer of white at the top of the machine so I can tell where the story dice begin, and if we get enough I’ll drain it from below. Perhaps someday every die in the machine will have a story.

If you’d like to take part, send your die and your story to:

Keith Baker

PO Box 13250

Portland, OR 97213

… or catch up with me in person somewhere! Let me know if it’s all right to share your story with others, and make sure to include your email address so I can follow up with you. And please pass this along to anyone you know who might be interested.

As long as I’m talking about the stories of dice, I’d be remiss if I didn’t mention The Bones, an anthology assembled by the brilliant Will Hindmarch. The Bones includes stories from Kenneth Hite, Matt Forbeck, John Kovalic, and many others… including a more detailed account of my time in Bulgaria.

In the days ahead I’ll be writing about Phoenix, Gloom, and the many exciting projects I’ve got lined up for 2014. I’ll be back with more Eberron Q&As. Until then, I hope you’re having a fantastic holiday, and I hope you’ll share a story with me!